Filed under book, spherical book | Tags: · cinema, film, film theory, montage, philosophy, proletkult, russia, systems theory, tektology, theory
“This anthology brings together a group of film researchers, historians, political scientists and systems scientists to discuss historical and contemporary tangential points between the sciences and the arts in Russia during the first decades of the twentieth century. All chapters provide new insights into linkages between the arts, philosophy and other disciplines during this period. Tangential points between early Russian systems thinking and approaches to montage that were being developed within the film community are examined in detail. The contributing authors focus on two thinkers: the filmmaker, Sergei M. Eisenstein and the systems theorist, Aleksandr A. Bogdanov.”
The book is published in an interactive format inspired by Eisenstein’s idea of the “Spherical Book”, organising chapters in a thematic modular way, allowing for multiple reading perspectives.
Edited by Pia Tikka, with John Biggart, Vesa Oittinen, Giulia Rispoli, and Maja Soboleva
Publisher Aalto University School of Arts Design and Architecture, Helsinki, 2016
Tangential Points series
Filed under book | Tags: · cinema, essay film, film, film criticism, film theory, image, montage, painting, photography, theory
“There is a tension between the requirements of theoretical abstraction and the capacities of the film medium, where everything that we see on screen is concrete: A train arriving at a station, a tree, bodies, faces. Since the complex theories of montage in Soviet cinema, however, there have continuously been attempts to express theoretical issues by combining shots, thus creating a visual form of thinking.
This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create ‘film as theory’.”
First published as Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard, transcript, Bielefeld, 2006.
Translated by Michael Turnbull
Publisher Amsterdam University Press, 2015
Film Culture in Transition series
Creative Commons BY-NC-ND 3.0 License
Filed under book | Tags: · cinema, film, film history, film theory, media archeology, montage
“This comprehensive volume of Eisenstein’s writings is the first-ever English-language edition of his newly discovered notes for a general history of the cinema, a project he undertook in 1946-47 before his death in 1948. In his writings, Eisenstein presents the main coordinates of a history of the cinema without mentioning specific directors or films: what we find instead is a vast genealogy of all the media and of all the art forms that have preceded cinema’s birth and accompanied the first decades of its history, exploring the same expressive possibilities that cinema has explored and responding to the same, deeply rooted, “urges” cinema has responded to. Cinema appears here as the heir of a very long tradition that includes death masks, ritual processions, wax museums, diorama and panorama, and as a medium in constant transformation, that far from being locked in a stable form continues to redefine itself.
The texts by Eisenstein are accompanied by a series of critical essays written by some of the world’s most qualified Eisenstein scholars.”
Edited by Naum Kleiman and Antonio Somaini
Publisher Amsterdam University Press, Amsterdam, 2016
Creative Commons BY-NC-ND 3.0