Erich Hörl, James Burton (eds.): General Ecology: The New Ecological Paradigm (2017)

3 October 2017, dusan

“Ecology has become one of the most urgent and lively fields in both the humanities and sciences. In a dramatic widening of scope beyond its original concern with the coexistence of living organisms within a natural environment, it is now recognized that there are ecologies of mind, information, sensation, perception, power, participation, media, behavior, belonging, values, the social, the political… a thousand ecologies. This proliferation is not simply a metaphorical extension of the figurative potential of natural ecology: rather, it reflects the thoroughgoing imbrication of natural and technological elements in the constitution of the contemporary environments we inhabit, the rise of a cybernetic natural state, with its corresponding mode of power. Hence this ecology of ecologies initiates and demands that we go beyond the specificity of any particular ecology: a general thinking of ecology which may also constitute an ecological transformation of thought itself is required.

In this ambitious and radical new volume of writings, some of the most exciting contemporary thinkers in the field take on the task of revealing and theorizing the extent of the ecologization of existence as the effect of our contemporary sociotechnological condition: together, they bring out the complexity and urgency of the challenge of ecological thought-one we cannot avoid if we want to ask and indeed have a chance of affecting what forms of life, agency, modes of existence, human or otherwise, will participate-and how-in this planet’s future.”

With texts by Erich Hörl, Luciana Parisi, Frédéric Neyrat, Bernard Stiegler, Didier Debaise, Jussi Parikka, Bruce Clarke, Cary Wolfe, David Wills, James Burton, Elena Esposito, Timothy Morton, Matthew Fuller and Olga Goriunova, and Brian Massumi.

Publisher Bloomsbury Academic, London/New York, 2017
ISBN 9781350014695, 1350014699
xv+384 pages

Publisher
WorldCat

HTML

Dennis Tenen: Plain Text: The Poetics of Computation (2017)

5 August 2017, dusan

“This book challenges the ways we read, write, store, and retrieve information in the digital age. Computers—from electronic books to smart phones—play an active role in our social lives. Our technological choices thus entail theoretical and political commitments. Dennis Tenen takes up today’s strange enmeshing of humans, texts, and machines to argue that our most ingrained intuitions about texts are profoundly alienated from the physical contexts of their intellectual production. Drawing on a range of primary sources from both literary theory and software engineering, he makes a case for a more transparent practice of human–computer interaction. Plain Text is thus a rallying call, a frame of mind as much as a file format. It reminds us, ultimately, that our devices also encode specific modes of governance and control that must remain available to interpretation.”

Publisher Stanford University Press, 2017
ISBN 9781503601802, 1503601803
x+268 pages

Publisher
WorldCat

HTML

Jon McKenzie: Perform or Else: From Discipline to Performance (2001–) [EN, CR]

27 July 2017, dusan

“In Perform or Else Jon McKenzie asserts that there is a relationship cultural, organisational, and technological performance. In this theoretical tour de force McKenzie demonstrates that all three paradigms operate together to create powerful and contradictory pressures to ‘perform… or else’.”

Publisher Routledge, London, 2001
ISBN 0415247691, 9780415247696
x+306 pages

Reviews: Arthur Sabatini (Theatre J, 2002), Henry M. Sayre (Modernism/modernity, 2003), Bez Kershaw (New Theatre Quarterly, 2006).
Interview: Tim Edkins and Stevphen Shukaitis (ephemera, 2014).
Commentary and interview: Anna Street (2014).

Publisher
WorldCat

Perform or Else (English, 2001, 5 MB)
Izvedi ili snosi posljedice (Croatian, trans. Vlatka Valentić, 2006, 5 MB)

Ute Holl: Cinema, Trance and Cybernetics (2002/2017)

25 July 2017, dusan

“Ute Holl explores cinema as a cultural technique of trance, unconsciously transforming everyday spatio-temporal perception. The archaeology of experimental and anthropological cinema leads into psycho-physiological laboratories of the 19th century. Through personal and systematic catenations, avant-garde filmmaking is closely linked to the emerging aesthetics of feedback in cybernetic models of the mind developed at the same time. Holl analyses three major fields of experimental and anthropological filmmaking: the Soviet avant-garde with Dziga Vertov and his background in Russian psycho-reflexology and theory of trance; Jean Rouch and his theory of cine-trance and the feed-back; and the New American Cinema with Maya Deren and Gregory Bateson conceptualising the organisation of time, space, movement and feedback trance in anthropological filmmaking.”

First published as Kino, Trance und Kybernetik, Brinkmann & Bose, Berlin, 2002.

Translated by Daniel Hendrickson
Publisher Amsterdam University Press
Recursions series
Creative Commons BY-NC 4.0 License
ISBN 9789089646682, 908964668X
326 pages

Publisher
OAPEN
WorldCat

PDF, PDF

after.video Assemblages (2016)

7 July 2017, dusan

“This is an edited collection of assembled and annotated video essays living in two instantiations: an online version – located on the web at http://after.video/assemblages, and an offline version – stored on a server inside a VHS (Video Home System) case. This is both a digital and analog object: manifested, in a scholarly gesture, as a ‘video book’.

We hope that different tribes — from DIY hackercamps and medialabs, to unsatisfied academic visionaries, avantgarde-mesh-videographers and independent media collectives, even iTV and home-cinema addicted sofasurfers — will cherish this contribution to an ever more fragmented, ever more colorful spectrum of video-culture, consumption and appropriation…”

Contributions by Clare Birchall + Gary Hall + Peter Woodbridge, Karin + Shane Denson, Serhat Köksal, Rózsa Zita Farkas, Deborah Ligotrio, Lucia Egaña Rojas, Eric Kiuitenberg, Adnan Hadzi, and Andreas Treske.

Edited by Oliver Lerone Schultz, Adnan Hadzi, Pablo de Soto, and Laila Shereen Sakr (VJ Um Amel)
Publisher Open Humanities Press, and Mute, London
MIT & GPL3 License
ISBN 9781906496234
49 pages

Publisher

PDF, PDF
Video

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