Ken Knabb (ed.): Situationist International Anthology (1981/2006)

27 January 2014, dusan

“In 1957 a few experimental European groups stemming from the radical tradition of dadaism and surrealism, but seeking to avoid the cooption to which those movements succumbed, came together to form the Situationist International. The name came from their aim of liberating everyday life through the creation of open-ended, participatory “situations” (as opposed to fixed works of art) — an aim which naturally ran up against the whole range of material and mental obstacles produced by the present social order. Over the next decade the situationists developed an increasingly incisive critique of the global ‘spectacle-commodity system’ and of its bureaucratic leftist pseudo-opposition, and their new methods of agitation helped trigger the May 1968 revolt in France. Since then — although the SI itself was dissolved in 1972 — situationist theories and tactics have continued to inspire radical currents in dozens of countries all over the world.

The SI Anthology, generally recognized as the most comprehensive and accurately translated collection of situationist writings in English, presents a chronological survey of the group’s activities and development as reflected in articles from its French journal and in a variety of leaflets, pamphlets, filmscripts and internal documents, ranging from their early experiments in urban “psychogeography” and cultural subversion to their lucid analyses of the Watts riot, the Vietnam war, the Prague Spring, the Chinese “Cultural Revolution” and other crises and upheavals of the sixties.

A greatly revised, and expanded edition, with over 100 pages of new material.”

First published in 1981
Translated by Ken Knabb
Publisher Bureau of Public Secrets, Berkeley, CA, 2006
No copyright. Any of the texts in this book may be freely reproduced, translated or adapted, even without mentioning the source.
ISBN 0939682044, 9780939682041
532 pages
via quackalist

Reviews: Libero Andreotti (J Architectural Education, 1996), Not Bored! (2007).

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Leshu Torchin: Creating the Witness: Documenting Genocide on Film, Video, and the Internet (2012)

2 September 2013, dusan

“Since the beginning of the conflict in 2003, more than 300,000 lives have been lost in Darfur. Players of the video game Darfur Is Dying learn this sobering fact and more as they endeavor to ensure the survival of a virtual refugee camp. The video game not only puts players in the position of a struggling refugee, it shows them how they can take action in the real world.

Creating the Witness examines the role of film and the Internet in creating virtual witnesses to genocide over the past one hundred years. The book asks, how do visual media work to produce witnesses—audiences who are drawn into action? The argument is a detailed critique of the notion that there is a seamless trajectory from observing an atrocity to acting in order to intervene. According to Leshu Torchin, it is not enough to have a camera; images of genocide require an ideological framework to reinforce the messages the images are meant to convey. Torchin presents wide-ranging examples of witnessing and genocide, including the Armenian genocide, the Holocaust (engaging film as witness in the context of the Nuremburg trials), and the international human rights organization WITNESS and its sustained efforts to use video to publicize human rights advocacy and compel action.

From a historical and comparative approach, Torchin’s broad survey of media and the social practices around it investigates the development of popular understandings of genocide to achieve recognition and response—both political and judicial—ultimately calling on viewers to act on behalf of human rights.”

Publisher University of Minnesota Press, 2012
Visible Evidence series, Volume 26
ISBN 0816676224, 9780816676224
296 pages

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Stephen Harper: Beyond the Left: The Communist Critique of the Media (2012)

21 December 2012, dusan

Attacking the cherished assumptions of liberal media criticism, Beyond the Left updates and recharges the Marxist critique of the media.

The ideological distortions of the conservative media, from Fox News to the Daily Mail, are widely acknowledged and often denounced among contemporary critics and commentators. But what if The Guardian newspaper and BBC news, in fact, constitute the most insidious forms of capitalist propaganda? In a wide-ranging and erudite polemic, Beyond the Left analyses capitalist news and current affairs media from a radical perspective. The book rejects the liberal and pluralist paradigms that often underpin critiques of the media, showing how media texts reflect and reinforce the material interests of the ruling class and arguing that the principal ideological menace today is posed not by the right wing, but by the left-liberal media, as it co-opts and obscures radical political positions and reinforces a range of mystifications, from anti-fascism and humanitarian war to green politics. Drawing on the work of radical media critics as well as the writings of revolutionary communist groups and considering the recent reporting of war, industrial action, immigration and the environment, Beyond the Left updates and recharges the Marxist critique of the media.

Publisher Zero Books, an imprint of John Hunt Publishing, 2012
ISBN 1846949769, 9781846949760
114 pages

review (Laura Cooke, Socialist Review)

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