Filed under artists publishing | Tags: · avant-garde, futurism, poetry
“BÏF§ZF+18 Simultaneità e Chimismi lirici [BÏF§ZF+18. Simultaneity and Lyrical Chemistry] is a poetry book and artist’s book published in 1915 by the Italian futurist Ardengo Soffici. Despite its rarity, the book has become famous as one of the finest examples of futurist ‘words-in-freedom’, and has been described as ‘absolutely the most important book that came out of Florentine Futurism’.
The book is divided into two roughly equal halves; the first, Simultaneità, contains 12 ‘simultaneous’ poems laid out in standard typography; the second section, Chimismi lirici, contains 10 poems that use multiple fonts, signs, adverts, brand names, repetition and onomatopoeiac devices that are contemporaneous to Marinetti‘s similar experiments in Zang Tumb Tumb, and prefigure Marinetti’s later, more abstract Les mots en libertés futuristes, 1919.” (Wikipedia)
First published by Voce, Firenze, 1915.
New, expanded edition
Publisher Vallecchi, Firenze, 1919
via Bibliothèque Kandinsky
Commentary: Dirk Vanden Berghe (2012).
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Marjorie Perloff: The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture (1986)
Filed under book | Tags: · futurism, history of literature, language, literary criticism, poetry
“Marjorie Perloff’s stunning book was one of the first to offer a serious and far-reaching examination of the momentous flourishing of Futurist aesthetics in the European art and literature of the early twentieth century. Offering penetrating considerations of the prose, visual art, poetry, and carefully crafted manifestos of Futurists from Russia to Italy, Perloff reveals the Moment’s impulses and operations, tracing its echoes through the years to the work of “postmodern” figures like Roland Barthes.”
Publisher University of Chicago Press, 1986
ISBN 0226657310, 9780226657318
Reviews: Gregory L. Ulmer (Criticism, 1988), Hank Lazer (South Atlantic Review, 1988), Timothy Materer (Journal of English and Germanic Philology, 1988), Patricia Hopkins (Rocky Mountain Review of Language and Literature, 1988), Willard Bohn (Comparative Literature, 1989), Jean-Michel Rabaté (Jacket2, 2012).
Interview with author (Harriet, 2013)
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Filed under booklet | Tags: · futurism, language, poetry, zaum
An artistic research on Zaum language conducted in Tbilisi, Georgia.
Publisher Rab-Rab, Tbilisi, 2014
Photography by Minna Henriksson