Filed under book | Tags: · 1700s, 1800s, abolitionism, asia, black people, capitalism, colonialism, dialectic, governance, history, imperialism, indigenous peoples, intimacy, knowledge, labour, liberalism, marxism, narrative, race, slavery, trade, united states, violence
“In this uniquely interdisciplinary work, Lisa Lowe examines the relationships between Europe, Africa, Asia, and the Americas in the late eighteenth- and early nineteenth- centuries, exploring the links between colonialism, slavery, imperial trades and Western liberalism. Reading across archives, canons, and continents, Lowe connects the liberal narrative of freedom overcoming slavery to the expansion of Anglo-American empire, observing that abstract promises of freedom often obscure their embeddedness within colonial conditions. Race and social difference, Lowe contends, are enduring remainders of colonial processes through which “the human” is universalized and “freed” by liberal forms, while the peoples who create the conditions of possibility for that freedom are assimilated or forgotten. Analyzing the archive of liberalism alongside the colonial state archives from which it has been separated, Lowe offers new methods for interpreting the past, examining events well documented in archives, and those matters absent, whether actively suppressed or merely deemed insignificant. Lowe invents a mode of reading intimately, which defies accepted national boundaries and disrupts given chronologies, complicating our conceptions of history, politics, economics, and culture, and ultimately, knowledge itself.”
Publisher Duke University Press, Durham, NC, June 2015
ISBN 9780822358633, 0822358638
Discussion: Gayatri Gopinath, Alyosha Goldstein, Moon-Ho Jung, Stephanie Smallwood (book roundtable at ASA Conference, Toronto, 2015, video).
Reviews: John Holmwood (Theory, Culture & Society, 2016), Betty Joseph (American Historical Review, 2016), Hossein Ayazi (Qui Parle, 2016), Michael Gaffney (Journal of American Studies, 2016), Adam Nemmers (Women’s Studies, 2016), Marion C. Rohrleitner (Pacific Historical Review, 2016), Lance Bertelsen (Modern Philology, 2017), Harrod J Suarez (Melus: Multi-Ethnic Literature of the U.S., 2017), Jesse van Amelsvoort (Nexus Instituut, n.d.), Hadley Howes (Antipode, 2020).
Leigh Claire La Berge: Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (2019)
Filed under book | Tags: · aesthetics, animal, art, capital, capitalism, children, commodity, debt, economics, labour, money, neoliberalism, socially engaged art, value, work
“The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. In Wages Against Artwork Leigh Claire La Berge shows how socially engaged art responds to and critiques what she calls decommodified labor—the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which socially engaged artists relate to work, labor, and wages, La Berge examines how artists and organizers create institutions to address their own and others’ financial precarity; why the increasing role of animals and children in contemporary art points to the turn away from paid labor; and how the expansion of MFA programs and student debt helps create the conditions for decommodified labor. In showing how socially engaged art operates within and against the need to be paid for work, La Berge offers a new theorization of the relationship between art and contemporary capitalism.”
Publisher Duke University Press, Durham, NC, August 2019
ISBN 1478004231, 9781478004233
Review: Noni Brynjolson (Field, 2020).
Interviews with author: Andreas Petrossiants (e-flux, 2018, podcast), Wen Zhuang (LA Review of Books, 2020), Andreas Petrossiants (Brooklyn Rail, 2020), Pierre d’Alancaisez (New Books Network, 2021, podcast).Comment (0)
Filed under artists publishing | Tags: · capitalism, computation, labour, poetry
“Of the Subcontract is a collection of poems about computational capitalism, each of which was written by an underpaid worker subcontracted through Amazon.com’s Mechanical Turk service. The collection is ordered according to cost-of-production and repurposes metadata about the efficiency of each writer to generate informatic typographic embellishments. Those one hundred poems are braced between two newly commissioned essays; the whole book is threaded with references to Jean-Jacques Rousseau, Wolfgang von Kempelen, and the emerging iconography of cloud living.
Of the Subcontract reverses out of the database-driven digital world of new labour pools into poetry’s black box: the book. It reduces the poetic imagination to exploited labour and, equally, elevates artificial artificial intelligence to the status of the poetic. In doing so, it explores the all-too-real changes that are reforming every kind of work, each day more quickly, under the surface of life.”
Foreword by McKenzie Wark
Afterword by Darren Wershler
Publisher information as material, York, 2013
Creative Commons BY 3.0 Unported License
ISBN 1907468188, 9781907468186