Annie van den Oever (ed.): Technē/Technology: Researching Cinema and Media Technologies (2014)
Filed under book | Tags: · aesthetics, art, cinema, film, film theory, image, machine, media, media technology, media theory, perception, phenomenology, philosophy of film, philosophy of technology, photography, technē, technology, television, video, vision
“This fourth title in the series The Key Debates sets out where the term technē comes from, how it unleashed a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors – among them André Gaudreault, Geoffrey Winthrop-Young, Martin Lefebvre, Dominique Chateau, Nanna Verhoeff, Andreas Fickers and Ian Christie – investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the rare books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail.”
Publisher Amsterdam University Press, Amsterdam, 2014
The Key Debates: Mutations and Appropriations in European Film Studies series
Creative Commons BY NC ND License 3.0
ISBN 9089645713, 9789089645715
413 pages
W. J. T. Mitchell, Mark B. N. Hansen (eds.): Critical Terms for Media Studies (2010)
Filed under book | Tags: · aesthetics, autopoiesis, body, communication, cybernetics, image, information theory, language, law, mass media, media, media studies, media theory, memory, networks, posthuman, software, technology, writing
“Part of a larger conversation that engages culture, technology, and politics, this collection of essays explores critical language for dealing with the qualities and modes of contemporary media. The essays, commissioned expressly for this volume, are organized into three interrelated groups: “Aesthetics” engages with terms that describe sensory experiences and judgments, “Technology” offers entry into a broad array of technological concepts, and “Society” opens up language describing the systems that allow a medium to function.”
Contributors: Johanna Drucker (Art), Bernadette Wegenstein (Body), Bill Brown (Materiality), Bernard Stiegler (Memory), Caroline Jones (Senses), Eugene Thacker (Biomedia), Bruce Clarke (Communication, Information), N. Katherine Hayles (Cybernetics), Geoffrey Winthrop-Young (Hardware / Software / Wetware), John Johnston (Technology), David Graeber (Exchange), Cary Wolfe (Language), Peter Goodrich (Law), John Durham Peters (Mass Media), Alexander R. Galloway (Networks), David Wellbery (Systems), Lydia H. Liu (Writing), and W. J. T. Mitchell and Mark B. N. Hansen (Image, Time and Space, New Media).
Publisher University of Chicago Press, 2010
ISBN 0226532666, 9780226532660
376 pages
Stewart Brand: The Media Lab: Inventing the Future at MIT (1987)
Filed under book | Tags: · artificial intelligence, communication, computer graphics, computing, human-computer interaction, information, media, music, new media, programming, publishing, robotics, science fiction, speech, technology, television
A magical mystery tour through the world of MIT’s Media Laboratory, then headed by Nicholas Negroponte and in its third year of existence. Chapter 11 develops the dictum “information wants to be free.”
Publisher Viking, New York, 1987
ISBN 0670814423
285 pages
Review (Visual Resources, 1989)
Review (AI Magazine, Lee S. Brownston, 1990)
PDF (50 MB, updated on 2014-3-26 to an OCR’d version via Marcell Mars)
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