Difference between revisions of "Sergei Eisenstein"

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'''Sergei Mikhailovich Eisenstein''' (Сергей Михайлович Эйзенштейн; 1898–1948) was a film director and film theorist, a pioneer in the theory and practice of montage.
 
'''Sergei Mikhailovich Eisenstein''' (Сергей Михайлович Эйзенштейн; 1898–1948) was a film director and film theorist, a pioneer in the theory and practice of montage.
  
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[[Image:Eisenstein_Sergei_The_Film_Sense.jpg|thumb|200px|''The Film Sense'', 1942/1957, [[Media:Eisenstein_Sergei_The_Film_Sense_1957.pdf|PDF]].]]
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[[Image:Eisenstein_Sergei_The_Film_Sense.jpg|thumb|300px|''The Film Sense'', 1942/1957, [[Media:Eisenstein_Sergei_The_Film_Sense_1957.pdf|PDF]].]]
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[[Image:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory.jpg|thumb|200px|''Film Form: Essays in Film Theory'', 1944/1977, [[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.pdf|PDF]], [[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.epub|EPUB]].]]
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[[Image:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory.jpg|thumb|300px|''Film Form: Essays in Film Theory'', 1944/1977, [[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.pdf|PDF]], [[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.epub|EPUB]].]]
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[[Image:Eisenstein_Sergei_Selected_Works_Volume_I_Writings_1922-34.jpg|thumb|200px|''Selected Works, 1: Writings, 1922-34'', 1988, [http://monoskop.org/log/?p=2046 Log], [[Media:Eisenstein_Sergei_Selected_Works_Volume_I_Writings_1922-34.pdf|PDF]].]]
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[[Image:Eisenstein_Sergei_Selected_Works_Volume_I_Writings_1922-34.jpg|thumb|300px|''Selected Works, 1: Writings, 1922-34'', 1988, [http://monoskop.org/log/?p=2046 Log], [[Media:Eisenstein_Sergei_Selected_Works_Volume_I_Writings_1922-34.pdf|PDF]].]]
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[[Image:Eisenstein_Sergei_Nonindifferent_Nature.jpg|thumb|200px| ''Nonindifferent Nature'', 1987, [http://monoskop.org/log/?p=14731 Log].]]
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[[Image:Eisenstein_Sergei_Nonindifferent_Nature.jpg|thumb|300px| ''Nonindifferent Nature'', 1987, [http://monoskop.org/log/?p=14731 Log].]]
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[[Image:Eisenstein_Sergei_M_Notes_for_a_General_History_of_Cinema.jpg|thumb|200px| ''Notes for a General History of Cinema'' [1946-47], 2016, [http://monoskop.org/log/?p=16917 Log], [[Media:Eisenstein_Sergei_M_Notes_for_a_General_History_of_Cinema.pdf|PDF]].]]
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[[Image:Eisenstein_Sergei_M_Notes_for_a_General_History_of_Cinema.jpg|thumb|300px| ''Notes for a General History of Cinema'' [1946-47], 2016, [http://monoskop.org/log/?p=16917 Log], [[Media:Eisenstein_Sergei_M_Notes_for_a_General_History_of_Cinema.pdf|PDF]].]]
 
==Writings==
 
==Writings==
 
* ''[[Media:Eisenstein_Sergei_The_Film_Sense_1957.pdf|The Film Sense]]'', ed. & trans. Jay Leyda, New York: Hartcourt, 1942; New York: Meridian, 1957, 282 pp. {{en}}
 
* ''[[Media:Eisenstein_Sergei_The_Film_Sense_1957.pdf|The Film Sense]]'', ed. & trans. Jay Leyda, New York: Hartcourt, 1942; New York: Meridian, 1957, 282 pp. {{en}}

Revision as of 23:55, 25 May 2022


Boris Pasternak, Sergei Eisenstein, Vladimir Mayakovsky, Lilya Brik, 1924.
Born January 22, 1898(1898-01-22)
Riga, Governorate of Livonia, Russian Empire
Died February 11, 1948(1948-02-11) (aged 50)
Moscow, Soviet Union
Web Aaaaarg, Wikipedia, Academia.edu, Open Library

Sergei Mikhailovich Eisenstein (Сергей Михайлович Эйзенштейн; 1898–1948) was a film director and film theorist, a pioneer in the theory and practice of montage.

The Film Sense, 1942/1957, PDF.
Film Form: Essays in Film Theory, 1944/1977, PDF, EPUB.
Selected Works, 1: Writings, 1922-34, 1988, Log, PDF.
Nonindifferent Nature, 1987, Log.
Notes for a General History of Cinema [1946-47], 2016, Log, PDF.

Writings

  • The Film Sense, ed. & trans. Jay Leyda, New York: Hartcourt, 1942; New York: Meridian, 1957, 282 pp. (English)
    • El sentido del cine, trans. Norah Lacoste, 1958; 2nd ed., Buenos Aires: Siglo XXI, 1974. (Spanish)
    • O sentido do filme, trans. Teresa Ottoni, notes Jose Carlos Avelar, Rio de Janeiro: Jorge Zahar, 1990; 2002, 159 pp. (Brazilian Portuguese)
  • Ivan Grozny [Иван Грозный], Moscow: Goskinoizdat, 1944, 192 pp. (Russian)
  • Film Form: Essays in Film Theory, ed. & trans. Jay Leyda, New York: Meridian, 1944; repr., New York: Hartcourt, 1977, 279 pp, EPUB. (English)
    • A forma do filme, trans. Teresa Ottoni, intro. & notes José Carlos Avellar, Rio de Janeiro: Jorge Zahar, 1990; 2002, 235 pp. (Brazilian Portuguese)
  • Film Essays and a Lecture, ed. Jay Leyda, forew. Grigori Kozintsev, Dobson Books, 1968; repr., New York: Praeger, 1970, 236 pp. (English)
  • Schriften, 4 vols., Munich: Hanser, 1974-1984. (German)
  • Über mich und meine Filme, ed. Lilli Kaufmann, trans. Christiane Mückenberger, Lothar Fahlbusch and Lilli Kaufmann, Berlin: Henschelverlag, 1975. (German)
  • Eine nicht gleichmütige Natur, ed. Rosemarie Heise, trans. Regine Kühn, Berlin: Henschel, 1980. (German)
  • Immoral Memories: An Autobiography, trans. Herbert Marshall, Boston: Houghton Mifflin, 1983. (English)
  • Yo. Ich selbst. Memoiren, 2 vols., Berlin: Henschel, 1984; 1988. (German)
  • Neravnodushnaya priroda [Неравнодушная природа], 2 vols., ed. N. Kleyman, Moscow: Ejzenshtejn-tsentr, 2004 & 2006, 687 & 624 pp. (Russian)
    • La non-indifférente nature, 2 vols., trans. Luda and Jean Schnitzer, preface Pascal Bonitzer (I) and François Albéra (II), Paris: Union générale d'éditions, 1975 & 1978, 444 & 377 pp. (French)
    • Nonindifferent Nature, trans. Herbert Marshall, Cambridge University Press, 1987, xxv+428 pp. (English)
  • Das dynamische Quadrat. Schriften zum Film, eds. & trans. Oksana Bulgakowa and Dietmar Hochmuth, Leipzig: Reclam, 1988; 1991, 411 pp. [1] (German)
  • Selected Works, 1: Writings, 1922-1934, ed. & trans. Richard Taylor, London: British Film Institute, 1988, 343 pp. (English)
  • The Psychology of Composition, ed. & trans. Alan Upchurch, preface Jan Leyda, London: Methuen, 1988, 120 pp. (English)
  • Beyond the Stars: The Memoirs of Sergei Eisenstein, trans. William Powell, Calcutta: Seagull Books, 1995, xxi+889 pp. (English)
  • Memuary, 1: Wie sag' ich's meinem Kinde? [Мемуары], ed., intro. & comm. N.I. Kleyman, Moscow: Trud, 1997, 432 pp. (Russian)
  • Memuary, 2: Автобиография; Обезьянья логика; Истинные пути изобретания; Профили [Мемуары], Moscow: Trud, 1997, 544 pp. (Russian)
  • The Eisenstein Reader, ed. Richard Taylor, trans. Richard Taylor and William Powell, London: British Film Institute, 1998, vii+211 pp. (English)
  • Eisenstein und Deutschland. Texte, Dokumente, Briefe, ed. Oksana Bulgakowa, Berlin: Henschel, 1998, 240 pp. (German)
  • Montazh [Монтаж: Монтаж аттракционов; За кадром; Четвёртое измерение в кино; Монтаж 1938; Вертикальный монтаж; Вкладыш], intro. R. Yurenev, Moscow: VGIK, 1998, 193 pp. (Russian)
  • Montazh [Монтаж], Moscow: Ejzenshtejn-tsentr, 2000, 592 pp. (Russian)
  • Metod [Метод], 2 vols., Moscow: Ejzenshtejn-tsentr, 2002, 495 & 688 pp. (Russian)
  • Problems of Film Direction, University Press of the Pacific, 2004. (English)
  • Metod [Метод], 4 vols., ed., trans. & comm. Oksana Bulgakowa, Berlin: PotemkinPress, 2009, 1660 pp. [2] (Russian),(German),(English),(French)
  • Disney, eds. & trans. Oksana Bulgakowa & Dietmar Hochmuth, Berlin: PotemkinPress, 2012, 202 pp. [3] (German)
    • Disney, trans. Dustin Condren, Berlin: PotemkinPress, 2013, 180 pp. [4] (English)
  • Notes for a General History of Cinema, eds. Naum Kleiman and Antonio Somaini, Amsterdam: Amsterdam University Press, 2016, 545 pp. (English)
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Literature

Links

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