Rosalind E. Krauss

Judy Olausen, Rosalind Krauss, c1978. [1]
Born	November 30, 1941(1941-11-30) Washington, D.C., United States
Web	Aaaaarg, Wikipedia, Using "Academia.edu" as base chain is not permitted during the annotation process.

Rosalind Epstein Krauss (1941) is an American art critic and theorist. She is a professor at Columbia University in New York City.

Works

(in English unless noted)

Books

• Terminal Iron Works: The Sculpture of David Smith, MIT Press, 1971.

• Passages in Modern Sculpture, MIT Press, 1977.

• The Originality of the Avant-Garde and Other Modernist Myths, MIT Press, 1985, 320 pp. [2] Reviews: Wiseman (1986), Partington (1986).

• L'Amour fou: Photography & Surrealism, London: Arts Council, 1986.

• Le photographique: pour une théorie des écarts. Histoire et théorie de la photographie, trans. Marc Bloch and Jean Kampf, Paris: Macula, 1990, 232 pp. Collection of essays from 1974-85. (French) Review: Murray (1993-94, EN).

• The Optical Unconscious, MIT Press, 1993, 365 pp, Log. Review: Kimball (1993).
  • El inconsciente óptico, trans. J. Miguel Esteban Cloquell, Madrid: Tecnos, 1997, 371 pp, PDF. (Spanish)

• with Yve Alain Bois. Formless: A User's Guide, Zone Books, 1997, 304 pp, Log.

• Bachelors, MIT Press, 1999, 228 pp, Log, ARG.

• The Picasso Papers, MIT Press, 1999, PDF, IA. Review: McCully (1999)

• A Voyage on the North Sea: Art in the Age of the Post-Medium Condition, Thames & Hudson, 2000, 64 pp, Log.

• with Hal Foster, Yve-Alain Bois, and Benjamin H. D. Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, London: Thames & Hudson, 2004, 704 pp, ARG; 2nd ed., rev., 2012, 816 pp. [3] Reviews: Bishop (2005), Collings (2005), Gewen (2005), Dahlberg (2006).

• Under Blue Cup, MIT Press, 2011, ARG, Scribd.

Editor

• October journal, New York, since 1976.
• The Sculpture of David Smith: A Catalogue Raisonné, New York: Garland, 1977.
• with Annette Michelson, et al., October: The Second Decade, 1986-1996, MIT Press, 1997, PDF.

Selected essays

• "Sculpture in the Expanded Field", October 8 (Spring 1979), pp 30-44, PDF, ARG; repr. in The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster, Seattle: Bay Press, 1983, pp 31-42, PDF; repr. in Krauss, The Originality of the Avant-Garde and Other Modernist Myths, MIT Press, 1985, pp 276-290, PDF.
  • "A escultura no campo ampliado", Gávea 1 (1984), pp 87-93; repr. Arte & Ensaios 15:17, Rio de Janeiro: EBA, UFRJ, 2008, pp 128-137, PDF. (Brazilian Portuguese)

• "The Originality of the Avant-Garde: A Postmodernist Repetition", October 18 (Fall 1981), pp 47-66; repr. in Art After Modernism: Rethinking Representation, ed. Brian Wallis, New York: New York Museum of Contemporary Art, and Boston: Godine, 1984, pp 12-29; repr. as "The Originality of the Avant Garde", in Krauss, The Originality of the Avant-Garde and Other Modernist Myths, MIT Press, 1985, pp 151-170, PDF. Written for 'The Theory of the Avant-Garde', a conference held at the University of Iowa, April 9-11, 1981.

• "Photography's Discursive Spaces: Landscape/View", Art Journal 42:4 (Winter 1982), pp 311-319, ARG; repr. in Krauss, The Originality of the Avant-Garde and Other Modernist Myths, MIT Press, 1985, pp 131-150.

• "A Note on Photography and the Simulacral", October 31 (Winter 1984), pp 49-68, IA, PDF. A version of this essay was delivered as the keynote address for the National Conference of the Society for Photographic Education in Philadelphia, March 1983.

Bibliography

• Eddie Yeghiayan, "Rosalind Krauss. A Selected Bibliography", 1995.

Literature

• "Rosalind Krauss", in Judy K. Collischan Van Wagner, Women Shaping Art: Profiles of Power, New York: Praeger, 1984, pp 149-164.
• Janet Malcolm, "A Girl of the Zeitgeist", Part II, The New Yorker, 27 Oct 1986. [4]
• Scott Rothkopf, "Krauss and the Art of Cultural Controversy", The Harvard Crimson, 16 May 1997.
• Jean Lauzon, "Notes sur l’indice à l’index: contribution au 'photographique' de Rosalind Krauss", Horizons philosophiques 9:1 (1998), pp 73-85, PDF. (French)
• Anna C. Chave, "Minimalism and Biography", Art Bulletin (Mar 2000).
• David Carrier, Rosalind Krauss and American Philosophical Art Criticism, Greenwood Publishing, 2002, IA, PDF.
• David Raskin, "The Shiny Illusionism of Krauss and Judd", Art Journal (Spring 2006).
• Katia Schneller, "Sur les traces de Rosalind Krauss. La réception française de la notion d’index. 1977-1990", Études photographiques 21 (Dec 2007), pp 123-143, HTML. (French)

See also

• Postmedia

Links

• October at Wikipedia
• Krauss at The Art Story