digitization in Mars & Medak 2017
rad, 2016). He interpreted to numerous books into Croatian language,
including Multitude (Hardt & Negri, 2009) and A Hacker Manifesto (Wark,
2006c). He is an author and performer with the internationally acclaimed Zagrebbased performance collective BADco (BADco, 2016). Tomislav writes and talks
about politics of technological development, and politics and aesthetics.
Tomislav and Marcell have been working together for almost two decades.
Their recent collaborations include a number of activities around the Public Library
project, including HAIP festival (Ljubljana, 2012), exhibitions in
Württembergischer Kunstverein (Stuttgart, 2014) and Galerija Nova (Zagreb,
2015), as well as coordinated digitization projects Written-off (2015), Digital
Archive of Praxis and the Korčula Summer School (2016), and Catalogue of
Liberated Books (2013) (in Monoskop, 2016b).
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CHAPTER 12
Ana Kuzmanic is an artist based in Zagreb and Associate Professor at the
Faculty of Civil Engineering, Architecture and Geodesy at the University in Split
(Croatia), lecturing in drawing, design and architectural presentation. She is a
member of the Croatian Association of Visual Artists. Since 2007 she held more
than a dozen individual exhibitions and took part in numerous collective
exhibitions in Croatia, the UK, Italy, Egypt, the Netherlands, the USA, Lithuania
and Slovenia. In 2011 she co-founded the international a
nd large denied
to public libraries. For instance, libraries frequently do not have the right to
purchase e-books for lending and preservations. If they do, they are limited in
regards to how many times and under what conditions they can lend digital objects
before the license and the object itself is revoked (Greenfield, 2012). The case of
academic journals is even worse. As journals become increasingly digital, libraries
can provide access and ‘preserve’ them only for as long as they pay extortionate
subscriptions. The Public Library project fills in the space that remains denied to
real-world public libraries by building tools for organizing and sharing electronic
libraries, creating digitization workflows and making books available online.
Obviously, we are not alone in this effort. There are many other platforms, public
and hidden, that help people to share books. And the practice of sharing is massive.
PJ & AK: The Public Library project (Memory of the World, 2016a) is a part of
a wider global movement based, amongst other influences, on the seminal work of
Aaron Swartz. This movement consists of various projects including but not
limited to Library Genesis, Aaaaarg.org, UbuWeb, and others. Please situate The
Public Library project in the wider context of this movement. What are its distinct
features? What are its main contributions to the movement at large?
MM & TM: The Public Li
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