Filed under book | Tags: · art and science, art criticism, computer art, computing, holography, kinetic art, media art, photography, technology
An early treatise on art, science and technology based on the series of articles written for Studio International.
Publisher Praeger, New York, 1972
Review: John H. Holloway (Leonardo, 1975).
PDF (46 MB)
See also Jonathan Bentham’s Technological Art and Studio International‘s Eclectic Vanguardism, 2017.
Filed under magazine | Tags: · art, computer art, computer graphics, concrete poetry, op art, visual poetry
An issue of ICA London’s magazine dedicated to the seminal exhibition exploring relationships between arts and cybernetics, Cybernetic Serendipity. Contains texts by Martin Gardner on Op art, Pierre Barbaud on information theory and music, Charles Csuri on his computer art, and an essay on Andrew Rawlinson’s concrete poetry.
Edited by Jasia Reichardt
Publisher Institute of Contemporary Arts, London, Aug 1968
PDF (41 MB)Comment (0)
Filed under booklet | Tags: · computer art, electronic art, media art, software art
“The programme booklet and programme flyer of a festival (“rencontre”) on computer culture organised by the French organisation C.I.R.C.A. in Villeneuve-lez-Avignon, 8-31 July 1983.
This was an important meeting of the French (and US-American) art, technology and science scene at the time; participants included Vilém Flusser, Edmond Couchot, Ted Nelson, Lilian Schwartz, Benoît Mandelbrot, Jean-Pierre Balpe, and many others. The programme included workshops e.g. by Michel Bret, Hervé Huitric, Monique Nahas, and by ALAMO.
This is also four months before the exhibition ELECTRA opened in Paris, in November 1983.”
Publisher CIRCA, Villeneuve-lez-Avignon, 1983
via Andreas Broeckmann
PDF (20 MB)Comment (0)