Filed under book | Tags: · activism, archive, archiving, art, collectivism, digital media, documentation, internet, living archive, media, media activism, media culture, memory, web
“Archives are collections of records that are preserved for historical, cultural and evidentiary purposes. As such, archives are considered as sites of a past, places that contain traces of a collective memory of a nation, a people or a group. Digital archives have changed from stable entities into flexible systems, at times referred to with the term ‘Living Archives’. In which ways has this change affected our relationship to the past? Will the erased, forgotten and neglected be redeemed, and new memories be allowed? Will the fictional versus factual mode of archiving offer the democracy that the public domain implies, or is it another way for public instruments of power to operate? Lost and Living (in) Archives shows that archives are not simply a recording, a reflection, or an image of an event, but that they shape the event itself and thus influence the past, present and future.
Contributors: Babak Afrassiabi, Dušan Barok, Tina Bastajian, Nanna Bonde Thylstrup, Özge Çelikaslan, Annet Dekker, Olia Lialina, Manu Luksch, Nicolas Malevé, Aymeric Mansoux, Michael Murtaugh, Josien Pieterse, Ellef Prestsæter, Robert Sakrowski, Stef Scagliola, Katrina Sluis, Femke Snelting, Igor Štromajer, Nasrin Tabatabai.”
Publisher Pia Pol, Valiz, Amsterdam, 2017
Making Public series
Creative Commons BY-NC-ND 3.0 NL License
ISBN 9789492095268, 9492095262
Review: Alessandro Ludovico (Neural, 2018).
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Filed under book | Tags: · art, art criticism, climate, cosmology, ice, indigenous peoples, maori, media, meteorology, science, sensors, weather, wind
“An exploration of artworks that use weather or atmosphere as the primary medium, creating new coalitions of collective engagement with the climate crisis.
In a time of climate crisis, a growing number of artists use weather or atmosphere as an artistic medium, collaborating with scientists, local communities, and climate activists. Their work mediates scientific modes of knowing and experiential knowledge of weather, probing collective anxieties and raising urgent ecological questions, oscillating between the “big picture systems view” and a ground-based perspective. In this book, Janine Randerson explores a series of meteorological art projects from the 1960s to the present that draw on sources ranging from dynamic, technological, and physical systems to indigenous cosmology.
Randerson finds a precursor to today’s meteorological art in 1960s artworks that were weather-driven and infused with the new sciences of chaos and indeterminacy, and she examines work from this period by artists including Hans Haacke, Fujiko Nakaya, and Aotearoa-New Zealand kinetic sculptor Len Lye. She looks at live experiences of weather in art, in particular Fluxus performance and contemporary art that makes use of meteorological data streams and software. She describes the use of meteorological instruments, including remote satellite sensors, to create affective atmospheres; online projects and participatory performances that create a new form of “social meteorology”; works that respond directly to climate change, many from the Global South; artist-activists who engage with the earth’s diminishing cryosphere; and a speculative art in the form of quasi-scientific experiments. Art’s current eddies of activity around the weather, Randerson writes, perturb the scientific hold on facts and offer questions of value in their place.”
Publisher MIT Press, 2018
ISBN 9780262038270, 0262038277
Filed under book | Tags: · art, computer art, computing, electronic art, internet, media, media art, technology, theory, video art, virtual reality, web
“For the past two decades the Austrian-based Ars Electronica, Festival for Art, Technology, and Society has played a pivotal role in the development of electronic media. Linking artistic practice and critical theory, the annual festival and symposium bring together scientists, philosophers, sociologists, and artists in an ongoing discourse on the effects of digital media on creativity—and on culture itself.
Drawing on the resources of Ars Electronica’s publications and archives, this anthology collects the essential works that form the core of a contemporary art long dismissed as too technical or inaccessible. The book includes a critical introduction, full bibliography, and texts and artworks from the key figures in the field.
Among the many contributors are Robert Adrian, Roy Ascott, Jean Baudrillard, Heidi Grundmann, Donna Haraway, Kathy Huffman, Friedrich Kittler, Knowbotic Research, Myron Kruger, Laurent Migonneau, Sadie Plant, Florian Rötzer, Paul Sermon, Carl Sims, Christa Sommerer, Woody Vasulka, Paul Virilio, Peter Weibel, and Gene Youngblood.”
Publisher MIT Press, 1999
Electronic Culture: History, Theory, and Practice series, 1
ISBN 0262041766, 9780262041768
via Ars Electronica