Filed under journal | Tags: · activism, art, contagion, ecology, feminism, food, internationalism, labour, lgbtq, migration, pandemic, quarantine, refugees, resistance, social movements, solidarity, virus
“The world is on fire, with both fever and flame. After a few months of lockdown, things are erupting in new ways. The movement for Black Lives is demanding an end to anti-Black racism and conversations about abolishing the police are on late night television. In North America, a new world appears to be dawning, one that didn’t seem possible even a month ago. Meanwhile, in the new centre of global capitalism, the long-standing Hong Kong movement seems to be on the point of succumbing to a new wave of repression.
Around the world, movements are strategizing about how to ensure that no one is left behind. In April we put out a call for short pieces on this theme. We could see that the imminent arrival of the virus had generated many different struggles – initially pressure to force some states to take action in the first place, resistance to cuts and demanding benefits. Then came struggles characterized by mutual aid, efforts to protect essential workers, and the most vulnerable, such as the homeless, prisoners, the elderly and the undocumented.
This issue contains pieces originally written for our rolling coverage of movements in the virus, as well as a few pieces written especially for this special issue. They represent reflective activists and engaged researchers trying to grasp what their movements were doing, and what they should do, in an unprecedented situation.
The contributions reflect on movements in Argentina, Australia, Austria, Belize, Bosnia and Herzegovina, Brazil, Canada, China, Denmark, Egypt, France, Germany, Greece, Haiti, India, Iran, Ireland, Italy, Japan, Kenya, Mexico, Morocco, Pakistan, Russia, Serbia, Singapore, Spain, Switzerland, Syria, Turkey, the UK, the US and globally and are written in English, French, Portuguese and Spanish.” (from Editorial)
Edited by Sutapa Chattopadhyay, Lesley Wood, and Laurence Cox
Publisher Interface, July 2020
Filed under book | Tags: · biography, body, capitalism, desire, diary, feminism, gender, necropolitics, politics, queer, queer theory, sexuality, theory, transgender, utopia
“A ‘dissident of the gender-sex binary system’ reflects on gender transitioning and political and cultural transitions in technoscientific capitalism.
Uranus, the frozen giant, is the coldest planet in the solar system as well as a deity in Greek mythology. It is also the inspiration for uranism, a concept coined by the writer Karl Heinrich Ulrich in 1864 to define the “third sex” and the rights of those who “love differently.” Following Ulrich, Paul B. Preciado dreams of an apartment on Uranus where he might live beyond existing power, gender and racial strictures invented by modernity. “My trans condition is a new form of uranism,” he writes. “I am not a man. I am not a woman. I am not heterosexual. I am not homosexual. I am not bisexual. I am a dissident of the gender-sex binary system. I am the multiplicity of the cosmos trapped in a binary political and epistemological system, shouting in front of you. I am a uranist confined inside the limits of technoscientific capitalism.”
This book recounts Preciado’s transformation from Beatriz into Paul B., but it is not only an account of gender transitioning. Preciado also considers political, cultural, and sexual transition, reflecting on issues that range from the rise of neo-fascism in Europe to the technological appropriation of the uterus, from the harassment of trans children to the role museums might play in the cultural revolution to come.”
Preface by Virginie Despentes
Publisher Bernard Grasset, Paris, 2019
ISBN 9782246820666, 2246820669
Introduction by Virginie Despentes
Publisher Anagrama, Barcelona, 2019
ISBN 9788433998767, 8433998765
Foreword by Virginie Despentes
Translated by Charlotte Mandell
Publisher Semiotext(e), South Pasadena, CA, 2020
ISBN 9781635901139, 1635901138
Reviews: Eugénie Bourlet (En attendant Nadeau, 2019, FR), Kevin Lambert (Spirale, 2020, FR), Pierre Niedergang (Diacritik, 2019, FR), Thomas Liano (French Studies, 2020, FR), Bernabé Sarabia (El Cultural, 2019, ES), Emilia Holstein (Feminacida, 2020, ES), Alexandra Marraccini (review31, 2020), Megan Milks (4Columns), Bryony White (Frieze, 2020), Kevin Brazil (ArtReview, 2020).
Un appartement sur Uranus: chroniques de la traversée (French, 2019, MOBI)
Un apartamento en Urano: crónicas del cruce (Spanish, 2019)
An Apartment on Uranus: Chronicles of the Crossing (English, trans. Charlotte Mandell, 2020)
Filed under catalogue | Tags: · archive, collaboration, commons, digital culture, digital library, education, feminism, hacking, knowledge, notation, postdigital, privacy, shadow library
“The exhibition OPEN SCORES brought together a series of practices through which artists articulate their specific forms of digital commons. From online archives, to digital tools/infrastructure and educational formats, the projects envision a (post-)digital culture in which notions of collaboration, free access to knowledge, sustainable use of shared resources and data privacy are central. For the exhibition, each of the projects created a unique score to present their practice.”
Participants: Dušan Barok (monoskop.org), Marcell Mars & Tomislav Medak (memoryoftheworld.org), Sebastian Lütgert & Jan Gerber (0xdb.org), Kenneth Goldsmith (ubu.com), Sean Dockray (AAAAARG), Zeljko Blace (#QUEERingNETWORKing), Ruth Catlow & Marc Garrett (furtherfield.org), Laurence Rassel (erg.be), Marek Tuszynski (Tactical Tech), Michael Murtaugh, Femke Snelting & Peter Westenberg (Constant), Stefanie Wuschitz (Mz* Baltazar’s Lab), Panayotis Antoniadis (nethood.org), Alessandro Ludovico (neural.it), Eva Weinmayr (andpublishing.org), spideralex, Sakrowski (curatingyoutube.net), Creating Commons.
Curated by Creating Commons (Shusha Niederberger, Cornelia Sollfrank, Felix Stalder).
Publisher Creating Commons, Jun 2020
Creative Commons BY-SA 4.0 International License
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