Differences 22(2-3): The Sense of Sound (2011)

10 May 2014, dusan

“Sound has given rise to many rich theoretical reflections, but when compared to the study of images, the study of sound continues to be marginalized. How is the “sense” of sound constituted and elaborated linguistically, textually, technologically, phenomenologically, and geologically, as well as acoustically? How is sound grasped as an object? Considering sound both within and beyond the scope of the human senses, contributors from literature, film, music, philosophy, anthropology, media and communication, and science and technology studies address topics that range from Descartes’s resonant subject to the gendering of hearing physiology in the nineteenth century, Cold War politics and the opera Nixon in China, sounds from the Mediterranean, the poetics of signal processing, and the acousmatic voice in the age of MP3s. In the interpretive challenges posed by voice, noise, antinoise, whispering, near inaudibility, and silence and in the frequent noncoincidence of emission and reception, sound confronts us with what might be called its inhuman qualities—its irreducibility to meaning, to communication, to information, and even to recognition and identification.”

Contributors: Caroline Bassett, Eugenie Brinkema, Iain Chambers, Michel Chion, Rey Chow, Mladen Dolar, Veit Erlmann, Evan Johnson, Christopher Lee, Mara Mills, John Mowitt, Dominic Pettman, Tara Rodgers, Nicholas Seaver, James A. Steintrager, Jonathan Sterne.

Special double-issue of Differences: A Journal of Feminist Cultural Studies
Guest edited by Rey Chow and James A. Steintrager
Publisher Duke University Press
ISSN 1040-7391
314 pages
via -end-

Publisher

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Douglas Kahn: Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts (2013)

15 March 2014, dusan

Earth Sound Earth Signal is a study of energies in aesthetics and the arts, from the birth of modern communications in the nineteenth century to the global transmissions of the present day. Douglas Kahn begins by evoking the Aeolian sphere music that Henry David Thoreau heard blowing along telegraph lines and the Aelectrosonic sounds of natural radio that Thomas Watson heard through the first telephone; he then traces the histories of science, media, music, and the arts to the 1960s and beyond. Earth Sound Earth Signal rethinks energy at a global scale, from brainwaves to outer space, through detailed discussions of musicians, artists and scientists such as Alvin Lucier, Edmond Dewan, Pauline Oliveros, John Cage, James Turrell, Robert Barry, Joyce Hinterding, and many others.”

Publisher University of California Press, 2013
ISBN 0520956834, 9780520956834
343 pages

Reviews: Alessandro Ludovico (Neural, 2013), Christopher Haworth (Organised Sound, 2015), Adam Trainer (Continuum, 2015).

Publisher

PDF (removed on 2014-3-19 upon request of the publisher)

Florian Hecker: Chimerization (2012) [EN, DE, Farsi, AAC, MP3]

14 August 2012, dusan

Chimerization investigates human relationship to sound, spatial hearing, and psychoacoustics through processed photography created by Florian Hecker to dramatize the psychoacoustic phenomenon of the auditory chimaera. The term auditory chimaera metaphorically employs the notion of the chimaera from Greek mythology, a hybrid creature whom, according to Homer, was “of divine race, not of men, in the fore part a lion, in the hinder a serpent, and in the middle a goat, breathing forth in terrible manner the force of blazing fire” (Iliad,6.181).

Originally developed at MIT by Bertrand Delgutte, Senior Research Scientist at the Research Laboratory of Electronics, the concept of the Auditory Chimaeras allows one to explore the relation between pitch perception and sound localization as they reveal a possible acoustic basis for the hypothesized ‘what’ and ‘where’ pathways in the auditory cortex. The concept of Chimerization takes a fresh and novel approach on the mapping and transferring of sonic qualities between different sound sources. While sound morphing has a tradition within the field of electroacoustic music, this rigorous scientific approach–the mapping and exchange of the phenomenal features of different sounds–opens the ‘phenomenological gap’ within the field of psychoacoustics while providing an intense experiential notion.

With an introduction by Chus Martínez
Publisher documenta und Museum Fridericianum, Kassel
Series: dOCUMENTA (13): 100 Notizen – 100 Gedanken No. 102
ISBN 3927015512
26 pages

review (Grayson Currin, Pitchfork)

project page
upcoming book with extended material

PDF
ZIP (PDF+AAC)
ZIP (PDF+MP3)
related: Florian Hecker: Speculative Solution (2011/2012)