leaking in Dekker & Barok 2017
28 May 2016.
A turning point occurred during my studies at the
Piet Zwart Institute, in the Networked Media programme
from 2010–2012, which combined art, design, software,
and theory with support in the philosophy of open source
and prototyping. While there, I was researching aspects of
the networked condition and how it transforms knowledge,
sociality and economics: I wrote research papers on leaking
as a technique of knowledge production, a critique of the
social graph, and on the libertarian values embedded in the
design of digital currencies. I was ready for more practice.
When Aymeric Mansoux, one of the tutors, encouraged me
to develop my then side-project Monoskop into a graduation
work, the timing was good.
The website got its own domain, a redesign, and most
crucially, the Monoskop wik
leaking in Elbakyan 2016
nd Kevin Hawkins, with a translation by Kevin Hawkins and Anna
Pechenina._
**Martin Halbert** : We have a recent addition to our lineup of speakers that
we'll start off the day with: Alexandra Elbakyan. As many of you know,
Alexandra is a Kazakhstani graduate student, computer programmer, and the
creator of the controversial Sci-Hub site. The New York Times has compared her
to Edward Snowden for leaking information and because she avoids American law,
but Ars Technica has compared her to Aaron Swartz--so a controversial figure.
We thought it was very important to include her in the dialog about open
access because we want, in this symposium series, to include all the different
perspectives on copyright, intellectual property, open access, and access to
scholarly information. So I'm delighted tha
leaking in Liang 2012
in 1967, a few years after the writing of _The
Order of Things_.
## [Shadow Libraries](/journal/37/61228/shadow-libraries/)

Over the last few monsoons I lived with the dread that the rain would
eventually find its ways through my leaky terrace roof and destroy my books.
Last August my fears came true when I woke up in the middle of the night to
see my room flooded and water leaking from the roof and through the walls.
Much of the night was spent rescuing the books and shifting them to a dry
room. While timing and speed were essential to the task at hand they were also
the key hazards navigating a slippery floor...
Metahaven
## [Captives of the Cloud: Part I](/journal/37/61232/captives-of-the-cloud-
part-i/)
 have
been made public or have been handed over to tax investigators by
insiders. Thus, in 2014, for instance, the *Süddeutsche Zeitung*
(operating as part of the International Consortium of Investigative
Journalists based in
he
massive amounts of data. To accomplish these tasks, employees need the
fullest possible access to this information, for even the most secret
databases have to be maintained by someone, and this also involves
copying data. Thus, it is far easier today than it was just a few
decades ago to smuggle large volumes of data out of an
institution.[^65^](#c3-note-0065){#c3-note-0065a}
This new form of leaking, however, did not become an important method of
resistance on account of technical developments alone. In the era of big
data, databases are the central resource not only for analyzing how the
world is described by digital communication, but also for generating
that communication. The power of networks in particular is organized
through the construction of environmental conditions that operate
sim
leaking in Weinmayr 2019
-401c-96a0-54d5007c2f33/1/hilite/)
Craig, Carys J. (2007) ‘Symposium: Reconstructing the Author-Self: Some
Feminist Lessons for Copyright Law’, American University Journal of Gender,
Social Policy & the Law 15.2, 207–68.
Di Franco, Karen (2014) ‘The Library Medium’, in Andrea Francke and Eva
Weinmayr (eds.), Borrowing, Poaching, Plagiarising, Pirating, Stealing,
Gleaning, Referencing, Leaking, Copying, Imitating, Adapting, Faking,
Paraphrasing, Quoting, Reproducing, Using, Counterfeiting, Repeating,
Translating, Cloning (London: AND Publishing), pp. 77–90.
Fitzpatrick, Kathleen (2018) ‘Generous Thinking The University and the Public
Good’, Humanities Commons,
Foster, Hal (1985) ‘(Post)modern Polemics’, in Recodings: Art, Spectacle,
ut,
personally, I would hesitate to assimilate such scaled-up, de-creative, user-
propelled examples with anything like “cultural piracy”. They are, through
usership, enriching what would otherwise fall prey to cultural piracy.’ Email
to the author, 1 August 2012.
See also: Andrea Francke and Eva Weinmayr (eds.), Borrowing, Poaching,
Plagiarising, Pirating, Stealing, Gleaning, Referencing, Leaking, Copying,
Imitating, Adapting, Faking, Paraphrasing, Quoting, Reproducing, Using,
Counterfeiting, Repeating, Translating, Cloning (London: AND Publishing,
2014).
[83](ch11.xhtml#footnote-443-backlink) Richard Prince’s ‘Catcher in the Rye’
forms part of the Piracy Collection. Not the book copy priced at £1,500, just
an A4 colour printout of the cover, downloaded from the Internet. On the sh
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