Filed under journal | Tags: · art history, central europe, communism, east-central europe, eastern europe, new tendencies, photography, politics, socialism, southeastern europe
“The tensions between actual and ideal versions of socialism elucidated by East German theorist Rudolf Bahro in 1977 are taken as a starting point for reconsidering East European art from the radical effervescence of the 1960s to the post-utopian twilight of the late 1970s. The special issue is premised on the concept that artistic life in Eastern Europe was profoundly shaped by the structures, conventions and workings of the overarching system, with artists and critics compelled to negotiate its productive contradictions. It examines the quotidian functioning of art scenes across the region that entailed the drawing up of tacit compromises and maintenance of calculated ambiguities in relations between party authorities and artists. Ultimately it was the latent and unrealised promise of actually existing socialism as much as its demonstrative failings that marked a crucial difference in the attitude of East European artists to the utopian reverberations of the era.”
With texts by Maja Fowkes & Reuben Fowkes, Tomáš Pospiszyl, Tomasz Załuski, Zsuzsa László, Daniel Grúň, Candice M Hamelin, Hana Buddeus, Alina Șerban, Raino Isto, Sonja Simonyi, Marko Ilić, and Armin Medosch.
Edited by Reuben Fowkes
Publisher Routledge, July 2018
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Martin Kohlrausch: Brokers of Modernity: East Central Europe and the Rise of Modernist Architects, 1910-1950 (2019)
Filed under book | Tags: · architecture, central europe, east-central europe, eastern europe, history of architecture, modernism, poland
“The first half of the twentieth century witnessed the rise of modernist architects. Brokers of Modernity reveals how East Central Europe turned into one of the pre-eminent testing grounds of the new belief system of modernism. By combining the internationalism of the CIAM organization and the modernising aspirations of the new states built after 1918, the reach of modernist architects extended far beyond their established fields. Yet, these architects paid a price when Europe’s age of extremes intensified.
Mainly drawing on Polish, but also wider Central and Eastern European cases, this book delivers a pioneering study of the dynamics of modernist architects as a group, including how they became qualified, how they organized, communicated and attempted to live the modernist lifestyle themselves. In doing so, Brokers of Modernity raises questions concerning collective work in general and also invites us to examine the social role of architects today.”
Publisher Leuven University Press, 2019
Creative Commons BY-NC-ND 4.0 International License
ISBN 9462701725, 9789462701724
Katalin Cseh-Varga, Adam Czirak (eds.): Performance Art in the Second Public Sphere: Event-Based Art in Late Socialist Europe (2018)
Filed under book | Tags: · art history, body art, communism, east-central europe, eastern europe, happening, performance, performance art, public sphere, socialist realism, southeastern europe, theatre, underground
“Performance Art in the Second Public Sphere is the first interdisciplinary analysis of performance art in East, Central and Southeast Europe under socialist rule. By investigating the specifics of event-based art forms in these regions, each chapter explores the particular, critical roles that this work assumed under censorial circumstances.
The artistic networks of Yugoslavia, Hungary, Latvia, Lithuania, Poland, Romania, East Germany and Czechoslovakia are discussed with a particular focus on the discourses that shaped artistic practice at the time, drawing on the methods of Performance Studies and Media Studies as well as more familiar reference points from art history and area studies.”
Contributors: Roddy Hunter, Miško Šuvaković, Dietmar Unterkofler, Ileana Pintilie, Cristian Nae, Andrej Mirčev, Andrea Bátorová, Berenika Szymanski-Düll, Kata Krasznahorkai, Laine Kristberga, Adam Czirak, Amy Bryzgel, Jasmina Tumbas, Beáta Hock, Angelika Richter, Maja Fowkes and Reuben Fowkes.
Publisher Routledge, London, 2018
ISBN 9781138723276, 1138723274