William Davies (ed.) Economic Science Fictions (2018)

30 July 2018, dusan

“From the libertarian economics of Ayn Rand to Aldous Huxley’s consumerist dystopias, economics and science fiction have often orbited each other. In Economic Science Fictions, editor William Davies has deliberately merged the two worlds, asking how we might harness the power of the utopian imagination to revitalise economic thinking.

Rooted in the sense that our current economic reality is no longer credible or viable, this collection treats our economy as a series of fictions and science fiction as a means of anticipating different economic futures. It asks how science fiction can motivate new approaches to economics and provides surprising new syntheses, merging social science with fiction, design with politics, scholarship with experimental forms.

With an opening chapter from Ha-Joon Chang as well as theory, short stories, and reflections on design, this book challenges and changes the notion that economics and science fiction are worlds apart. The result is a wealth of fresh and unusual perspectives for anyone who believes the economy is too important to be left solely to economists.”

Contributors: AUDINT, Khairani Barokka, Carina Brand, Ha-Joon Chang, Miriam A. Cherry, William Davies, Mark Fisher, Dan Gavshon Brady, Owen Hatherley, Laura Horn, Tim Jackson, Mark R. Johnson, Bastien Kerspern, Nora O Murchú, Justin Pickard, James Pockson, Tobias Revell, Judy Thorne, Sherryl Vint, Georgina Voss, Jo Lindsay Walton, Brian Willems.

Publisher Goldsmiths Press, London, 2018
ISBN 9781906897680, 1906897689
xiv+383 pages

Reviews: Anna Nguyen (LSE Review of Books, 2018), Justin Reynolds (New Socialist, 2018).

Publisher
WorldCat

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Ruth Catlow, Marc Garrett, Nathan Jones, Sam Skinner (eds.): Artists Re:thinking the Blockchain (2017)

8 February 2018, dusan

“The blockchain is widely heralded as the new internet – another dimension in an ever-faster, ever-more-powerful interlocking of ideas, actions and values. Principally the blockchain is a ledger distributed across a large array of machines that enables digital ownership and exchange without a central administering body. Within the arts it has profound implications as both a means of organising and distributing material, and as a new subject and medium for artistic exploration. This landmark publication brings together a diverse array of artists and researchers engaged with the blockchain, unpacking, critiquing and marking the arrival of it on the cultural landscape for a broad readership across the arts and humanities.”

Contributors: César Escudero Andaluz, Jaya Klara Brekke, Theodoros Chiotis, Ami Clarke, Simon Denny, The Design Informatics Research Centre (Edinburgh), Max Dovey, Mat Dryhurst, Primavera De Filippi, Peter Gomes, Elias Haase, Juhee Hahm, Max Hampshire, Kimberley ter Heerdt, Holly Herndon, Helen Kaplinsky, Paul Kolling, Elli Kuruş, Nikki Loef, Bjørn Magnhildøen, Rob Myers, Martín Nadal, Rachel O’Dwyer, Edward Picot, Paul Seidler, Hito Steyerl, Surfatial, Lina Theodorou, Pablo Velasco, Ben Vickers, Mark Waugh, Cecilia Wee, and Martin Zeilinger.

Publisher Torque Editions & Furtherfield, London, 2017
ISBN 0993248748, 9780993248740
344 pages
via Torque Editions

Reviews: Régine Debatty (We Make Money Not Art, 2017), Alessandro Ludovico (Neural, 2017).

Publisher
Distributor
WorldCat

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MoneyLab Reader 2: Overcoming the Hype (2018)

8 February 2018, dusan

“MoneyLab is a network of artists, activists, and geeks experimenting with forms of financial democratization. Entering the 10th year of the global financial crisis, it still remains a difficult yet crucial task to distinguish old wine from its fancy new bottles. The MoneyLab network questions persistent beliefs, from Calvinist austerity, growth, and up-scaling, to trustless, automated decision making and (anarcho-)capitalist dreams of cybercurrencies and blockchained solutionism.

We consider experiments with digital coops, internet-based payment and network-based revenue models as spaces of political imagination, with an equally important aesthetic program. In this second MoneyLab Reader the network delves into topics like the financialization of art; love as a binary proposition on the blockchain; the crowdfunding of livelihood; the cashless society; financial surveillance of the poor; universal basic income as the real McCoy or a real sham; the cooperative answer to Airbnb and Uber; the history of your financial dashboard; and, Hollywood’s narration of the financial crisis. Fintech rushes through our veins, causing a whirlwind of critical concepts, ideas and imaginaries. Welcome to the eye of the storm.”

Contributors: Jaya Klara Brekke, Tripta Chandola, Max Dovey, Economic Space Agency, General Intellect, Max Haiven, Robert Herian, David Hollanders, Dmytri Kleiner, Silvio Lorusso, Laura Lotti, Nathalie Maréchal, Rachel O’Dwyer, Nina Power, Patricia Reed, Patrice Riemens, Emily Rosamond, Trebor Scholz, Brett Scott, Nathaniel Tkacz, Pablo R. Velasco, Martin Zeilinger.

Edited by Inte Gloerich, Geert Lovink, and Patricia de Vries
Publisher Institute of Network Cultures, Amsterdam, 2018
INC Reader series, 11
Creative Commons BY-NC-SA 4.0 License
ISBN 9789492302199, 9492302195
280 pages

Publisher
WorldCat

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