Pauline Oliveros: Sonic Meditations (1974)

21 December 2017, dusan

“25 meditations for musicians of all ages and skill levels, to help them learn how to focus on, listen to, and produce sound naturally. An important work in the development of Oliveros’ Deep Listening.”

Publisher Smith Publications, Baltimore, MD, [1974]
[33] pages

Commentary: Pauline Oliveros (Painted Bride Quarterly, 1976), William Osborne (2000), Kerry O’Brien (New Yorker, 2016), Bradford Bailey (The Hum, 2016), Emma Warren (Bowers & Wilkins, 2017).

Author
WorldCat

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See also Oliveros in UbuWeb Sound and UbuWeb Film.

Reductive, 1-4 (2014-15)

2 February 2017, dusan

“Experimental reflections on listening / reading practices.

Founded in 2013, Reductive Journal explores diverse approaches to text-sound compositions, examining how text and sound are related, defined and inter-permeated in various levels of experiences: listening, reading, perceiving, receiving and performing.

Each Journal is a collaboration between the editors, designers and contributing artists.”

Editors: Ryoko Akama, Heather Frasch and Daniel del Rio
Publisher Mumei, 2014-15
ISBN 97809934337

Publisher (archived)

Issue 1 (July 2014, 1 MB)
Issue 2 (January 2015, 4 MB)
Issue 3 (June 2015, 23 MB)
Issue 4 (November 2015, 38 MB)

Ear | Wave | Event, 2: Listening? (2015)

13 May 2015, dusan

“Christoph Cox [stated at a recent conference on ‘The Politics of Listening’] that artists’ projects must not simply be taken as illustrative of or addenda to theory, but that they propose other ways for us to listen. Coming from vastly different positions, the authors in [this] issue offer precisely such generative perspectives on listening and listening subjects from the privileged viewpoint of the practitioner. It is NOT that musicians should be the only ones to talk about sound, but that there is nevertheless a value in that specialist knowledge of music nerds who spend their days dealing with audio minutiae and the history thereof. A value which is also not to be confused with the positivist musicological valorization of such detail, but instead, a value that might still open out into an authentic interdisciplinarity.

The contributors to Issue 2 face the immense material complexity of listening head on – physically, technically, formally, politically, socially. Their contributions continually orbit the question, ‘What is Listening?,’ all the while deftly dodging all manner of all too common platitudes.” (from the Introduction)

With contributions by Lawrence English, Bill Dietz & Lawrence English, Brenda Hutchinson, Eric Laska, Budhaditya Chattopadhyay, Paolo Javier, Christian von Borries, Anna Bromley & Michael Fesca, J Zevin & Jim Ellis, Geoff Mullen, Matana Roberts, and Marc Sabat.

Edited by Bill Dietz and Woody Sullender, April 2015

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