Eric Snodgrass: Executions: Power and Expression in Networked and Computational Media (2017)

15 August 2017, dusan

“This book looks at questions of power and expression as they are composed in various ways within networked and computationally-informed situations of the present. Drawing from the term as it is originally invoked in practices of computing, the research puts forward execution as a central conceptual framework for its investigations. In a computer program, a program becomes executable when it is able to execute a set of procedures within a designated set of relations and affordances. Similarly, the concept of execution developed here looks at the ongoing negotiations of various formative relations and affordances (technical, cultural, material, political) in practices of execution, describing certain notable techniques applied towards the task of making things executable.

The examples looked at include several dominant media and technology practices of the present, as well as several alternative practices that point to other possible modes of execution. In doing so, the research highlights certain politically-orientated issues involved in questions of execution, working to further develop specific approaches aimed at describing, questioning and intervening into practices of execution as they occur in the world.”

Doctoral Dissertation in Media and Communication Studies
Publisher Malmö University, Malmö, 2017
New Media, Public Spheres and Forms of Expression series, 11
Creative Commons BY-NC 4.0 International
ISBN 9789171045065
332 pages
via fcr

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Matthew Fuller: How To Be a Geek: Essays on the Culture of Software (2017)

29 June 2017, dusan

“Computer software and its structures, devices and processes are woven into our everyday life. Their significance is not just technical: the algorithms, programming languages, abstractions and metadata that millions of people rely on every day have far-reaching implications for the way we understand the underlying dynamics of contemporary societies.

In this innovative new book, software studies theorist Matthew Fuller examines how the introduction and expansion of computational systems into areas ranging from urban planning and state surveillance to games and voting systems are transforming our understanding of politics, culture and aesthetics in the twenty-first century. Combining historical insight and a deep understanding of the technology powering modern software systems with a powerful critical perspective, this book opens up new ways of understanding the fundamental infrastructures of contemporary life, economies, entertainment and warfare.

In so doing Fuller shows that everyone must learn ‘how to be a geek’, as the seemingly opaque processes and structures of modern computer and software technology have a significance that no-one can afford to ignore. This powerful and engaging book will be of interest to everyone interested in a critical understanding of the political and cultural ramifications of digital media and computing in the modern world.”

Publisher Polity, 2017
ISBN 9781509517152, 1509517154
x+233 pages

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Shannon Mattern: Deep Mapping the Media City (2015)

24 April 2017, dusan

“Going beyond current scholarship on the “media city” and the “smart city,” Shannon Mattern argues that our global cities have been mediated and intelligent for millennia. Deep Mapping the Media City advocates for urban media archaeology, a multisensory approach to investigating the material history of networked cities. Mattern explores the material assemblages and infrastructures that have shaped the media city by taking archaeology literally—using techniques like excavation and mapping to discover the modern city’s roots in time.”

Publisher University of Minnesota Press, Minneapolis, 2015
Forerunners: Ideas First series, 5
Creative Commons BY-NC-ND 4.0 International License
ISBN 0816698511, 9780816698516
xvi+51 pages

Review: Nicholas Korody (Archinect, 2015).

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Kim West: The Exhibitionary Complex: Exhibition, Apparatus and Media from Kulturhuset to the Centre Pompidou, 1963-1977 (2017)

18 March 2017, dusan

This doctoral thesis “studies the new Information Center model of the art museum that was developed by a group of artists, curators, architects, and activists connected to Moderna Museet in Stockholm between the mid-1960s and the mid-1970s. Through close readings of Moderna Museet’s unrealized Kulturhuset project, and a series of related attempts at rethinking the exhibition and the museum in relation to new information technologies, systems, and networks, it traces the origins, the critical implications, and the effects of this model, according to which the museum should function at once as a catalyst for the active forces in society, a vast experimental laboratory, and a broadcasting station.

In this study, the museum is understood as an exhibitionary apparatus, the specific characteristics of which are configured in relation to other apparatuses for display, distribution, and interaction, which together form an exhibitionary complex, caught in a process of gradual integration with the expanding network of cybernetic media. The study asks under what conditions the exhibitionary apparatus might preserve its particular modes of social and aesthetic experience, while acting as a transformative force on and through the new information environments.”

PhD dissertation in Aesthetics, School of Culture and Education, Södertörn University
Publisher Södertörn University, Stockholm, 2017
Open access
ISBN 9789187843761
359 pages

Review: Anders Kreuger (Kunstkritikk, 2017).

DiVA

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Timothy Druckrey (ed.): Electronic Culture: Technology and Visual Representation (1996)

14 March 2017, dusan

“A rich compilation of essays by some of today’s leading theorists and media critics, this book gathers a series of explorations into diverse forms of visualizations in a cultural environment wired into the global network. With its emphasis on the impact of the digital revolution in the late 20th century and the historical context in which it arose, Electronic Culture could not be more timely or relevant.”

Texts by Vannevar Bush, Martin Heidegger, Hans Magnus Enzensberger, Jean-Louis Comolli, Kathy Rae Huffman, Lev Manovich, Vilém Flusser, N. Katherine Hayles, Siegfried Zielinski, Slavoj Žižek, Friedrich Kittler, Sherry Turkle, Pierre Levy, Hakim Bey, Adilkno/Geert Lovink, Critical Art Ensemble, a.o.

Preface by Allucquère Rosanne Stone
Illustrations by Critical Art Ensemble
Publisher Aperture, New York, 1996
ISBN 0893816787, 9780893816780
447 pages

Review: Andreas Broeckmann (Leonardo, 2000).

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