Tomáš Hrůza: Aplikace intermediality v interaktivním umění. Praktická příručka pro tvorbu interaktivní audiovizuální struktury (2004) [Czech]

2 September 2009, dusan

“V této práci popisuji můj subjektivní pohled na problematiku definice pojmů interaktivita a intermedialita v moderním (digitálním) umění skrze praktické ukázky a příklady aplikace, využití a vlastností vstupně/výstupních zařízení a modulárních real-time grafických programovacích DSP1 prostředí ve vztahu „umělec – systém – dílo“. Také se zde zajímám o vztahy mezi médii a možnosti jejich vzájemné transformace v média jiná, tedy intermedialitu.”

Klíčová slova: interaktivní umění, grafická programovací prostředí, intermedialita

Teoretická diplomová práce
Fakulta výtvarných umění Vysokého učení technického v Brně, atelier Video
Vedoucí práce: Mgr. Miloš Vojtěchovský
Brno: FaVU VUT, 2004

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FLOSS Manuals: Pure Data (2006–)

31 March 2009, dusan

Pure Data (or Pd) is a real-time graphical programming environment for audio, video, and graphical processing. Pure Data is commonly used for live music performance, VeeJaying, sound effects, composition, audio analysis, interfacing with sensors, using cameras, controlling robots or even interacting with websites. Because all of these various media are handled as digital data within the program, many fascinating opportunities for cross-synthesis between them exist. Sound can be used to manipulate video, which could then be streamed over the internet to another computer which might analyze that video and use it to control a motor-driven installation.

GNU General Public License version 2

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Fränk Zimmer (ed.): bang. Pure Data (2006)

19 March 2009, dusan

Pd (aka Pure Data) is a real-time graphical programming environment for audio, video, and graphical processing. Pd is free software. It is subject of a constant process of change, revealing new characteristics with each application. Is it a tool/media/instrument? Is this a question that can be answered? Is it a decision that needs to be made at all?

This publication is a compilation of texts describing different approaches to Pd, a profile of its usage and development. It is contradictory, and at the end, one finds oneself with a lot of open questions, on a technical level as well as on a philosophical one.

The 1st International Pd-Convention in Graz in fall 2004 was the motivation for this book. The authors participated at this meeting, and an accompanying DVD shows some of the works that were presented at this occasion.

With articles from: Frank Barknecht, Reinhard Braun, Ramiro Cosentino, Günther Geiger, Thomas Grill, Cyrille Henry, Jürgen Hofbauer, Reni Hofmüller, Werner Jauk, Brian Jurish, Andrea Mayr, Thomas Musil, Michael Pinter, Miller Puckette, Marc Ries, Winfreid Ritsch, Andrey Savitsky, Christian Scheib, Susanne Schmidt, Hans-Christoph Steiner, James Tittle, Harald A. Wiltsche, IOhannes m zmölnig.

Publisher Wolke, Hofheim, 2006
Creative Commons BY-NC-ND 2.5 License
175 pages

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