Filed under book | Tags: · computation, digital humanities, history of technology, literary history, literary theory, materiality, media archeology, media theory, technology, word processing, writing
“The story of writing in the digital age is every bit as messy as the ink-stained rags that littered the floor of Gutenberg’s print shop or the hot molten lead of the Linotype machine. During the period of the pivotal growth and widespread adoption of word processing as a writing technology, some authors embraced it as a marvel while others decried it as the death of literature. The product of years of archival research and numerous interviews conducted by the author, Track Changes is the first literary history of word processing.
Matthew Kirschenbaum examines how the interests and ideals of creative authorship came to coexist with the computer revolution. Who were the first adopters? What kind of anxieties did they share? Was word processing perceived as just a better typewriter or something more? How did it change our understanding of writing?
Track Changes balances the stories of individual writers with a consideration of how the seemingly ineffable act of writing is always grounded in particular instruments and media, from quills to keyboards. Along the way, we discover the candidates for the first novel written on a word processor, explore the surprisingly varied reasons why writers of both popular and serious literature adopted the technology, trace the spread of new metaphors and ideas from word processing in fiction and poetry, and consider the fate of literary scholarship and memory in an era when the final remnants of authorship may consist of folders on a hard drive or documents in the cloud.”
Publisher Belknap Press of Harvard University Press, 2016
ISBN 9780674417076, 0674417070
Reviews: Brian Dillon (The Guardian, 2016), Jessica Pressman (ALH Online Reviews, 2016), Eric Banks (Bookforum, 2016), Dylan Hicks (LA Review of Books, 2016), Kirkus Reviews (2016), Francis Russell (Hong Kong Review of Books, 2016), A. Bowdoin Van Riper (PopMatters, 2016), Leann Davis Alspaugh (Hedgehog Review, 2016), Thomas Padilla (American Archivist, 2017), Lai-Tze Fan (Papers of The Bibliographical Society of Canada, 2017), Seth Erickson (Interactions, 2017), David Walden (TUGboat, 2017), Grant Wythoff (Revista Hispánica Moderna, 2018), Elena Spadini (Umanistica Digitale, 2018).Comment (0)
Filed under book | Tags: · art criticism, cultural theory, film criticism, film theory, literary criticism, literary theory, psychoanalysis, science, semiotics, tel quel, theory
“The work of the French literary review, intellectual grouping and publishing team Tel Quel had a profound impact on the formation of literary and cultural debate in the 1960s and 70s. Its legacy has had enormous influence on the parameters of such debate today. From its beginning in 1960 to its closure in 1982, it published some of the earliest work of Jacques Derrida, Julia Kristeva, Michel Foucault and Roland Barthes. It was also associated with some of the key ideas of the French avant-garde, publishing key articles by Georges Bataille and Antonin Artaud.
The Tel Quel Reader presents for the first time in English the key essays written by the Tel Quel group. Essays by Julia Kristeva, one of the review’s editor’s Michel Foucault, and a fascinating interview with Roland Barthes are here made available for the first time in English. It provides a unique insight into the post-structuralist movement and presents some of the pioneering essays on literature and culture, film, semiotics and psychoanalysis.”
Edited by Patrick French and Roland-François Lack
Publisher Routledge, London & New York, 1998
ISBN 0415157137, 9780415157131
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Filed under book | Tags: · aesthetics, fabrication, literary criticism, literary theory, literature, materialism, materials science, nanotechnology, ontology, philosophy, poetics, poetry, technē
“Poetry, or poiēsis, has long been understood as a practice of making. But how are experiments in the making of poetic forms related to formal making in science and engineering? The Limits of Fabrication takes up this question in the context of recent developments in nanoscale materials science, investigating concepts and ideologies of form at stake in new approaches to material construction. Tracing the direct pertinence of fields crucial to the new materials science (nanotechnology, biotechnology, crystallography, and geodesic design) in the work of Shanxing Wang, Caroline Bergvall, Christian Bök, and Ronald Johnson back to the midcentury development of Charles Olson’s ‘objectist’ poetics, Nathan Brown carves out a tradition of constructivist, nonorganic poetics that has developed in conversation with science and engineering.
While proposing a new approach to the relation of technē (craft, skill) and poiēsis (making, forming), this book also intervenes in philosophical debates concerning the concept of the object, the distinction between organic and inorganic matter, theories of self-organization, and the relation between ‘design’ and ‘nature’. Engaging with Heidegger, Agamben, Whitehead, Stiegler, and Nancy, Brown shows that materials science and materialist poetics offer crucial resources for thinking through the direction of contemporary materialist philosophy.”
Publisher Fordham University Press, New York, 2017
ISBN 9780823272990, 0823272990
via Memory of the World
Review: Tom Eyers (boundary2, 2017).
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