Tereza Stejskalová (ed.): Filmmakers of the World, Unite! Forgotten Internationalism, Czechoslovak Film and the Third World (2017) [Czech/English]
Filed under book | Tags: · cinema, cold war, czechoslovakia, film, film history, internationalism, postcolonialism
“The Algerian director Mohammed Lakhdar-Hamina (1934) and the recently deceased Syrian director Nabil Maleh (1936–2016) are considered founding fathers of their national cinematography and key figures in Arab cinematography. Due to their politically engaged and aesthetically unique work, they are also read and recognised on an international level. However, there is little acknowledgement of the fact that in the 1960s both studied at FAMU in Prague, a fact that definitely influenced their work. Other distinguished Asian and African directors who studied at FAMU include the Sri Lankan director Piyasiri Gunaratna (1939) and the Tunisian documentarist Hafed Bouassida (1947), as well as dozens of other directors, cameramen and scriptwriters from various countries in Asia, Africa and Latin America.
The bilingual publication includes interviews with some of the directors (Hafed Bouassida, Pyasiri Gunaratna) as well as studies on the work of Mohammed Lakhdar-Hamina (by Olivier Hadouchi) and Nabil Maleh (by Kay Dickinson). A more general cultural context is provided via an essay by the Czech researcher Daniela Hannová on Arab students in Czechoslovakia. Included is also a text by Alice Lovejoy mapping the trip of the Czech New Wave director František Vláčil to China.”
Publisher tranzit.cz, Prague, 2017
ISBN 9788087259412, 8087259416
Review: Miroslav Libicher (25fps, 2018, CZ).
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Filed under catalogue | Tags: · cinema, film, film sound, love
“Cinema remains the last medium for speaking and performing love culturally. While much emphasis has been placed on the visual iconography of love, with the exception of music very little attention has been given to love as an aural phenomenon since the tradition and practice of amour courtois. Partly inspired by Christian Marclay’s ontology of time in cinema, The Clock, and René Magritte’s word paintings, which textualized the visual tropes of painting with “written” images, Love Sounds, a 24-hour sound poem and montage, dematerializes cinema’s visual legacy and reconstitutes it as an all-tonal history of critical listening.
Love Sounds, a 24 hour audio history and essay of love in cinema, concludes Tupitsyn’s immaterial trilogy. The film is accompanied by a catalogue published by Penny-Ante, featuring written works by Masha Tupitsyn and contributors McKenzie Wark, Berit Fischer, Isiah Medina, C. Spencer Yeh, and Yaniya Lee.”
Publisher Penny-Ante Editions, Los Angeles, 2015
Success and Failure series
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Filed under book | Tags: · africa, art, black culture, caribbean, diaspora, film, literature, music, négritude, pan-africanism, poetry
“Festac ’77, also known as the Second World Black and African Festival of Arts and Culture (the first was in Dakar, 1966), was a major international festival held in Lagos, Nigeria, from 15 January 1977 to 12 February 1977. The month-long event celebrated African culture and showcased to the world African music, fine art, literature, drama, dance and religion. About 16,000 participants, representing 56 African nations and countries of the African Diaspora, performed at the event.
Artists who performed at the festival included Stevie Wonder from United States, Gilberto Gil from Brazil, Bembeya Jazz National from Guinea, Mighty Sparrow from Trinidad and Tobago, Les Ballets Africains, South African Miriam Makeba, and Franco Luambo Makiadi. At the time it was held, it was the largest pan-African gathering to ever take place.” (Wikipedia)
Publisher Africa Journal Limited, London, and International Festival Committee, Lagos, 1977
via Abdul Alkalimat
Film documentary (UNESCO, 1977, 26 MB)
Commentary: Arthur Monroe (Black Scholar, 1977), Iris Kay (African Arts, 1977), J. Southern (Black Perspective in Music, 1977), Moyibi Amoda (book-length evaluation, 1978, 80 MB).
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