Filed under book | Tags: · accelerationism, capitalism, class, counterculture, desire, marxism, postcapitalism, theory
“This collection of lecture notes and transcriptions reveals acclaimed writer and blogger Mark Fisher in his element — the classroom — outlining a project that Fisher’s death left unfinished.
Beginning with that most fundamental of questions — “Do we really want what we say we want?” — Fisher explores the relationship between desire and capitalism, and wonders what new forms of desire we might still excavate from the past, present, and future. From the emergence and failure of the counterculture in the 1970s to the continued development of his left-accelerationist line of thinking, this volume charts a tragically interrupted course for thinking about the raising of a new kind of consciousness, and the cultural and political implications of doing so.
For Fisher, this process of consciousness raising was always, fundamentally, psychedelic — just not in the way that we might think.”
Edited and with an introduction by Matt Colquhoun
Publisher Repeater Books, London, 2020
Filed under book | Tags: · art, art education, art history, avant-garde, counterculture, education
“With faculty and alumni that included John Cage, Robert Creeley, Merce Cunningham, Buckminster Fuller, Charles Olson, Josef and Anni Albers, Paul Goodman, and Robert Rauschenberg, Black Mountain College ranked among the most important artistic and intellectual communities of the twentieth century. In his groundbreaking history, Martin Duberman uses interviews, anecdotes, and research to depict the relationships that made Black Mountain College what it was. Black Mountain documents the college’s twenty-three-year tenure, from its most brilliant moments of self-reinvention to its lowest moments of petty infighting. It records the financial difficulties that beleaguered the community throughout its existence and the determination it took to keep the college in operation. Duberman creates a nuanced portrait of this community so essential to the development of American arts and counterculture.”
Publisher Dutton, New York, 1972; Anchor Books, Garden City, NY, 1973
ISBN 0385070594. 9780385070591
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William Andrews: Dissenting Japan: A History of Japanese Radicalism and Counterculture, from 1945 to Fukushima (2016)
Filed under book | Tags: · art history, counterculture, cultural history, dissent, japan, politics, protest, radicalism, social movements
“Following the March 2011 Tsunami and Fukushima nuclear crisis, the media remarked with surprise on how thousands of demonstrators had flocked to the streets of Tokyo. But mass protest movements are nothing new in Japan. The post-war period experienced years of unrest and violence on both sides of the political spectrum: from demos to riots, strikes, campus occupations, factional infighting, assassinations and even international terrorism.
This is the first comprehensive history in English of political radicalism and counterculture in Japan, as well as of the artistic developments during this turbulent time. It chronicles the major events and movements from 1945 to the new flowering of protests and civil dissent in the wake of Fukushima. Introducing readers to often ignored aspects of Japanese society, it explores the fascinating ideologies and personalities on the Right and the Left, including the student movement, militant groups and communes. While some elements parallel developments in Europe and America, much of Japan’s radical recent past (and present) is unique and offers valuable lessons for understanding the context to the new waves of anti-government protests the nation is currently witnessing.”
Publisher Hurst, London, 2016
ISBN 9781849045797, 1849045798
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