Roswitha Mueller: Bertolt Brecht and the Theory of Media (1989)
Filed under book | Tags: · aesthetics, cinema, film, film theory, media, media theory, opera, politics, radio, theatre

Bertolt Brecht spent a career puncturing artistic illusion while casting a spell as an innovator that has continued since his death in 1956. Best known to theater goers for “The Threepenny Opera,” “Mother Courage and her Children,” “The Caucasian Chalk Circle” and other production, the great playwright was, in fact, a man of all media. He was interested in radio and the cinema as soon as they appeared in Europe and brought to them, as well as to the stage, a dramatic theory so radical and influential that it has come to be known by the adjective “Brechtian.”
Publisher University of Nebraska Press, Lincoln & London, 1989
Modern German Culture and Literature series
ISBN 0803231326, 9780803231320
149 pages
Reviews: Katie Trumpener, Susan Bennett (Theatre Research International).
PDF (no OCR)
Comment (0)Colin MacCabe: Godard: Images, Sounds, Politics (1980)
Filed under book | Tags: · cinema, film, film theory, maoism, montage, photography, politics, sexuality, technology, television

Godard: Images, Sounds, Politics is an important step in making Godard’s experiments in image and sound beyond the institutions of cinema and television visible. It reads the earlier films through the more recent work, focusing on politics, technology and sexuality. These insistent themes dominate Godard’s investigation of our representation in the image, a representation always inflected by sound. These terms enable us to understand more critical the circulation of money and images in which we participate, a circulation which Godard’s work cuts across.” (from the back cover)
Includes essays by Colin MacCabe, Laura Mulvey, and Mick Eaton. Also features interviews with Godard, a filmography, and a selected bibliography. Printed in black-and-white.
With Mick Eaton and Laura Mulvey
Design Richard Hollis
Publisher The Macmillan Press, London and Basingstoke, 1980
British Film Institute Cinema series
ISBN 0333290739, 9780333290736
175 pages
review of the book’s design (Eye Magazine)
Comment (0)New German Critique 49: Special Issue on Alexander Kluge (1990)
Filed under journal | Tags: · cinema, film, film criticism, film theory, politics, television

With texts by Alexander Kluge, Eric Rentschler, Timothy Corrigan, Helke Sander, Heide Schluepmann, Gertrud Koch, Richard Wolin, John Rajchman, and Marc Silberman.
Editors: David Bathrick, Helen Fehervary, Miriam Hansen, Andreas Huyssen, Anson Rabinbach, Jack Zipes
Publisher Telos Press, New York, Winter 1990
196 pages
See also October 46: Alexander Kluge: Theoretical Writings, Stories and an Interview, 1988.
Kluge at Monoskop wiki