civil disobedience in Hamerman 2015

ry: An
Essay]( , Public Library’s organizers frame p2p libraries as
“fragile knowledge infrastructures built and maintained by brave librarians
practicing civil disobedience which the world of researchers in the humanities
rely on.” This civil disobedience is a politically motivated refutation of
intellectual property law and the orientation of information networks toward
venture capital and advertising. While the pirate libraries fulfill this
dissident function as a kind of experimental provocation, t

of asynchronous, networked communication,” functioning upon the
logic of the hack. Dockray continues: “But all of this is rather commonplace
for what’s called ‘piracy,’ isn’t it?” Pirate librarianship can be thought of
as a practice of civil disobedience within the stringent information
environment of today.

These projects promise both the realization and destruction of the public
library. They promote information democracy while calling the _professional_
institution of the Library into questio

civil disobedience in Kelty, Bodo & Allen 2018

are somewhere underneath, but without the ‘original sense of shared,
collective, process’. So, as Kelty suggests, it was hard to imagine that for-profit
academic publishers wouldn't try the same with open access.
Heeding Aaron Swartz’s call to civil disobedience, Guerrilla Open Access has
emerged out of the outrage over digitally-enabled enclosure of knowledge that
has allowed these for-profit academic publishers to appropriate extreme profits
that stand in stark contrast to the cuts, precarity, student debt

civil disobedience in Mars & Medak 2019

n be a private property of some commercial
company sounds absolutely weird to me” (Ernesto 2015).
If the issue of infringement is to become political, a critical mass
of infringing activity has to be achieved, access technologically
organized, and civil disobedience collectively manifested. Only in
this way do the illegal acts stand a chance of being transformed
into the legitimate acts.



Where Law Was, there Politics Shall Be
And thus we have made a full round back to where we started. The
parallel dev

al reform such as
Open Access publishing are struggling to go beyond a niche. Piracy
has mounted a truly disruptive opposition, but given the legal
repression it has met with, it can become an agent of change only if
it is embraced as a kind of mass civil disobedience. Where law was,
there politics shall be.
Many will object to our demand to replace the law with politicization. Transitioning from politics to law was a social achievement
as the despotism of political will was suppressed by legal norms

civil disobedience in Mars, Medak & Sekulic 2016

ital distribution could make possible
at a very low cost, but with considerable
change in the regulation of intellectual production in society.
Since such change would not be in the
interest of formulaic application of intellectual property, acts of civil disobedience to
that regime have over the last twenty years
created a number of 'shadow public libraries'
that provide universal access to knowledge
and culture in the digital domain in the way
that the public libraries are not allowed to:
Library Genesis, Scienc

civil disobedience in Mars & Medak 2017

cknames and pseudonyms, to raise our
voices. Share your writing – digitize a book – upload your files. Don’t let our
knowledge be crushed. Care for the libraries – care for the metadata – care
for the backup. (, 2015)

PJ & AK: Started in 2012, The Public Library project (Memory of the World,
2016a) is an important part of struggle against commodification of knowledge.
What is the project about; how did it arrive into being?
MM & TM: The Public L

ss to academic journals. Both
projects are under threat of closure by the largest academic publisher Reed
Elsevier. Together with the Public Library project, they articulate a position of civil
PJ & AK: Please elaborate the position of civil disobedience. How does it
work; when is it justified?
MM & TM: Legitimating discourses usually claim that shadow libraries fall
into the category of non-commercial fair use. These arguments are definitely valid,
yet they do not build a particularly strong ground

conclusion – yet, situation cannot be easily changed because of entrenched power
passed down from the old models of publishing and their imbrication with
allocation of academic prestige. Therefore, the continuous existence of this model
commands civil disobedience.
PJ & AK: The Public Library project (Memory of the World, 2016a) operates
in various public domains including art galleries. Why did you decide to develop
The Public Library project in the context of arts? How do you conceive the
relationship betwee

civil disobedience in Medak, Mars & WHW 2015

appearances—will be best preserved if we
manage to fight for the values upon which we have
built the public library: universal access to knowledge for each member of our society.
Freedom, equality, and brotherhood need brave librarians practicing civil disobedience.
Library Genesis,, Monoskop, UbuWeb
are all examples of fragile knowledge infrastructures
built and maintained by brave librarians practicing
civil disobedience which the world of researchers
in the humanities rely on. These projects are re-inventing the public library in the gap left by today’s
institutions in crisis.
Library Genesis15 is an online repository with over
a million books and is the first pro

civil disobedience in Sollfrank & Mars 2013

enting the interest of artists. I’m an artist. They don’t really
represent my interests. [15:46] I think that it should be taken over by the
artists. And if there are some artists who disagree – great, let’s have a

Civil Disobedience

In the possibilities of civil disobedience – which are done also by
institutions, not just by individuals – and I think that in such clear cases
like the Public Library it’s easy. [16:17] So I think that what I did in this
particular case is nothing really super smart – it’s ju

civil disobedience in Stalder 2018

political activity.[^77[]{#Page_47 type="pagebreak"

This difference was dissolved entirely by a new generation of
politically motivated artists, activists, and hackers, who transferred
the tactics of civil disobedience -- blockading a building with a
sit-in, for instance -- to the
internet.[^78^](#c1-note-0078){#c1-note-0078a} When, in 1994, the
Zapatista Army of National Liberation rose up in the south of Mexico,
several media projects were created to support its

hing and Sniping in the Empire of Signs* (Westfield: Open
Media, 1993); Luther Blisset et al., *Handbuch der
Kommunikationsguerilla*, 5th edn (Berlin: Assoziationen A, 2012).

[78](#c1-note-0078a){#c1-note-0078}  Critical Art Ensemble, *Electronic
Civil Disobedience and Other Unpopular Ideas* (New York: Autonomedia,

[79](#c1-note-0079a){#c1-note-0079}  Today this method is known as a
"distributed denial of service attack" (DDOS).

[80](#c1-note-0080a){#c1-note-0080}  Max Weber, *Economy and Society:

civil disobedience in Weinmayr 2019

ed a collection of roughly 150 copied, emulated, appropriated and
modified books from across the world. Their approaches to copying vary widely,
from playful strategies of reproduction, modification and reinterpretation of
existing works; to acts of civil disobedience circumventing enclosures such as
censorship or market monopolies; to acts of piracy generated by commercial
interests. This vast and contradictory spectrum of cases, from politically
motivated bravery as well as artistic statements to cases of hard-e


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