dean in Sollfrank, Francke & Weinmayr 2013
]
They published the PDF, and as authors they put over a hundred different
author names, so there was not just one author who could be taken into
responsibility.
[15:22] We have in the collection this book, it’s Teignmouth Electron by
Tacita Dean. This is the original, it’s published by Book Works and Steidl.
And to this round table, to this event, we invited also Jane Rolo, director of
Book Works (and she published this book). [15:41] And we invited her saying,
do you know that your book h
xts and theory into
Spanish, which are not available in Spanish. So it’s about access, it’s about
circulation. [16:07] But actually he redesigned the book. The pirated version
looks very different, and it has a small film roll here, from Tacita Dean’s
book. And it was really amazing that Jane Rolo flipped the pirated book and
she said, well, actually this is really very nice.
[16:31] This is kind of a standard academic publishing format, it’s Gilles
Deleuze’s Proust and Signs, and t
dean in Thylstrup 2019
ent mass digitization project, namely the
Universal Digital Library (UDL), which was launched in 1995 by Carnegie Mellon
computer scientist Raj Reddy and developed by linguist Jaime Carbonell,
physicist Michael Shamos, and Carnegie Mellon Foundation dean of libraries
Gloriana St. Clair. In 1998, the project launched the Thousand Book Project.
Later, the UDL scaled its initial efforts up to the Million Book Project,
which they successfully completed in 2007.20 Organizationally, the UDL stood
out from
archive “in the
humanities” represents a “prime site for serendipitous discovery.”71 In most
of these cases, serendipity is taken to mean some form of archival insight,
and often even a critical intellectual process. Deb Verhoeven, Associate Dean
of Engagement and Innovation at the University of Technology Sydney, reminds
us in relation to feminist archival work that “stories of accidental
discovery” can even take on dimensions of feminist solace, consoling “the
researcher, and us, with
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