Filed under booklet | Tags: · computer art, electronic art, media art, software art
“The programme booklet and programme flyer of a festival (“rencontre”) on computer culture organised by the French organisation C.I.R.C.A. in Villeneuve-lez-Avignon, 8-31 July 1983.
This was an important meeting of the French (and US-American) art, technology and science scene at the time; participants included Vilém Flusser, Edmond Couchot, Ted Nelson, Lilian Schwartz, Benoît Mandelbrot, Jean-Pierre Balpe, and many others. The programme included workshops e.g. by Michel Bret, Hervé Huitric, Monique Nahas, and by ALAMO.
This is also four months before the exhibition ELECTRA opened in Paris, in November 1983.”
Publisher CIRCA, Villeneuve-lez-Avignon, 1983
via Andreas Broeckmann
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Filed under book | Tags: · art criticism, electronic art, internet, media, media art, technology, virtual reality
“All things digital dominate the discourse of the nineties and inspire opinion that ranges from the outrage of the neo-Luddite to the heady optimism of the digiphile. In this collection, the most provocative voices of the Digital Age grapple with the direction of digital technology and its concomitant issues, including virtual identities and their relationship to the physical self, the collision of commercial and community interests on the Net, the Net threat to intellectual property, and the merger of art, popular culture, and commerce in interactive media.” (book jacket)
Texts and interviews by Sadie Plant, Jaron Lanier, R.U. Sirius, Sherry Turkle, Lev Manovich, Rudolf Frieling, Simon Biggs, Siegfried Zielinski, a.o.
Publisher Bay Press, Seattle, 1996
ISBN 0941920429, 9780941920421
Review: Steve Jones (Signs, 1999).
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Filed under book | Tags: · art, computer art, computing, electronic art, internet, media, media art, technology, theory, video art, virtual reality, web
“For the past two decades the Austrian-based Ars Electronica, Festival for Art, Technology, and Society has played a pivotal role in the development of electronic media. Linking artistic practice and critical theory, the annual festival and symposium bring together scientists, philosophers, sociologists, and artists in an ongoing discourse on the effects of digital media on creativity—and on culture itself.
Drawing on the resources of Ars Electronica’s publications and archives, this anthology collects the essential works that form the core of a contemporary art long dismissed as too technical or inaccessible. The book includes a critical introduction, full bibliography, and texts and artworks from the key figures in the field.
Among the many contributors are Robert Adrian, Roy Ascott, Jean Baudrillard, Heidi Grundmann, Donna Haraway, Kathy Huffman, Friedrich Kittler, Knowbotic Research, Myron Kruger, Laurent Migonneau, Sadie Plant, Florian Rötzer, Paul Sermon, Carl Sims, Christa Sommerer, Woody Vasulka, Paul Virilio, Peter Weibel, and Gene Youngblood.”
Publisher MIT Press, 1999
Electronic Culture: History, Theory, and Practice series, 1
ISBN 0262041766, 9780262041768
via Ars Electronica