Filed under video | Tags: · art, environment, installation, installation art, kinetic art, media art, op art, video, video art, vision
An electro-opto-mechanical environment by Steina, with instrumentation by Josef Krames, Woody Vasulka, and Bruce Hamilton. First shown at the Vasulkas exhibition at Albright-Knox Art Gallery in Buffalo, NY, 1978.
“When a human being operates the camera, the assumption is that the camera is an extension of the eye. You move the camera the way you move the head and the body. In video, unlike photography or film, the viewfinder is not necessarily an integral part of the camera apparatus. … In the late 1970s, I began a series of environments titled Machine Vision and Allvision, with a mirrored sphere. Another variation has a motorized moving mirror in front of the camera so that depending on the horizontal or vertical positioning of the mirror, the video monitor displays a continuous pan or tilt either back/forth or up/down. A third variation is a continuous rotation through a turning prism, while still another has a zoom lens in continuing motion, in/out. These automatic motions simulate all possible camera movements freeing the human eye from being the central point of the universe.” (Steina)
Recorded at the Palazzo delle Esposizioni, Rome, 1994/1995
Artist statement and documentation (artist’s website archive with restored videos)
WEBM (42 MB)Comment (0)
Filed under book | Tags: · art and science, art criticism, computer art, computing, holography, kinetic art, media art, photography, technology
An early treatise on art, science and technology based on the series of articles written for Studio International.
Publisher Praeger, New York, 1972
Review: John H. Holloway (Leonardo, 1975).
PDF (46 MB)
See also Jonathan Bentham’s Technological Art and Studio International‘s Eclectic Vanguardism, 2017.
Katsuhiro Yamaguchi: ロボット・アヴァンギャルド―20世紀芸術と機械 (Robot Avant-Garde: 20th Century Art and the Machine, 1985) [Japanese]
Filed under book | Tags: · art history, avant-garde, environment, japan, kinetic art, media, media art, performance, performance art, robots, video art
A historical treatise on art and technology written by the Japanese pioneer of media art Katsuhiro Yamaguchi (山口勝弘, 1928-2018), a founding member of the avant-garde group Jikken Kōbō (Experimental Workshop, 1951-1957).
The Yamaguchi Katsuhiro Archive contains documentation of the artist’s oeuvre, including scans of his publications.
Publisher Parco, Tokyo, 1985
ISBN 4891940980, 9784891940980
via Yamaguchi Katsuhiro Archive