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  • ...ork includes electroacoustic compositions and sound installations, as well as compositions for acoustic traditional instruments. [https://kajsalindgren.c
    592 bytes (72 words) - 13:38, 6 June 2021
  • ...in terms of its lines of programmes and its contents and formats, as well as working closely with other centres for visual creation.
    399 bytes (68 words) - 12:31, 25 October 2014
  • ...ree software community as co-developer packages as Scribus and Fontmatrix. As a member of the [[Open Source Publishing]] team experiments with new langua
    519 bytes (73 words) - 18:30, 12 January 2024
  • * Multimedia Activity Studio, prof. [[Izabella Gustowska]], as. staż. Raman Tratsiuk * Interactive Activity Studio, prof. ASP [[Slawomir Sobczak]], as. staż. Łukasz Filar
    1 KB (131 words) - 09:02, 9 April 2020
  • ...logy Review in 1999. Founded [[FoAM]] in [[2000]] and has since functioned as its PI, media artist and head chef. Her leadership skills have been recogni
    754 bytes (111 words) - 21:45, 12 January 2024
  • ...numerous concerts, film presentations, meetings, discussion panels as well as artistic and music workshops.
    273 bytes (38 words) - 09:33, 16 May 2012
  • ...the Foundation for Free Information Infrastructures Sweden, served a stint as the European representative of the Electronic Frontier Foundation, and is n
    337 bytes (51 words) - 23:37, 8 December 2011
  • ..._1965_Tortured_Life_from_As_Is_When.jpg|thumb|350px|"Tortured Life" from ''As Is When'', screenprint, 1965.]] * ''[http://monoskop.org/log/?p=11296 As Is When]'', 1965.
    391 bytes (59 words) - 23:30, 25 May 2022
  • ...ch as micro sound engineering, music performance and improvisation as well as visual art, installation and interaction.
    784 bytes (112 words) - 14:40, 2 January 2012
  • File:Eliade Mircea Solilocvii 2003.pdf
    ...uţiu, 1932; reprint, as a supplement of magazine "Nu", Cluj, 1990; reprint as book, Bucharest: Humanitas, 1991; 2003
    (29.33 MB) - 13:37, 3 December 2014
  • ...ded CG work for motion pictures with Will, Ltd. (有限会社ウイル), where he serves as corporate representative.
    572 bytes (81 words) - 20:43, 26 March 2016
  • ...pes to find alternative ways to publishing, be it in collaboration with or as commissioned by others, in which sustainability and accessibility are at th
    708 bytes (97 words) - 01:07, 9 September 2023
  • ...Brake worked on 17 films at the Unit, mostly as a cameraman, occasionally as a director.
    493 bytes (68 words) - 14:00, 3 December 2022
  • ...d art at the Node Centre for Curatorial Studies, Berlin, as well as acting as an IP consultant for a number of clients working in the creative industries
    366 bytes (56 words) - 14:31, 18 February 2012
  • ...mmunications technologies have social relations embedded within them, such as deadSwap (2009) and Thimbl (2010).
    651 bytes (92 words) - 14:12, 3 December 2022
  • File:Post-Modern Post-National Post-Gender Suggestions .pdf
    ...as its relationship to the construction of other defining categories such as nation and class.
    (2.15 MB) - 11:22, 31 January 2024
  • ...es in and around Germany which belong to or share a common bond to the CCC as stated in its hacker ethics. [https://www.ccc.de/en/ (2022)]
    902 bytes (128 words) - 14:01, 3 December 2022
  • ...d experience as digital artist from his studies at ‘MultiMediaArt’ as well as three intense years at the Ars Electronica Futurelab. Also the years of act ...s and performances in Austria, Germany, Portugal, Mexico and China as well as numerous workshops and the lecture ‘Audiovisualistics‘ at the Universit
    986 bytes (143 words) - 09:26, 19 April 2012
  • ...s’ has published numerous books on various aspect of media history as well as new media. He lives in [[Stockholm]].
    496 bytes (73 words) - 22:07, 3 August 2015
  • ...r. She holds an MA in Creative Writing from the University of East Anglia. As a poet she has been published widely in the UK & Ireland and her first coll
    467 bytes (76 words) - 15:36, 3 May 2013

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