Filed under book | Tags: · biography, body, capitalism, desire, diary, feminism, gender, necropolitics, politics, queer, queer theory, sexuality, theory, transgender, utopia
“A ‘dissident of the gender-sex binary system’ reflects on gender transitioning and political and cultural transitions in technoscientific capitalism.
Uranus, the frozen giant, is the coldest planet in the solar system as well as a deity in Greek mythology. It is also the inspiration for uranism, a concept coined by the writer Karl Heinrich Ulrich in 1864 to define the “third sex” and the rights of those who “love differently.” Following Ulrich, Paul B. Preciado dreams of an apartment on Uranus where he might live beyond existing power, gender and racial strictures invented by modernity. “My trans condition is a new form of uranism,” he writes. “I am not a man. I am not a woman. I am not heterosexual. I am not homosexual. I am not bisexual. I am a dissident of the gender-sex binary system. I am the multiplicity of the cosmos trapped in a binary political and epistemological system, shouting in front of you. I am a uranist confined inside the limits of technoscientific capitalism.”
This book recounts Preciado’s transformation from Beatriz into Paul B., but it is not only an account of gender transitioning. Preciado also considers political, cultural, and sexual transition, reflecting on issues that range from the rise of neo-fascism in Europe to the technological appropriation of the uterus, from the harassment of trans children to the role museums might play in the cultural revolution to come.”
Preface by Virginie Despentes
Publisher Bernard Grasset, Paris, 2019
ISBN 9782246820666, 2246820669
Introduction by Virginie Despentes
Publisher Anagrama, Barcelona, 2019
ISBN 9788433998767, 8433998765
Foreword by Virginie Despentes
Translated by Charlotte Mandell
Publisher Semiotext(e), South Pasadena, CA, 2020
ISBN 9781635901139, 1635901138
Reviews: Eugénie Bourlet (En attendant Nadeau, 2019, FR), Kevin Lambert (Spirale, 2020, FR), Pierre Niedergang (Diacritik, 2019, FR), Thomas Liano (French Studies, 2020, FR), Bernabé Sarabia (El Cultural, 2019, ES), Emilia Holstein (Feminacida, 2020, ES), Alexandra Marraccini (review31, 2020), Megan Milks (4Columns), Bryony White (Frieze, 2020), Kevin Brazil (ArtReview, 2020).
Un appartement sur Uranus: chroniques de la traversée (French, 2019, MOBI)
Un apartamento en Urano: crónicas del cruce (Spanish, 2019)
An Apartment on Uranus: Chronicles of the Crossing (English, trans. Charlotte Mandell, 2020)
Filed under book | Tags: · apparatus, cinema, film, ideology, technology, theory
Papers and discussions from a conference organised by the Center for Twentieth Century Studies of University of Wisconsin–Milwaukee in February 1978.
Publisher St. Martin’s Press, New York, and Macmillan, London, 1980
ISBN 0312139071, 9780312139070
Filed under book | Tags: · aesthetics, animal, chance, ecology, environment, ethics, forest, individuation, nature, philosophy, plants, subject, territory, theory, virtuality
“Bleak Joys develops an understanding of complex entities and processes—from plant roots to forests to ecological damage and its calculation—as aesthetic. It is also a book about “bad” things, such as anguish and devastation, which relate to the ecological and technical but are also constitutive of politics, the ethical, and the formation of subjects.
Avidly interdisciplinary, Bleak Joys draws on scientific work in plant sciences, computing, and cybernetics, as well as mathematics, literature, and art in ways that are not merely illustrative of but foundational to our understanding of ecological aesthetics and the condition in which the posthumanities are being forged. It places the sensory world of plants next to the generalized and nonlinear infrastructure of irresolvability—the economics of indifference up against the question of how to make a home on Planet Earth in a condition of damaged ecologies. Crosscutting chapters on devastation, anguish, irresolvability, luck, plant, and home create a vivid and multifaceted approach that is as remarkable for its humor as for its scholarly complexity.
Engaging with Deleuze, Guattari, and Bakhtin, among others, Bleak Joys captures the modes of crises that constitute our present ecological and political condition, and reckons with the means by which they are not simply aesthetically known but aesthetically manifest.”
Publisher University of Minnesota Press, Minneapolis, 2019
Posthumanities series, 53
ISBN 9781517905521, 1517905524
PDF (6 MB)Comment (0)