Filed under artists book | Tags: · performance, performance art, poetry
“Who Touched Me? is a compilation of research by Fred Moten and Wu Tsang, who together cohabit the roles of poet and performance artist. The publication traces the development of their sculptural performance Gravitational Feel, which was yet to be realized at the time the book was due to print. This book introduces the reader to this work in its virtual state, while tracing Moten and Tsang’s lived experience of collaboration through a body of text, which is composed of email correspondence, notes, poetry, fragments of essays, and transcriptions of earlier collaborative work. Together these entwined texts create a new socio-poetic form. To quote from the book’s pages, ‘The research/experiment is in how to sense entanglement.'”
Introduction by Frédérique Bergholtz and Susan Gibb
Publisher If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Amsterdam, 2016
Performance in Residence series
ISBN 9789492139061, 9492139065
PDF (9 MB)Comment (0)
Filed under catalogue | Tags: · architecture, digital poetry, poetics, poetry
“Alison Knowles’s The House of Dust is among the earliest computerized poems, consisting of the phrase “a house of” followed by a randomized sequence of 1) a material, 2) a site or situation, a light source, and 3) a category of inhabitants taken from four distinct lists. In 1968, the computer-generated poem was translated into a physical structure when Knowles received a Guggenheim fellowship to build a house in Chelsea, New York. This architecture was later destroyed, restored and moved to Cal Arts Burbank, California, where Knowles was invited to teach in 1970-72. She enjoyed teaching her classes in the House and invited artists to interact with with its open structure by creating new works.
Reactivating the pedagogical model proposed by The House of Dust (and by Fluxus with which Knowles was associated), this project at CUNY’s James Gallery is the outcome of collaboration between artists and scholars in disciplines including art, architecture, poetry, literature, music, computer science, and performance.”
Publisher The James Gallery, The Graduate Center, CUNY, New York
16 & 12 pages
via Art by Translation
Filed under catalogue, wiki book | Tags: · algorithm, artificial intelligence, data, literature, machine learning, natural language processing, poetry, text
Data Workers is an exhibition of algoliterary works, of stories told from an ‘algorithmic storyteller point of view’ taking place at the Mundaneum in Mons, Belgium, from 28 March until 29 April 2019
“Companies create artificial intelligence (AI) systems to serve, entertain, record and learn about humans. The work of these machinic entities is usually hidden behind interfaces and patents. In the exhibition, algorithmic storytellers leave their invisible underworld to become interlocutors. The data workers operate in different collectives. Each collective represents a stage in the design process of a machine learning model: there are the Writers, the Cleaners, the Informants, the Readers, the Learners and the Oracles. The boundaries between these collectives are not fixed; they are porous and permeable. At times, Oracles are also Writers. At other times Readers are also Oracles. Robots voice experimental literature, while algorithmic models read data, turn words into numbers, make calculations that define patterns and are able to endlessly process new texts ever after.
The exhibition foregrounds data workers who impact our daily lives, but are either hard to grasp and imagine or removed from the imagination altogether. It connects stories about algorithms in mainstream media to the storytelling that is found in technical manuals and academic papers.”
“All works visible in the exhibition, as well as the contextual stories and some extra text material have been collected in a publication, which exists in French and English.”
Texts: Cristina Cochior, Sarah Garcin, Gijs de Heij, An Mertens, François Zajéga, Louise Dekeuleneer, Florian Van de Weyer, Laetitia Trozzi, Rémi Forte, Guillaume Slizewicz.
Publisher Constant, Brussels, 2019
Free Art License