Difference between revisions of "Wolfgang Ernst"

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===Book chapters, Papers, Articles (selection)===
 
===Book chapters, Papers, Articles (selection)===
 
; in English
 
; in English
* “Between Real Time and Memory on Demand: Reflections on/of Television,South Atlantic Quarterly 101, no. 3 (Summer 2002): 625–37
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* “[http://www.medienwissenschaft.hu-berlin.de/medientheorien/downloads/publikationen/ernst-between-real-time-and-memory-on-demand.pdf Between Real Time and Memory on Demand: Reflections on/of Television]", ''South Atlantic Quarterly'' 101, no. 3 (Summer 2002), pp 625–637.
* "Telling versus Counting? A Media Archaeological Point of View", ''Intermédialités'' 2 (Autumn 2003), pp 31–44.  
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* "[http://www.medienwissenschaft.hu-berlin.de/medientheorien/downloads/publikationen/ernst-telling-versus-counting.pdf Telling versus Counting? A Media Archaeological Point of View]", ''Intermédialités'' 2 (Autumn 2003), pp 31–44. [http://think-analogue.hu-berlin.de/downloads/publikationen/ernst-telling-versus-counting.pdf/at_download/file] [http://www.erudit.org/revue/im/2003/v/n2/1005455ar.pdf]
* "Let There Be Irony: Cultural History and Media Archaeology in Parallel Lines", ''Art History'' 28, no. 5 (November 2005).
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* "[http://www.skor.nl/_files/Files/OPEN7_P46-53%281%29.pdf The Archive as Metaphor: From Archival Space to Archival Time]", ''Open'' 7, 2004, pp 46-53.
* "Dis/continuities: Does the Archive Become Metaphorical in Multi-Media Space?", in ''New Media, Old Media: A History and Theory Reader'', eds. Wendy Hui Kyong Chun and Thomas Keenan, New York and London: Routledge, 2006, pp 105–123.
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* "[http://www.medienwissenschaft.hu-berlin.de/medientheorien/downloads/publikationen/ernst-let-there-be-irony.pdf Let There Be Irony: Cultural History and Media Archaeology in Parallel Lines]", ''Art History'' 28, no. 5 (November 2005).
 +
* "[http://ymsc.commons.yale.edu/files/2009/09/Discontinuities-Wolfgang-Ernst.pdf Dis/continuities: Does the Archive Become Metaphorical in Multi-Media Space?]", in ''New Media, Old Media: A History and Theory Reader'', eds. Wendy Hui Kyong Chun and Thomas Keenan, New York and London: Routledge, 2006, pp 105–123.
 
* "Media Archaeography: Method and Machine versus History and Narrative of Media", in ''[http://monoskop.org/log/?p=6933 Media Archaeology: Approaches, Applications, and Implications]'', eds. Erkki Huhtamo and Jussi Parikka, Berkeley: University of California Press, 2011, pp 239–255.
 
* "Media Archaeography: Method and Machine versus History and Narrative of Media", in ''[http://monoskop.org/log/?p=6933 Media Archaeology: Approaches, Applications, and Implications]'', eds. Erkki Huhtamo and Jussi Parikka, Berkeley: University of California Press, 2011, pp 239–255.
 
* [http://think-analogue.hu-berlin.de/downloads/publikationen/ More], [http://www.medienwissenschaft.hu-berlin.de/medientheorien/downloads/publikationen/publikmed.pdf]
 
* [http://think-analogue.hu-berlin.de/downloads/publikationen/ More], [http://www.medienwissenschaft.hu-berlin.de/medientheorien/downloads/publikationen/publikmed.pdf]
 +
 +
===Lectures===
 +
* "[http://www.medienwissenschaft.hu-berlin.de/medientheorien/downloads/publikationen/medtextyale2kurz.pdf Signals and Symbols: A Media-Archaeological Approach to 'Textuality']", Yale University, 2012.
  
 
===Interviews (selection)===
 
===Interviews (selection)===

Revision as of 11:06, 4 September 2013

Media scientist. Born 1959. Professor for Media Theory at Institut für Musik und Medienwissenschaft at Humboldt University, Berlin, where he co-runs the Media Archaeological Fundus.

Bibliography

Books

  • M.edium F.oucault. Weimarer Vorlesungen über Archive, Archäologie, Monumente und Medien Weimar, 2000, 151 pp. ISBN 9783897391819. (in German) [1]
  • Das Rumoren der Archive. Ordnung aus Unordnung, Berlin: Merve, 2002, 141 pp. ISBN 9783883961767. (in German)
    • Sorlet från arkiven: Ordning ur oordning, trans. Tommy Andersson, Göteborg: Glänta, 2008. (in Swedish)
  • Im Namen von Geschichte: Sammeln - Speichern - (Er)Zählen. Infrastrukturelle Konfigurationen des deutschen Gedächtnisses, Munich: Fink, 2003. Habilitation Thesis. (in German)
  • Medienwissen(schaft), zeitkritisch. Ein Programm aus der Sophienstraße. Antrittsvorlesung v. 21. Oktober 2003, Berlin: Humboldt University, 2004. (in German)
  • Das Gesetz des Gedächtnisses. Medien und Archive am Ende (des 20. Jahrhunderts), Berlin: Kadmos, 2007. (in German)
  • Chronopoetik. Zeitweisen und Zeitgaben technischer Medien, Berlin: Kadmos, 2012. ISBN 3865991432. (in German)
  • Gleichursprünglichkeit. Zeitwesen und Zeitgegebenheit technischer Medien, Berlin: Kadmos, 2012. ISBN 3865991440. (in German)
  • Digital Memory and the Archive, University of Minnesota Press, 2012. [2]
  • Signale aus der Vergangenheit. Eine kleine Geschichtskritik, Munich: Fink, 2013, 211 pp. [3] (in German)

Edited books

  • With Matthias Middell (ed.), Medien - Revolution - Historie, Leipzig: Pauselius, 1991. (in German)
  • With Georg Trogemann and Alexander Nitussov (eds.), Computing in Russia. The History of Computer Devices and Information Technology Revealed, Braunschweig: Vieweg, 2001.
  • With Anselm Franke (eds.), Politik der Bilder. Visuelle Kompetenz und Kriegsbildrhetorik, Berlin: Kunst-Werke, 2002. (in German)
  • With Stefan Heidenreich and Ute Holl (eds.), Suchbilder. Visuelle Kultur zwischen Algorithmen und Archiven, Berlin: Kadmos, 2003. (in German)
  • With Friedrich Kittler (eds.), Schrift - Ton - Zahl im Medienverbund. Zur Archäologie des altgriechischen Vokalalphabets, Munich: Fink, 2006. (in German)
  • With Friedrich Kittler, Berliner Programm einer Medienwissenschaft, Berlin: Kadmos, Schriftenreihe, 2006. (in German)
  • With Wladimir Velminski (eds.), Semën Karsakov: Ideenmaschine. Von der Homöopathie zum Computer, Berlin: Kadmos, 2007. (in German)

Book chapters, Papers, Articles (selection)

in English

Lectures

Interviews (selection)

in English

On Ernst

See also

External links