Filed under book | Tags: · algorithm, commons, culture, democracy, digital condition, digital culture, networks, politics, post-democracy, social media, technology, web
“Our daily lives, our culture and our politics are now shaped by the digital condition as large numbers of people involve themselves in contentious negotiations of meaning in ever more dimensions of life, from the trivial to the profound. They are making use of the capacities of complex communication infrastructures, currently dominated by social mass media such as Twitter and Facebook, on which they have come to depend.
Amidst a confusing plurality, Felix Stalder argues that are three key constituents of this condition: the use of existing cultural materials for one’s own production, the way in which new meaning is established as a collective endeavour, and the underlying role of algorithms and automated decision-making processes that reduce and give shape to massive volumes of data. These three characteristics define what Stalder calls ‘the digital condition’. Stalder also examines the profound political implications of this new culture. We stand at a crossroads between post-democracy and the commons, a concentration of power among the few or a genuine widening of participation, with the digital condition offering the potential for starkly different outcomes.
This ambitious and wide-ranging theory of our contemporary digital condition will be of great interest to students and scholars in media and communications, cultural studies, and social, political and cultural theory, as well as to a wider readership interested in the ways in which culture and politics are changing today.”
First published in German as Kultur der Digitalität, Suhrkamp Verlag, Berlin, 2016.
Translated by Valentine Pakis
Publisher Polity Press, Cambridge, UK, 2018
ISBN 9781509519590, 1509519599
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Filed under book | Tags: · cybernetics, cyberspace, interface, machine, media, media theory, networks, photography, representation, software, technology, theory, virtual reality
“A rich compilation of essays by some of today’s leading theorists and media critics, this book gathers a series of explorations into diverse forms of visualizations in a cultural environment wired into the global network. With its emphasis on the impact of the digital revolution in the late 20th century and the historical context in which it arose, Electronic Culture could not be more timely or relevant.”
Texts by Vannevar Bush, Martin Heidegger, Hans Magnus Enzensberger, Jean-Louis Comolli, Kathy Rae Huffman, Lev Manovich, Vilém Flusser, N. Katherine Hayles, Siegfried Zielinski, Slavoj Žižek, Friedrich Kittler, Sherry Turkle, Pierre Levy, Hakim Bey, Adilkno/Geert Lovink, Critical Art Ensemble, a.o.
Preface by Allucquère Rosanne Stone
Illustrations by Critical Art Ensemble
Publisher Aperture, New York, 1996
ISBN 0893816787, 9780893816780
Review: Andreas Broeckmann (Leonardo, 2000).
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Filed under book | Tags: · art criticism, art history, internet, london, media, media art, net culture, networks, politics, technology, theory
“In late 1994, back in the days of dial-up modems and Netscape Navigator 1.0, Mute magazine announced its timely arrival. Dedicated to an analysis of culture and politics ‘after the net’, Mute has consistently challenged the grandiose claims of the communications revolution, debunking its utopian rhetoric and offering more critical perspectives.
Fifteen years on, this anthology selects representative articles from the magazine’s hugely diverse content to reprise some of its recurring themes. This expansive collection charts the perilous journey from Web 1.0 to 2.0, contesting the democratisation this transition implied and laying bare our incorporeal expectations; it exposes the ways in which the logic of technology intersects with that of art and music and, in turn and inevitably, with the logic of business; it heralds the rise of neoliberalism and condemns the human cost; it amplifies the murmurs of dissent and revels in the first signs of collapse. The result situates key – but often little understood – concepts associated with the digital (e.g. the knowledge commons, immaterial labour and open source) in their proper context, producing an impressive overview of contemporary, networked culture in its broadest sense.
Proud to be Flesh features a mix of essays, interviews, satirical fiction, email polemics and reportage from an array of international contributors working in art, philosophy, technology, politics, cultural theory, radical geography and more.”
Edited by Josephine Berry Slater and Pauline van Mourik Broekman, with Michael Corris, Anthony Iles, Benedict Seymour and Simon Worthington
Publisher Mute Publishing, London, with Autonomedia, New York, 2009
ISBN 9781906496289, 1906496285
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