Filed under book | Tags: · art criticism, black people, blackness, colonialism, decolonization, film criticism, politics, postcolonialism, theory
“Creating a far-reaching and original dialogue between cultural theory and visual practice, the rich insights which emerge from this publication explain why Frantz Fanon’s seminal texts of the 1950s and 60s – Black Skin, White Masks and The Wretched of the Earth – have re-emerged at the forefront of postcolonial studies.
This collection of texts and dialogues work with Fanon’s ideas in understanding how narrative, the media, image, and symbol lie at the very heart of the practice of politics and social knowledge.
Originating from the symposium Working with Fanon held during the season Mirage: Enigmas of Race, Difference and Desire (ICA, London, 1995).”
Contributors: Martina Attille, Homi K. Bhabha, Renée Green, Stuart Hall, Lyle Ashton Harris, bell hooks, Isaac Julien, Marc Latamie, Steve McQueen, Kobena Mercer, Mark Nash, Raoul Peck, Alan Read, Ntozake Shange, Gilane Tawadros, Françoise Vergès, Lola Young.
Publisher ICA, London, in association with Iniva, London, and Bay Press, Seattle, 1996
ISBN 1900300028, 9781900300025
PDF (3 MB)Comment (0)
Filed under book | Tags: · black people, blackness, body, colonialism, consciousness, creolization, human, human ecology, indigenous peoples, knowledge, land, migration, modernity, philosophy, race, racism, representation, slavery, territory, theory, violence
“The Jamaican writer and cultural theorist Sylvia Wynter is best known for her diverse writings that pull together insights from theories in history, literature, science, and black studies, to explore race, the legacy of colonialism, and representations of humanness. Sylvia Wynter: On Being Human as Praxis is a critical genealogy of Wynter’s work, highlighting her insights on how race, location, and time together inform what it means to be human. The contributors explore Wynter’s stunning reconceptualization of the human in relation to concepts of blackness, modernity, urban space, the Caribbean, science studies, migratory politics, and the interconnectedness of creative and theoretical resistances. The collection includes an extensive conversation between Sylvia Wynter and Katherine McKittrick that delineates Wynter’s engagement with writers such as Frantz Fanon, W. E. B. DuBois, and Aimé Césaire, among others; the interview also reveals the ever-extending range and power of Wynter’s intellectual project, and elucidates her attempts to rehistoricize humanness as praxis.”
Essays by Katherine McKittrick, Denise Ferreira da Silva, Walter D. Mignolo, Bench Ansfield, Nandita Sharma, Rinaldo Walcott, Carole Boyce Davies, Demetrius L. Eudell, and a conservation with Sylvia Wynter.
Edited by Katherine McKittrick
Publisher Duke University Press, Durham and London, 2015
ISBN 9780822358343, 0822358344
Reviews: Anthony Bayani Rodriguez (Antipode, 2015), Lea Hülsen (Kult, 2016), Kaiama L. Glover (Contemporary Women’s Writing, 2016), Inge Mathijssen (philoSOPHIA, 2018), Lauren Nelson (E3W Review of Books, 2019).Comment (0)
Filed under catalogue | Tags: · colonialism, non-aligned movement, politics, yugoslavia
“This catalogue emphasises the ideas, ideals and principles of the movement, particularly in close connection with its cultural policies and place them in a contemporary context with the question: Could there be a non-aligned contemporaneity? And if so, what would it be like? However, the topics covered in the exhibition are not to be considered some kind of exoticism of the past, nor do they harbor nostalgia for the movement itself. Instead, the focus is on the way the “southern constellations” envisioned forms of politics that took as their starting point the life of peoples and societies that had been forcibly relegated to the margins of the global economic, political and cultural system. Struggles against poverty, inequality, and colonialism in the world system coupled with transnational solidarity which took many concrete forms could be included in a reconsideration of the history and legacies of the NAM today.”
Edited by Tamara Soban
Publisher Moderna galerija, Ljubljana, 2019
ISBN 9789612061371 (EN)