William Andrews: Dissenting Japan: A History of Japanese Radicalism and Counterculture, from 1945 to Fukushima (2016)
Filed under book | Tags: · art history, counterculture, cultural history, dissent, japan, politics, protest, radicalism, social movements
“Following the March 2011 Tsunami and Fukushima nuclear crisis, the media remarked with surprise on how thousands of demonstrators had flocked to the streets of Tokyo. But mass protest movements are nothing new in Japan. The post-war period experienced years of unrest and violence on both sides of the political spectrum: from demos to riots, strikes, campus occupations, factional infighting, assassinations and even international terrorism.
This is the first comprehensive history in English of political radicalism and counterculture in Japan, as well as of the artistic developments during this turbulent time. It chronicles the major events and movements from 1945 to the new flowering of protests and civil dissent in the wake of Fukushima. Introducing readers to often ignored aspects of Japanese society, it explores the fascinating ideologies and personalities on the Right and the Left, including the student movement, militant groups and communes. While some elements parallel developments in Europe and America, much of Japan’s radical recent past (and present) is unique and offers valuable lessons for understanding the context to the new waves of anti-government protests the nation is currently witnessing.”
Publisher Hurst, London, 2016
ISBN 9781849045797, 1849045798
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Filed under book | Tags: · 1970s, art, counterculture, family, feminism, film, health care, publishing, theatre, women
“Published in 1973, The New Woman’s Survival Catalog is a seminal survey of Second Wave feminist efforts, which, as the editors noted in their introduction, represented an “active attempt to reshape culture through changing values and consciousness.”
Assembled by Kirsten Grimstad and Susan Rennie in only five months, The New Woman’s Survival Catalog makes a nod to Stewart Brand’s influential Whole Earth Catalog to map a vast network of feminist alternative cultural activity in the 1970s. Grimstad and Rennie set out on a two month road trip in the summer of 1973, meeting and interviewing all the featured organizations and individuals, and gathering information and further references along the way to complete the publication.
From arts organizations to bookstores and independent presses, health, parenting, and rape crisis centers, and educational, legal and financial resources, this book provides crucial insight into feminist initiatives and activism nationwide during the Women’s Movement. Styled as a sales catalog, The New Woman’s Survival Catalog comprises listings and organizational descriptions, articles, and extensive illustrations, as well as a ‘Making the Book’ section, detailing the publication’s production.”
Publisher Coward, McCann & Geoghegan/Berkeley Publishing Corporation, New York, 1973
ISBN 9780698105676, 0698105672
via Let’s Re-make, HT falprit
Fred Turner: The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties (2013)
Filed under book | Tags: · 1960s, cold war, counterculture, cultural history, liberalism, mass culture, underground
“We commonly think of the psychedelic sixties as an explosion of creative energy and freedom that arose in direct revolt against the social restraint and authoritarian hierarchy of the early Cold War years. Yet, as Fred Turner reveals in The Democratic Surround, the decades that brought us the Korean War and communist witch hunts also witnessed an extraordinary turn toward explicitly democratic, open, and inclusive ideas of communication and with them new, flexible models of social order. Surprisingly, he shows that it was this turn that brought us the revolutionary multimedia and wild-eyed individualism of the 1960s counterculture.
In this prequel to his book From Counterculture to Cyberculture, Turner rewrites the history of postwar America, showing how in the 1940s and ’50s American liberalism offered a far more radical social vision than we now remember. Turner tracks the influential mid-century entwining of Bauhaus aesthetics with American social science and psychology. From the Museum of Modern Art in New York to the New Bauhaus in Chicago and Black Mountain College in North Carolina, Turner shows how some of the most well-known artists and intellectuals of the forties developed new models of media, new theories of interpersonal and international collaboration, and new visions of an open, tolerant, and democratic self in direct contrast to the repression and conformity associated with the fascist and communist movements. He then shows how their work shaped some of the most significant media events of the Cold War, including Edward Steichen’s Family of Man exhibition, the multimedia performances of John Cage, and, ultimately, the psychedelic Be-Ins of the sixties. Turner demonstrates that by the end of the 1950s this vision of the democratic self and the media built to promote it would actually become part of the mainstream, even shaping American propaganda efforts in Europe.
Overturning common misconceptions of these transformational years, The Democratic Surround shows just how much the artistic and social radicalism of the sixties owed to the liberal ideals of Cold War America, a democratic vision that still underlies our hopes for digital media today.”
Publisher University of Chicago Press, 2013
ISBN 9780226325897, 022632589X
Reviews: Jathan Sadowski (LA Review of Books, 2014), Carolyn L Kane (J Visual Culture, 2015), Matthew Linton (Society For U.S. Intellectual History Blog, 2015), Craig J. Pearison (J American History, 2016), Katie Simpson (J-History, 2017), Malte Hagener (NECSUS, 2015), Erika J. Pribanic-Smith (Journalism History, 2014), Debra Cash (ArtsFuse, 2014), Alex Sayf Cummings (2014).
Interview with author (Henry Jenkins, 2014), (cont.)
Interview with author (Clay Shirky, Public Books, 2014)
Video lecture (Berkeley, 2014)