Alexander Kluge: Raw Materials for the Imagination (2012)
Filed under book | Tags: · art, cinema, documentary film, experimental film, film, film theory, opera, politics, public sphere, television
“Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer. This book – the first of its kind in English – comprises a wide selection of texts, including articles and stories by Kluge, television transcripts, critical essays by renowned international scholars, and interviews with Kluge himself. It will be a valuable resource for students and scholars in the fields of film, television, and literary studies, as well as those interested in exploring the intersections between art, politics, and social change.”
Edited by Tara Forrest
Publisher Amsterdam University Press, 2012
Film Culture in Transition series
Creative Commons BY-NC-ND 3.0 License
ISBN 9089642722, 9789089642721
440 pages
PDF (15 MB)
Comment (0)Jump Cut: A Review of Contemporary Media, No. 1-54 (1974-2011)
Filed under journal | Tags: · cinema, experimental film, feminism, film, film criticism, film theory, left, media criticism, media theory, new media, politics, video
JUMP CUT: A REVIEW OF CONTEMPORARY MEDIA is run on a nonprofit basis by its staff and is not affiliated with or supported by any institution. Begun in 1974 as a film publication, JUMP CUT now publishes material on film, television, video, new media, and related media and cultural analysis. As a print publication till 2001, JUMP CUT circulated 4000 copies per issue in North America and internationally to a wide range of readers including students, academics, media professionals, political activists, radicals interested in culture, film and video makers, and others interested in the radical analysis of mass culture and opposition media. Now, with free online access, the readership is much larger and more international.
Editors: John Hess, Chuck Kleinhans, Julia Lesage
Licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License.
View online (Current issue; HTML articles)
View online (Back issues; HTML articles)
International Journal of Žižek Studies, Vol. 1-4 (2007-2010) [English/multiling.]
Filed under journal | Tags: · cinema, communism, film, ideology, philosophy, politics, psychoanalysis, theology, theory, video
The International Journal of Žižek Studies (IJŽS) is an online, peer-reviewed academic journal devoted to investigating, elaborating, and critiquing the work of Slavoj Žižek. IJŽS is an interdisciplinary journal that is open and welcoming to diverse approaches, methodologies, interpretations, and language of composition.
Vol 4, No 4 (2010): Special Issue – Žižek’s Theology: Guest Editor – Marcus Pound
Vol 4, No 0 (2010): Žižek on Wagner
Vol 4, No 3 (2010): Latin American/Iberian Issue Part 1 [Guest Editors – Roque Farran & Imanol Galfarsoro] & General Articles
Vol 4, No 2 (2010): Žižek’s Communism – Guest Editors: Matthew Sharpe & Geoffrey Boucher
Vol 4, No 1 (2010): Žižek and Ideology – Guest Editors: Heiko Feldner and Fabio Vighi
Vol 3, No 4 (2009): Žižek in Tehran – Guest Editor Nathan Coombs
Vol 3, No 3 (2009)
Vol 3, No 2 (2009): Korean Special Issue: Guest Editor – Myoung Ah Shin
Vol 3, No 1 (2009)
Vol 2, No 4 (2008): Žižek and Lacan
Vol 2, No 3 (2008): Žižek on Video
Vol 2, No 2 (2008): Žižek and Hegel + additional papers
Vol 2, No 0 (2008): Žižek po Polsku
Vol 2, No 1 (2008): Graduate Student Special Issue
Vol 1, No 4 (2007): Zizek and Heidegger
Vol 1, No 3 (2007): Žižek and Cinema
Vol 1, No 2 (2007): Žižek & Badiou
Vol 1, No 1 (2007): Why Žižek?
Vol 1, No 0 (2007): Backstory: Previously Published Material
Edited by Paul A. Taylor and David J. Gunkel
ISSN: 1751-8229