anderson in Elbakyan 2016
lso that "property is theft" is the watchword of French
anarchism, a famous phrase from Pierre-Joseph Proudhon, so perhaps anarchism
and science are also inseparable. But my main question really has to do with a
challenge that a librarian named Rick Anderson posted on the Scholarly Kitchen
blog two days ago, and that has to do with the fact that evidently Sci-Hub
relies a lot on the access codes that faculty have given to Sci-Hub in one way
or another so that Sci-Hub can gain access to the electronic materials that it
then uses to post on its own site. What Anderson does is points out that if
that information falls into the wrong hands, there are all sorts of terrible
things that can be done because those access codes provide access to personal
information, to student data, to all sorts of other things that coul
anderson in Constant 2009
uated on the borderline between
creating and remembering, future and
past. Movement is prescribed and is
passing at the same time. It can be
inscribed into the visceral body memory through constant repetition, but
it is also always undone:
As Laurie Anderson says:
“You're walking. And you don't always realize it, but you're always
falling. With each step you fall forward slightly. And then catch yourself from falling.
Over and over,
you're falling.
And then catching
your self from falling.” (Quoted a
Ausland, Berlin) and The
bitch is back under pressure (reloaded) (Basso, Berlin). As a memeber of the Praticable collective, he
created Dance and The breast piece,
in collaboration with Alice Chauchat.
He also collaborated on Still Lives
(Good Work: Anderson/ Gies/ Pelmus/ Pocheron/ Schad).
EN
After studying ballet and contemfaut (CND, Parijs), Le principal déporary dance, Frédéric Gies worked
faut-solo (Tipi de Beaubourg, Parijs),
with various choreographers such as
En corps (CND, Parijs), Post porn
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