east-central in Dekker & Barok 2017

hat are your future goals. And do
you think it would be possible to include other voices? For
example, have you ever considered the possibility of users
uploading and editing texts themselves?

The site certainly started with the primary focus on east-central European media art and culture, which I considered



myself to be part of in the early 2000s. I was naive enough
to attempt to make a book on the theme between 2008–2010.
During that period I came to no

on between the arts to include music, film,
poetry, dance, design, publishing, etc., which in turn made
me also consider such phenomena as experimental film,
electro-acoustic music and concrete poetry.
Add to it the geopolitically unstable notion of East-Central
Europe and the striking lack of research in this area and
all you end up with is a headache. It took me a while to
realize that there’s no point even attempting to write a coherent narrative of the history of media-specific expanded
arts of East-Central Europe of the past hundred years. I
ended up with a wiki page outlining the supposed mile10
stones along with a bibliography.10
For this strand, the wiki served as the main notebook,
org/CEE. Accessed
28 May 2016. And
leaving behind

east-central in Thylstrup 2019

also expanded into looking at wider cultural practices. By 2010, it had grown
into a 100-gigabyte collection which was organized as a snowball research
collection, focusing in particular on “the white spots in history of art and
culture in East-Central Europe,” spanning “dozens of CDs, DVDs, publications,
as well as recordings of long interviews [Barok] did”44 with various people he
considered forerunners in the field of media arts. Indeed, Barok at first had
no plans to publish the collectio


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