Marc James Léger (ed.): The Idea of the Avant Garde: And What It Means Today (2014)

8 October 2018, dusan

“This book is premised on the view that the idea of the avant garde has an increased importance in these times of global political crisis. Much cultural production today is shaped by a biopolitics that construes all creative and knowledge production in terms of capital accumulation. A different kind of culture is possible. This collection of writings, essays, interviews and artworks by many of today’s most radical cultural practitioners and astute commentators on matters avant garde mediates the different strategies and temporalities of avant-garde art and politics. Tracing diverse genealogies and trajectories, the book offers an inter-generational forum of ideas that covers different arts fields, from visual art, art activism, photography, film and architecture, to literature, theatre, performance, intermedia and music.”

Texts by Marc James Léger, Adrian Piper, Andrea Fraser, David Tomas, Catherine Lescarbeau, Hal Foster, Laura Mulvey, Bruce LaBruce, Santiago Sierra, Derek Horton, Christine Wertheim, Lyn Hejinian, Marjorie Perloff, Wu Ming 2, Nikolaus Müller-Schöll, Rabih Mroué, Judith Malina, Moe Angelos, Bill Brown, The Errorist International, Jonas Mekas, Thomas Elsaesser, Alexander Kluge and Oskar Negt, Travis Wilkerson, Evan Mauro, Mikkel Bolt Rasmussen, Gene Ray, John Roberts, Zanny Begg and Dmitry Vilensky, Owen Hatherley, Michael Webb, Mitchell Joachim, Beatriz Colomina, Boris Groys, Vitaly Komar, Victor Tupitsyn, Gregory Sholette and Krzysztof Wodiczko, Critical Art Ensemble, BAVO, Alexei Monroe, Jean-Hervé Péron, Chris Cutler, Charles Gaines, Jason Robinson, Sara Marcus, Cosey Fanni Tutti, Thanos Chrysakis, Kim Cascone, Marc Couroux, Thérèse Mastroiacovo, Chrysi Papaioannou, and Bill Dane.

Publisher Manchester University Press, Manchester, with Left Curve, Oakland, CA, 2014
ISBN 9780719096914, 071909691X
285 pages

Editor
Exhibition (2018)
Publisher
WorldCat

PDF (16 MB)

Apparatus, 6: Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s (2018)

5 October 2018, dusan

“The construction of the historical narrative of film editing has the cultural invisibility of women and of collaborators embedded within it. Film histories regularly spend whole chapters describing editing as a significant revolution in the medium. However, while the names of “great directors” are evoked in these discussions, the names of editors are not mentioned: “…for the most part, the women who cut film in the silent era remained unacknowledged in film credits or the trade press. Their work was considered to be merely technical rather than creative.” […]

Collectively, the articles in this issue are shifting understanding of the editor’s work from ‘merely’ technical or ‘just helping’, which is a gendered erasure of women’s work, to understanding it as expert collaboration in filmmaking. In other words, creative work. Why is this important? Because by obscuring the creativity of the work of the hands of women who watched, sorted, cut and pasted frames of film together we obscure the women themselves.” (from Editorial)

Texts by Karen Pearlman, John MacKay, and John Sutton, Lilya Kaganovsky, Natalie Ryabchikova, Nikolai Izvolov, Adelheid Heftberger, and Esfir Shub.

Edited by Karen Pearlman and Adelheid Heftberger
Publisher Apparatus, Berlin, August 2018
Open access
ISSN 2365-7758

HTML

P. Adams Sitney (ed.), Film Culture Reader (1970)

29 November 2017, dusan

“This compilation from Film Culture magazine―the pioneering periodical in avant-garde film commentary―includes contributors like Charles Boultenhouse, Erich von Stroheim, Michael McClure, Stan Brakhage, Annette Michelson, Arthur Miller, Dylan Thomas, Andrew Sarris, Rudolph Arnheim, Jonas Mekas, and Parker Tyler. This collection covers a range of topics in twentieth century cinema, from the Auteur Theory to the commercial cinema, from Orson Welles to Kenneth Anger.”

Publisher Praeger Publishers, New York, 1970
Reprint, Cooper Square Press, New York, 2000
ISBN 0815411014, 9780815411017
viii+438 pages

Publisher
WorldCat

PDF (23 MB)