public domain in Constant 2015
But just imagine, what kind of licence would you need?
It might make more sense to go for a media-related licence than for
a code licence. Creative Commons licences would lend themselves easily
for this. People could choose non-commercial or pure public domain.
Does that make sense?
Tying the story to data
Well, yes but if you look at the objects that people share, we’re much
closer to code than to a video file?
Functionally it is code. But would a graffiti writer know what GPL
So I was taking a tag that was created in the streets of Vienna and pulling
it into Blender and in the end I was exporting it to something that could
The Free Art and Technology (F.A.T.) Lab is an organization dedicated to enriching the
public domain through the research and development of creative technologies and media.
Release early, often and with rap music. http://fffff.at
Blender is a free Open Source 3D content creation suite. http://www.blender.org/
Tying the story to data
be 3D p
the data. The looseness of
its licence makes it less of an invitation in a sense. If the people that put
data up there would sit down and really talk about what this means, when
they would really walk through all the implications of what it means to
public domain a piece, that would be great. I would love that. Then you
could use it without having to worry about all the morality issues and
people’s feelings. It would be more free.
I think it would be good to do a workshop with graffiti writers where
how you could use the community around Open Source
software to help out. I mean ... if the online teaching tools would be
open to others outside the school too, this would be the advantage. It
would also mean that as a school, you contribute to the public domain
with your classes and courses.
That is another question. I think schools should contribute to public
domain knowledge. Right now I am not sharing any of the knowledge
about implementing OSS on a school like ours with the community. But
if all goes w
rest in Free
Besides producing the signage, OSP will co-edit and distribute a modest
publication documenting the whole process; it makes legible how this temporary yellow cathedral came about. And the font will of course be released
in the public domain.
It is not an easy project but I don’t know how much of it has to do with
our software politics; our commissioners do not really care and also we have
kept the production process quite simple on purpose. But by opening our
sources, we can use the p
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