Amodern, 8: Translation-Machination (2018)

“Amodern 8 explores the contexts and implications of translation as mechanism, media, technique, and transmission. Our tethering of “translation” to “machination” marks our intention to move beyond the habit of situating MT and computer-generated language in the familiar crisis poses of fakery, treason, and inauthenticity. Rather than regarding the machine as marking the limits of translation – an assumption that risks walling off translation practice from media and communication studies concerns, while still absorbing its products – our aim is to continue to investigate the possibilities and configurations of translation as machined, and translation as machining meaning, historically and in the contemporary moment.”

With contributions by Rita Raley, Otso Huopaniemi, John Cayley, Christine Mitchell, Tiffany Chan, Mara Mills, Jentery Sayers, Avery Slater, Quinn DuPont, Andrew Pilsch, Nick Montfort, Jane Birkin, Karin Littau, and Joe Milutis.

Edited by Christine Mitchell and Rita Raley
Publisher Concordia University and Lakehead University, January 2018
Creative Commons Attribution-Non Commercial 3.0 Unported License

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Dennis Tenen: Plain Text: The Poetics of Computation (2017)

“This book challenges the ways we read, write, store, and retrieve information in the digital age. Computers—from electronic books to smart phones—play an active role in our social lives. Our technological choices thus entail theoretical and political commitments. Dennis Tenen takes up today’s strange enmeshing of humans, texts, and machines to argue that our most ingrained intuitions about texts are profoundly alienated from the physical contexts of their intellectual production. Drawing on a range of primary sources from both literary theory and software engineering, he makes a case for a more transparent practice of human–computer interaction. Plain Text is thus a rallying call, a frame of mind as much as a file format. It reminds us, ultimately, that our devices also encode specific modes of governance and control that must remain available to interpretation.”

Publisher Stanford University Press, 2017
ISBN 9781503601802, 1503601803
x+268 pages

Reviews: N. Katherine Hayles (Critical Inquiry, 2017), Jan Baetens (Leonardo, 2017), James Edward Draney (LARB, 2017), Maisie Ridgway (Textual Practice, 2018).

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Matthew Fuller: How To Be a Geek: Essays on the Culture of Software (2017)

“Computer software and its structures, devices and processes are woven into our everyday life. Their significance is not just technical: the algorithms, programming languages, abstractions and metadata that millions of people rely on every day have far-reaching implications for the way we understand the underlying dynamics of contemporary societies.

In this innovative new book, software studies theorist Matthew Fuller examines how the introduction and expansion of computational systems into areas ranging from urban planning and state surveillance to games and voting systems are transforming our understanding of politics, culture and aesthetics in the twenty-first century. Combining historical insight and a deep understanding of the technology powering modern software systems with a powerful critical perspective, this book opens up new ways of understanding the fundamental infrastructures of contemporary life, economies, entertainment and warfare.

In so doing Fuller shows that everyone must learn ‘how to be a geek’, as the seemingly opaque processes and structures of modern computer and software technology have a significance that no-one can afford to ignore. This powerful and engaging book will be of interest to everyone interested in a critical understanding of the political and cultural ramifications of digital media and computing in the modern world.”

Publisher Polity, 2017
ISBN 9781509517152, 1509517154
x+233 pages

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