Nathan Brown, Petar Milat (eds.): Poiesis (2017)

13 September 2017, dusan

A volume based on a three-day symposium of the same title held at MaMa, Zagreb, in 2015.

Contributions by Thomas Schestag, Branka Arsić, David Wills, Jed Rasula, Marie Gil, Alexi Kukuljevic, Amanda Holmes, Goran Sergej Pristaš, Julie Beth Napolin, Aaron Schuster, Dee Morris & Stephen Voyce, and Nathan Brown.

Publisher Multimedijalni institut, Zagreb, and Centre for Expanded Poetics (Concordia University), Montréal, 2017
ISBN 9789537372132
234+xxxiii pages

Publisher

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See also Angela Rawlings’ book Si Tu (2017).

M. NourbeSe Philip: Zong! (2008)

26 August 2017, dusan

“A haunting lifeline between archive and memory, law and poetry

In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert—the only extant public document related to the massacre of these African slaves—Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.”

Publisher Wesleyan University Press, Middletown, CT, and Mercury Press, Toronto, 2008
Wesleyan Poetry series
ISBN 9780819568762, 0819568767
xii+211 pages

Reviews: Tyrone Williams (African Am Rev, 2009), Helen Klonaris (sx salon, 2011).
Commentary: Fred Wah (Jacket2, 2013), Janet Neigh, Phanuel Antwi and Veronica Austen, M. NourbeSe Philip, Evie Shockley, Mecca Jamilah Sullivan (Jacket2, 2013), Jenny Sharpe (Interventions, 2014).
Interview: Paul Watkins (Toronto Rev Books, 2014).

Companion website
Author
Publisher
WorldCat

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Philip reading from Zong! (audio, 2007-2016)

Francis D. Klingender: Art and the Industrial Revolution (1947–) [EN, IT, ES]

17 August 2017, dusan

A classic of Marxist art history.

“Drawing on his unique command of the contemporary visual and literary record, Francis Klingender analyzes and documents the inter-reaction between the sociological, scientific and cultural changes that moulded the 19th century. His subjects range from the development of the railways to the poetry of Erasmus Darwin, from the construction of bridges and aqueducts to the aesthetic concepts of the Sublime and the Pictoresque, from the Luddite riots and the English ‘navvy’ to those artists most profoundly affected by the climate of the Industrial Revolution, among them John Martin, Joseph Wright of Derby, J.C. Bourne, and J.M.W. Turner.” (from back cover)

Publisher N. Carrington, London, 1947
Edited and revised by Arthur Elton
Revised and expanded edition by Adams & Dart, 1968
Publisher Paladin, St Albans, 1972
ISBN 0586081224, 9780586081228
xv+272 pages

Review: Fred H. Andrews (J Royal Society of Arts, 1949).

WorldCat

Art and the Industrial Revolution (English, 1947/1968, 60 MB, no OCR)
Arte e rivoluzione industriale (Italian, trans. Elena Einaudi, 1972)
Arte y revolución industrial (Spanish, trans. Pilar Salso, 1983)

Richard Kostelanetz (ed.): Text–Sound Texts (1980)

28 July 2017, dusan

Anthology of scores, scripts, instructions, diagrams and documentation of art works that are meant to be heard. With more than one hundred pieces from a broad range of the 1960′s and 1970′s experimental artists from the music, art, literature, theater, and film worlds, including: John Cage, Guy de Coinet, Else von Freytag-Loringhoven, Allen Ginsberg, John Giorno, Philip Glass, Glenn Gould, Dick Higgins, Jack Kerouac, Annea Lockwood, Alvin Lucier, Jackson Mac Low, bp Nichol, Claes Oldenburg, Mary Ellen Solt, Gertrude Stein, Emmett Williams, and Robert Wilson, among others.

Publisher William Morrow, New York, 1980
ISBN 0688036163, 9780688036164
441 pages, 23.5 x 16 cm

WorldCat

PDF (100 MB)

Iliazd (ed.): Poésie de mots inconnus (1949)

21 April 2017, dusan

An early anthology of experimental visual and sound poetry featuring poems by 21 avant-garde authors and illustrated with seven woodcuts, six etchings, two engravings, three drypoints, two aquatints, and six lithographs.

“Iliazd was well acquainted with the work of James Joyce, of Christian Morgenstern, and other writers who had played with the phonetic and graphical potential of language in the 19th and 20th century. But he chose to focus on the work of his peers, those figures within the modern movement of the first decades of the 20th century with whom he had been acquainted, and whose experiments he wished to bring to light and into a formal platform for recognition. He had good reason, in the late 1940s in Paris, to want to do this, as a gauntlet thrown down by the newly arrived upstart poet-theorist of Lettrism, Isidore Isou, challenged the emerging history of avant-garde literature with claims about the originality of his inventions.” (Source)

Poems by Ibronke Akinsemoyin, Pierre Albert-Birot, Hans Arp, Artaud, Jacques Audiberti, Hugo Ball, Nicolas Beaudin, Camille Bryen, Paul Dermée, Raoul Hausmann, Vincente Huidobro, Iliazd, Eugène Jolas, Velimir Khlebnikov, Alexei Krutchonykh, Pablo Picasso, Boris Poplavsky, Kurt Schwitters, Michel Seuphor, Igor Terentiev, Tristan Tzara.
Images by Arp, Georges Braque, Bryen, Marc Chagall, Oscar Dominguez, Serge Férat, Alberto Giacometti, Albert Gleizes, Hausmann, Henri Laurens, Alberto Magnelli, André Masson, Henri Matisse, Jean Metzinger, Joan Miró, Picasso, Léopold Survage, Sophie Taueber-Arp, Edgard Tytgatt, Wols, Ribemont-Dessaignes.

Publisher Le Degré Quarante et Un (Iliazd), Paris, 1949
26 folded sheets, 32 x 25 cm
Edition of 157
via MoMA

Commentary: Johanna Drucker (Amodern, 2016).

WorldCat

PDF (14 MB)
JPGs

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