Filed under catalogue | Tags: · art, corruption, documentary, forensics, human rights, journalism, politics, realism, surveillance, truth
“Evidentiary Realism aims to articulate a form of realism in art that portrays and reveals evidence from complex social systems. The truth-seeking artworks featured explore the notion of evidence and its modes of representation.
Evidentiary Realism reflects on post-9/11 geopolitics, increasing economic inequalities, the erosion of civil rights, and environmental disasters. It builds on the renewed appreciation of the exposure of truth in the context of the cases of WikiLeaks, Edward Snowden, the Panama Papers, and the recent efforts to contend with the post-factual era.”
The exhibition was held at Fridman Gallery, New York, 28 February-31 March 2017, and Nome Gallery, Berlin from 1 December 2017-17 February 2018.
Curated and organised by Paolo Cirio.
Artworks by Nora Al-Badri & Nikolai Nelles, Amy Balkin, Sadie Barnette, Josh Begley, James Bridle, Ingrid Burrington, Hans Haacke, Khaled Hafez, Jenny Holzer, Harun Farocki, Navine G. Khan-Dossos, Thomas Keenan & Eyal Weizman, Mark Lombardi, Kirsten Stolle, Suzanne Treister.
Texts by Jaroslav Anděl, Sampada Aranke, Giulia Bini, Nijah Cunningham, Heather Davis, Blanca de la Torre, Lauren van Haaften-Schick, Natasha Hoare, Aude Launay, Susanne Leeb, Susette Min, Mary Anne Redding, Susan Schuppli, and Nicola Trezzi.
Publisher NOME, Berlin, 2017
Creative Commons BY-NC-ND License
ISBN 9780244342739, 0244342733
Filed under book, video book | Tags: · online video, surveillance, theory, video
“This is an edited collection of assembled and annotated video essays living in two instantiations: an online version – located on the web at http://after.video/assemblages, and an offline version – stored on a server inside a VHS (Video Home System) case. This is both a digital and analog object: manifested, in a scholarly gesture, as a ‘video book’.
We hope that different tribes — from DIY hackercamps and medialabs, to unsatisfied academic visionaries, avantgarde-mesh-videographers and independent media collectives, even iTV and home-cinema addicted sofasurfers — will cherish this contribution to an ever more fragmented, ever more colorful spectrum of video-culture, consumption and appropriation…”
Contributions by Clare Birchall + Gary Hall + Peter Woodbridge, Karin + Shane Denson, Serhat Köksal, Rózsa Zita Farkas, Deborah Ligotrio, Lucia Egaña Rojas, Eric Kiuitenberg, Adnan Hadzi, and Andreas Treske.
Edited by Oliver Lerone Schultz, Adnan Hadzi, Pablo de Soto, and Laila Shereen Sakr (VJ Um Amel)
Publisher Open Humanities Press, and Mute, London
MIT & GPL3 License
Filed under book | Tags: · art, drones, free software, privacy, surveillance, technology, war on terror
“The filmmaker, artist, and journalist Laura Poitras has explored the themes of mass surveillance, “war on terror,” drone program, Guantánamo, and torture in her work for more than ten years. For this volume, Poitras has invited authors ranging from artists and novelists to technologists and academics to respond to the modern-day state of mass surveillance. Some contributors worked directly with Poitras and the archive of documents leaked by Snowden; others contributed fictional reinterpretations of spycraft. The result is a “how-to” guide for living in a society that collects extraordinary amounts of information on individuals. Questioning the role of surveillance and advocating for collective privacy are central tennets for Poitras, who has long engaged with and supported free-software technologists.”
Contributions by Ai Weiwei, Jacob Appelbaum, Lakhdar Boumediene, Kate Crawford, Alex Danchev, Cory Doctorow, Dave Eggers, Jill Magid, Trevor Paglen, Edward Snowden, and Hito Steyerl.
With an Introduction by Jay Sanders
Publisher Whitney Museum of American Art, New York, 2016
ISBN 9780300217650, 030021765X
Review: Bernard E. Harcourt (Critical Inquiry).
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