anti-commercial in Hamerman 2015

, and galleries. On the one hand, pirate
libraries extend the logic of alternative art spaces/artist-run spaces that
challenge the “white cube” and the art market; instead, they showcase ways of
making that are often ephemeral, performative, and anti-commercial.

Lawrence Liang refers to projects such as Aaaaaarg as “ _[ludic
libraries]( ,” as
they encourage a sense of intellectual play that deviates from well-
established norms of utility, s


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