Filed under book | Tags: · archive, cinema, documentary, documentation, film, memory, migration, politics, war
“The anthology Politics of Memory aims to investigate the document as such, as an objective trace left by events, as material proof or the creation of reality – the strategies with which they transform a state of memory into State memory, those by means of which a historical removal is enacted, those, ultimately, in which there is an attempt to challenge permanent or temporary amnesia, opening up to the future. The artists and filmmakers contributing to this publication represent the most advanced area on an international scale of a research that inaugurates a new relationship between artistic practices and the documentary.
This publication brings together a cycle of conferences held between 2009 and 2013 at NABA – Nuova Accademia di Belle Arti Milano by international artists and film-makers. It is the result of a multi-year research project promoted by the Visual Arts Department and, more specifically, the MA in Visual Arts and Curatorial Studies. This program is aimed at encouraging the comparison of international artistic experiences that have investigated forms of documentary making and archiving, beginning with the subject of memory seen as a critical exercise and practice of resistance.”
Contributions by John Akomfrah, Eric Baudelaire, Ursula Biemann, Harun Farocki, Yervant Gianikian and Angela Ricci Lucchi, Khaled Jarrar, Lamia Joreige, Gintaras Makarevičius, Angela Melitopoulos, Deimantas Narkevičius, Lisl Ponger, Florian Schneider, Eyal Sivan, Hito Steyerl, Jean-Marie Teno, Trinh T. Minh-ha, Wendelien van Oldenborgh, Clemens von Wedemeyer, Mohanad Yaqubi and Reem Shilleh.
Publisher Archive Books, Berlin, 2017
ISBN 3943620336, 9783943620337
PDF (22 MB, updated on 2019-8-25)Comment (0)
Filed under magazine | Tags: · africa, art, art criticism, art history, colonialism, contemporary art, decolonization, diaspora, migration, postcolonialism
“Contemporary And (C&) is an online art magazine and a dynamic space for the reflection on and linking together of ideas, discourse and information on contemporary art practice from diverse African perspectives.”
Edited by Julia Grosse, Yvette Mutumba, Will Furtado, a.o.
Publisher Contemporary And (C&) & Institut für Auslandsbeziehungen (ifa), Stuttgart
HTML (online platform)
PDFs (print issues):
Issue 1: Dak’Art 14 (Dakar Biennale Special) (Apr 2014)
Issue 2: Kampala Focus (Sep 2014)
Issue 3: Focus Migration (Jun 2015)
Issue 4: Focus Bamako (10th Bamako Encounters – African Biennale of Photography Special) (English/French, Sep 2015)
Issue 5: The Interview Issue (Feb 2016)
Issue 6: Afro-Brazilian Perspectives (32nd Bienal de São Paulo Special) (Sep 2016)
Issue 7: Curriculum of Connections (documenta 14 Special) (Jun 2017)
Special Edition: #Nairobi (Sep 2017)
Issue 8: Conditions (Art Scene Cameroon Special) (Dec 2017)
Issue 9: You Are Already in it: Looking at a Global Diaspora (10th Berlin Biennale Special) (Jun 2018)
Filed under newspaper | Tags: · art, borders, migration, refugees
“NSK State in Time was founded by artist collective Neue Slowenische Kunst (NSK) in 1992. It was conceived as a utopian formation, which would have no physical territory and would not be identified with any existing nation state. Along with organising temporary embassies and consulates in cities such as Moscow, Berlin, Florence, Sarajevo and New York, NSK State in Time began issuing passports in 1993. There are currently about 15,000 NSK Passport holders around the world, with well known citizens including including Marina Abramović, John Baldessari, Boris Groys, Hans Ulrich Obrist and Slavoj Žižek.
The NSK State Pavilion provided an added and new dimension to NSK State in Time, built upon a collaboration with migrant communities, humanitarian protection applicants, and stateless individuals who are looking for new citizenship. At the Venice Biennale, the project aimed to rethink what a contemporary state can be, offering an open form of citizenship which contrasts with that generated by spatially-defined states.”
With contributions by Zdenka Badovinovac and Charles Esche, Eda Čufer, Claudio Donadel, Róza El-Hassan, Jela Krečič, and Slavoj Žižek.
Edited by Mara Ambrožič
Publisher Irwin, 2017