Ada Raev: Russische Künstlerinnen der Moderne (1870-1930). Historische Studien, Kunstkonzepte, Weiblichkeitsentwürfe (2002) [German]
Filed under book | Tags: · art history, art theory, avant-garde, painting, russia, sculpture, theatre, women
“Mit ihren Werken, ihren theoretischen Positionen und ihren Aktivitäten im zeitgenössischen Kunstleben haben russische Künstlerinnen die Geschichte der russischen und europäischen Kunst zwischen 1880 und 1930 wesentlich mitgeprägt.
Das Buch spürt den mentalitätsgeschichtlichen, politischen und institutionellen Voraussetzungen des Phänomens “Russische Künstlerinnen der Moderne” nach und stellt ihr Wirken im zeitgenössischen Kanon der Künste (Kunsthandwerk, Graphik und Buchkunst, Malerei, Plastik, Szenographie) vor.”
Publisher Wilhelm Fink, Munich, 2002
Open access
ISBN 3770536991, 9783770536993
451 pages
Reviews: Renate Berger (kritische berichte 2004), Karoline Hille (Frauen Kunst Wissenschaft 2004), Alexandra Oberländer (Jahrbücher für Geschichte Osteuropas 2005).
Comment (0)Leslie Martin, Ben Nicholson, Naum Gabo (eds.): Circle: International Survey of Constructive Art (1937/1971)
Filed under book | Tags: · abstract art, abstraction, architecture, art, art criticism, art history, art theory, avant-garde, constructivism, painting, sculpture
This book contains work and writings by virtually all the leading architects and artists of the international constructivism of the 1930s.
First published in London, 1937.
Reprinted by Praeger Publishers, New York, 1971
viii+291 pages
in the Unlimited Edition
PDF (58 MB, no OCR)
Comment (1)Carl Andre, Hollis Frampton: 12 Dialogues, 1962–1963 (1980)
Filed under book | Tags: · aesthetics, art, art criticism, avant-garde, film, literature, music, painting, photography, sculpture
Twelve conversations between the minimalist sculptor Carl Andre and his close friend, photographer-filmmaker Hollis Frampton, about sculpture, photography, painting, music, literature, poetry and film. The two generated the dialogues over the course of a year, from October 1962 to September 1963 mostly on evenings and weekends in Andre’s one-room apartment in Brooklyn. A number of the dialogues begin with a discussion of recently shared art encounters, proceeding to examine a wide range of topics, including the development of avant-garde aesthetics, the significance of Duchamp, the legacy of the New York School, the relevance of photography, etc.
Edited and annotated by Benjamin H.D. Buchloh
Publisher The Press of the Nova Scotia College of Art and Design and New York University Press, 1980
ISBN 0919616178, 9780919616172
134 pages
via x
PDF (first 93 of 134 pages, 24 MB)
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