broekman in Custodians 2015


, with our names, nicknames and pseudonyms, to raise
our voices.

Share this letter - read it in public - leave it in the printer. Share your
writing - digitize a book - upload your files. Don't let our knowledge be
crushed. Care for the libraries - care for the metadata - care for the backup.
Water the flowers - clean the volcanoes.

30 November 2015

Dusan Barok, Josephine Berry, Bodo Balazs, Sean Dockray, Kenneth Goldsmith,
Anthony Iles, Lawrence Liang, Sebastian Luetgert, Pauline van Mourik Broekman,
Marcell Mars, spideralex, Tomislav Medak, Dubravka Sekulic, Femke Snelting...

* * *

1. Lariviere, Vincent, Stefanie Haustein, and Philippe Mongeon. “[The Oligopoly of Academic Publishers in the Digital Era.](http://journals.plos.org/plosone/article?id=10.1371/journal.pone.0127502)” PLoS ONE 10, no. 6 (June 10, 2015): e0127502. doi:10.1371/journal.pone.0127502.,
“[The Obscene Profits of Commercial Scholarly
Publishers.](http://svpow.com/2012/01/13/the-obscene-profits-of-commercial-


broekman in Dean, Dockray, Ludovico, Broekman, Thoburn & Vilensky 2013



is, actually proves that this whole narrative of normalisation and integration
is a complete fiction; that, if there is any kind of ‘monument’ under collective
construction right now, it is one built under the sign of panic and distraction.
This conversation took place by email over the course of a few months from October
2011. Sponsorship was generously provided by CRESC (Centre for Research on SocioCultural Change), http://www.cresc.ac.uk/

178

New Formations



ader international context. Contributors include artists, art theorists,
philosophers, activists, and writers from Russia, Western Europe and the
United States.
It is also important to focus on the role of publication as translation
device, something that is really important in the Russian situation – to
introduce different voices and languages and also to have a voice in different
international debates from a local perspective.
Materialities Of Independent Publishing 159

Pauline van Mourik Broekman (PvMB) After so many years - we’ve been at it

4. See Pauline van
Mourik Broekman
(2011) ‘Mute’s
100% Cut by
ACE - A Personal
Consideration of
Mute’s Defunding’,
http://www.
metamute.org/en/
mute_100_per_cent_
cut_by_ace

5. Régis Debray,
‘Socialism: A LifeCycle’, New Left
Review 46 (2007):
5-28.

for 17! - I seem to find it harder and harder to figure out what ‘Mute’ is. But
sticking to the basic narrative for the moment, it formed as an artist-initiated
publication engaging with the question of what new technologies (read:
the internet and convergent media)

 

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