Organised Sound: An International Journal of Music and Technology, 14(1): Sound Art (2009)
Filed under journal | Tags: · field recording, music, music theory, sonification, sound, sound art, technology
“Thanks to a variety of contributors, this issue of Organised Sound usefully articulates several definitions of sound art, principally the German Klangkunst vs the US art gallery assumption, the former focusing on the sculptural dimension and site specific, architecture related installations, while the latter deals with more aesthetic and psychological aspects.” (from a Continuo review)
With contributions by Alan Licht, Andreas Engström and Åsa Stjerna, Christoph Cox, Lílian Campesato, Joanna Demers, Dani Iosafat, Claudia Tittel, Julio d’Escriván, Gascia Ouzounian, Owen Chapman, Virginia Madsen, Georg Klein, and a reviews section.
Guest editor Jøran Rudi
Editor Leigh Landy
Publisher Cambridge University Press, April 2009
ISSN 1355-7718
115 pages
Leonardo Music Journal, 23: Sound Art (2013)
Filed under journal | Tags: · art criticism, art history, environment, field recording, installation art, music, music history, music theory, sound, sound art, sound design
The volume contains essays on environmental sound (both pastoral and urban), the spatial distribution of sound, technical innovations, as well as historical and critical contributions.
Contributions by Llorenç Barber, Rafael Liñan, Peter Batchelor, Marc Berghaus, Jane Grant, John Matthias, Mike Blow, Florian Grond, Adriana Olmos, Jeremy R. Cooperstock, Yolande Harris, Jessica Thompson, Edwin van der Heide, Emma Whittaker, Jos Mulder, Colin Wambsgans, Florian Hollerweger, David Monacchi, Rob van Rijswijk, Jeroen Strijbos, Yuan-Yi Fan, David Minnen, Jess Rowland, Jay Needham, Eric Leonardson, Ricardo Arias, Gascia Ouzounian, Simon Polson, Daniele Balit, Ethan Rose, Dugal McKinnon, Chuck Johnson and Daniel Wilson.
Edited by Nicolas Collins
Publisher MIT Press, 2013
ISSN 0961-1215
106 pages
via deadchildstar
PDF (removed on 2013-12-17 upon request of the publisher)
Comments (3)Seismograf/DMT contemporary art music magazine (2011–) [Danish]
Filed under journal | Tags: · art history, experimental music, field recording, music, music history, music theory, performance, radio, radio art, sound, sound art
Seismograf/DMT er et redaktionelt uafhængigt tidsskrift, der omhandler den nyeste kunst i lyddomænet og dens skabere – eksperimentel kunstmusik, lydkunst, performance, multimedia, interaktion og field recordings.
Tidsskriftet er en fusion af Dansk Musik Tidsskrift, Autograf og Seismograf, og tegner dermed Danmarks eneste platform fuldkommen dedikeret feltet ny kunstmusik og lydkunst.
Fra 2013 vil tidsskriftet endvidere publicere artikler, der er peer reviewed.
Sanne Krogh Groth er chefredaktør for tidsskriftet, der er støttet af Kunststyrelsens Musikudvalg og Dansk Komponistforening.
Publikationer: Japansk Lydkunst; Avantgarde i børnehøjde; Det du lysnar på hörs i P2; ’Touch Me! Fysisk – emotinelt – sensuelt’: Kritik af SPOR festival 2011; Musikhistorier; Urbanitet, lyd og kunst; Komponiststemmer; Instrumentmagere; Retro-utopier: Reportage fra CTM og Transmediale, 2013; Radio Radio Radio
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