Filed under artists publishing, magazine | Tags: · body, choreography, dance, education, labour, movement, performance
A free publication edited by Romana Schmalisch during her residency at Les Laboratoires d’Aubervilliers.
“The first issue analyses the conjunction of dance with Labour Movements of the 1930s (New Dance Group) as well as its use in the industry to enhance efficiency (Laban/Lawrence); it looks at the vague image that we have from various professions, researches the value of the performance of a work and its equivalence in the wage, and considers different forms of abstractions (notations and graphics) and training methods.”
“The second issue focuses on the question of education. In an interview, sociologist Anne Querrien discusses social norms and the school system. In her text, the London-based writer Marina Vishmidt revisits an earlier essay which considered the relationship between contemporary dance and the de-materialization of labour. What changes about this relationship as all employment becomes more and more of a brutal hypothesis in our post-crisis conditions?”
“The last, third, issue deals with what is at stake when one learns a job, with relationships between teachers and students, with various methods of education, and with the way these systems reflect certain social norms.”
Edited by Romana Schmalisch
Publisher Les Laboratoires d’Aubervilliers, Aubervilliers, 2013-2014
24 pages per issue
Filed under book, proceedings | Tags: · aesthetics, dance, theory
Post-dance was a conference held at MDT in Stockholm, 14-16 October 2015, created by Danjel Andersson, André Lepecki and Gabriel Smeets.
“Postdance or Post-dance or POSTDANCE is an open source concept. We reversed a normal conference. Instead of saying what Postdance is, we in vited a wide range of thinkers to fill the concept with us. To let it be open, and a bit weird, and by doing that keeping it urgent. And now post-dance is a book.” (from the Introduction)
Contributions by Alice Chauchat, Ana Vujanović, Andre Lepecki, Jonathan Burrows, Bojana Cvejić, Bojana Kunst, Charlotte Szász, Josefihe Wikström, Ofelia Jarl Ortega, Samlingen, Valeria Graziano, Samira Elagoz, Ellen Söderhult, Edgar Schmitz, Manuel Scheiwiller, Alina Popa, Antonia Rohwetter, and Max Wallenhorst.
Publisher MDT, Stockholm, 2017
Creative Commons BY-SA 4.0 International License
ISBN 9789198389104, 9198389106
Filed under book | Tags: · choreography, croatia, dance, movement
This book covers a period between 2006 and 2016 of the work by Zagreb-based choreographic platform and organisation Sodaberg koreografski laboratorij and its adjacent artists and collaborators. It examines the idea of the artistic archive and memory in the medium of contemporary dance. Dramaturgs, theorists and artists process on different levels a period of structural and contextual challenges in post-transition Croatia as well as noting choreographic practices and points of interest.
With texts and contributions of some of the prominent Dramaturgs, theorist and artists such as Una Bauer, Katja Šimunić, Andrej Mirčev, Mila Pavičević, Pavle Heidler, Tomislav Medak, Marjana Krajač, and others.
Edited by Andrej Mirčev
Publisher Sodaberg koreografski laboratorij, Zagreb, 2016
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