leaking in Weinmayr 2019
ete_opn.pdf#xml=http://www.ca2.uscourts.gov/decisions/isysquery
/f6e88b8b-48af-401c-
96a0-54d5007c2f33/1/hilite/](http://www.ca2.uscourts.gov/decisions/isysquery
/f6e88b8b-48af-401c-
96a0-54d5007c2f33/1/doc/11-1197_complete_opn.pdf%23xml=http://www.ca2.uscourts.gov/decisions/isysquery
/f6e88b8b-48af-401c-96a0-54d5007c2f33/1/hilite/)
Craig, Carys J. (2007) ‘Symposium: Reconstructing the Author-Self: Some
Feminist Lessons for Copyright Law’, American University Journal of Gender,
Social Policy & the Law 15.2, 207–68.
Di Franco, Karen (2014) ‘The Library Medium’, in Andrea Francke and Eva
Weinmayr (eds.), Borrowing, Poaching, Plagiarising, Pirating, Stealing,
Gleaning, Referencing, Leaking, Copying, Imitating, Adapting, Faking,
Paraphrasing, Quoting, Reproducing, Using, Counterfeiting, Repeating,
Translating, Cloning (London: AND Publishing), pp. 77–90.
Fitzpatrick, Kathleen (2018) ‘Generous Thinking The University and the Public
Good’, Humanities Commons,
Foster, Hal (1985) ‘(Post)modern Polemics’, in Recodings: Art, Spectacle,
Cultural Politics (Port Townsend, WA: Bay Press), pp. 121–38.
Foucault, Michel (1977) ‘What Is an Author?’, in [Donald F.
Bouchard](https://www.amazon.co.uk/s/ref=dp_byline_sr_book_2?ie=UTF8&text=Donald+F.+Bouchard
&search-alias=books-uk&field-author=Donald+F.+Bouchard&sort=relevancerank)
(e
rated value
broadly known as Page-Rank), Facebook, and of course Warner Bros etc., but
also academic publishers such as the redoubtable Routledge. On the other hand,
all the user-run and user-driven initiatives like aaaaarg, or
[pad.ma](http://pad.ma), or until recently the wonderful Dr Auratheft. But,
personally, I would hesitate to assimilate such scaled-up, de-creative, user-
propelled examples with anything like “cultural piracy”. They are, through
usership, enriching what would otherwise fall prey to cultural piracy.’ Email
to the author, 1 August 2012.
See also: Andrea Francke and Eva Weinmayr (eds.), Borrowing, Poaching,
Plagiarising, Pirating, Stealing, Gleaning, Referencing, Leaking, Copying,
Imitating, Adapting, Faking, Paraphrasing, Quoting, Reproducing, Using,
Counterfeiting, Repeating, Translating, Cloning (London: AND Publishing,
2014).
[83](ch11.xhtml#footnote-443-backlink) Richard Prince’s ‘Catcher in the Rye’
forms part of the Piracy Collection. Not the book copy priced at £1,500, just
an A4 colour printout of the cover, downloaded from the Internet. On the shelf
it sits next to Salinger’s copy, which we bought at Barnes and Noble for £20.
[84](ch11.xhtml#footnote-442-backlink) Craig, ‘Symposium: Reconstructing the
Author-Self’, p. 246.
[85](ch11.xhtml#footnote-441-backlink) Michel Foucault, ‘What Is an Author?’,
in [Donald F.
Bouchard](htt
leaking in Elbakyan 2016
this presentation](https://youtu.be/hr7v5FF5c8M) (and others) is now available
on YouTube and soon in the UNT Digital Library._
_The presentation was entitled "Why Science is Better with Communism? The Case
of Sci-Hub." Below is an edited transcript of the presentation produced by
Regina Anikina and Kevin Hawkins, with a translation by Kevin Hawkins and Anna
Pechenina._
**Martin Halbert** : We have a recent addition to our lineup of speakers that
we'll start off the day with: Alexandra Elbakyan. As many of you know,
Alexandra is a Kazakhstani graduate student, computer programmer, and the
creator of the controversial Sci-Hub site. The New York Times has compared her
to Edward Snowden for leaking information and because she avoids American law,
but Ars Technica has compared her to Aaron Swartz--so a controversial figure.
We thought it was very important to include her in the dialog about open
access because we want, in this symposium series, to include all the different
perspectives on copyright, intellectual property, open access, and access to
scholarly information. So I'm delighted that we're actually able to have her
here via Skype to present.
---
**Alexandra Elbakyan** : First of all, thank you for inviting me to share my
views. My name is Alexandra. As you might have guessed, I represent the site
Sci-Hub. It was founded in 2011 and immediately became popular among t
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