Filed under book | Tags: · acoustics, city, ecology, listening, music, noise, sound, urban design, urbanism
“The Acoustic City consists of a series of essays on sound and the city. The book comprises five thematic sections: urban soundscapes with an emphasis on the distinctiveness of the urban acoustic realm; acoustic flânerie and the recording of sonic environments; sound cultures arising from specific associations between music, place, and sound; acoustic ecologies including relationships between architecture, sound, and urban design; and the politics of noise extending to different instances of anxiety or conflict over sound. This essay collection will be of interest to a wide range of disciplines including architecture, cultural studies, geography, musicology, and urban sociology.”
Publisher Jovis, Berlin, 2014
ISBN 3868592717, 9783868592719
Filed under book | Tags: · abstraction, algorithm, appropriation, avant-garde, collage, conceptual writing, concrete poetry, copyright, digital library, digitisation, language, modernism, noise, piracy, shadow library, sound poetry, ubuweb, video art, visual poetry
“In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard.
In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other “shadow libraries” and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb’s commitment to the free-culture movement and giving access to a wide range of artistic works with today’s gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify.”
Publisher Columbia University Press, New York, 2020
ISBN 9780231186940, 0231186940
Filed under magazine | Tags: · art history, avant-garde, film, futurism, music, music criticism, noise
“The second issue of Rab-Rab is in two volumes, all together in 500 pages. The focus of the second issue is ‘noise against culture.’ The contributions deal with the formal theory of noise, politics of contradictions, the device of estrangement, materialist film, music and violence, Futurism, Russian avant-garde, improvisation, void, heterophonies, swearwords, communism, ideologies of marriage, class wars and electricity.
Departing from our programme based on the understanding of art practice as a confrontation between formal and political inquiries, our aim in this issue is to use noise as the name for this difficult, disturbing, loud and coercive exploration. In many cases the formal and political aspects of noise are two separate things: the former is seen as an issue of information or perception, whereas the latter is usually reduced to a metaphor of spontaneity. But if we change these parameters of discussing the noise from measurable coefficients of failed communication, or from elusive metaphors of contingencies, towards the conceptual references related to ideology and class struggles, then what is understood as noise turns into something else. It can become a valid concept of inquiry, refusing to be pinpointed to conventional academic banalities silly phenomenological artistic fantasies immersed in.”
Contributors to volume A: Dror Feiler, Mazen Kerbaj, Ozren Pupovac, Ben Watson, Michel Chevalier, Jean-Claude Moineau, Taneli Viitahuhta, Henrik Heinonen, Grégoire Rousseau, Bruno Besana, Ivana Momčilović, and François Nicolas.
Contributors to volume B: Darko Suvin, Anthony Iles, Grupa za Konceptualnu Politiku, Mattin, Jyrki Siukonen, Rahel Puffert, Martin Krenn, Jaakko Karhunen, Max Ryynänen, Antti Eskelinen – Eze, Gert Raeithel, Aeron Bergman, Alejandra Salinas, Milica Tomić, Christine Delphy, Peter Gidal, Giovanna Esposito-Yussif, Kari Yli-Annala and Sezgin Boynik.
Edited by Sezgin Boynik
Publisher Rab-Rab Press, Helsinki, Sep 2015
278 & 278 pages