Welcome to Monoskop, a wiki for collaborative studies of the arts, media and humanities.
This page shows a selection of the latest additions to the website. For more detailed overview see the Recent, Contents, Index and Media library sections. Updates are also being posted on Twitter and Facebook.
Monoskop supports the open letter In solidarity with Library Genesis and Sci-Hub.
“Requested by the readers of transition magazine, Gertrude Stein published “Bibliography” in 1929. This chronological list of her writings was revised and updated by Robert Bartlett Haas and Donald Clifford Gallup in 1941 (Yale University Library, New Haven), extended by Julian Sawyer in 1948 (Bulletin of Bibliography), and updated again by Richard Bridgman in 1970 (Gertrude Stein in Pieces, Oxford University Press), which, with some additions, forms the basis of this anthology.
Rare texts are still missing and will be added if I or someone else can find them. Texts have been obtained from various online sources and proofed, whenever possible, against scans of the books, but as the majority of books weren’t available in digital form, I have scanned, ocr’ed and corrected them myself. All texts have been formatted to resemble the original (and often quite idiosyncratic) layout as closely as possible, so you might want to refrain from choosing the font size too big. An alphabetical index and one by book publication should make it easy to find texts.” (note from editor)
Compiled by pynch
Self-published in January 2017
“In this series of essays Fred Moten and Stefano Harney draw on the theory and practice of the black radical tradition as it supports, inspires, and extends contemporary social and political thought and aesthetic critique. Today the general wealth of social life finds itself confronted by mutations in the mechanisms of control: the proliferation of capitalist logistics, governance by credit, and the management of pedagogy. Working from and within the social poesis of life in the undercommons Moten and Harney develop and expand an array of concepts: study, debt, surround, planning, and the shipped. On the fugitive path of an historical and global blackness, the essays in this volume unsettle and invite the reader to the self-organised ensembles of social life that are launched every day and every night amid the general antagonism of the undercommons.”
Introduction by Jack Halberstam
Publisher Minor Compositions, Wivenhoe, 2013
ISBN 9781570272677, 1570272670
Interview with authors (Transversal, 2016)
“Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley’s technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers around the world were engaging with mainframe and mini-computers to create innovative new artworks that contradict the stereotypes of ‘computer art.’ Juxtaposing the original works alongside scholarly contributions by well-established and emerging scholars from several disciplines, Mainframe Experimentalism demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites that has become commonplace today.”
Publisher University of California Press, 2012
ISBN 9780520268371, 0520268377
“The title Joy Forever refers to the false promise of a common happiness, constantly played out by the proponents of the creative class and creative economy – the very promise that since Romanticism has been ascribed to art itself, a vow which remains unfulfilled. The aim of the publication is to scrutinize the false promises of distributed creativity as an ideology of cognitive capitalism. The authors devote themselves to critical examination of the structural links between art, creativity, labour and the creation of value under contemporary relations of production. Some of them do not stop at a critical diagnosis but go further, reflecting upon potential alternatives to the status quo.
The book covers more than the issues of a narrowly understood art world, despite the fact that it pays a lot of attention to them. Art is conceived here as a social lab, where innovative ways of organizing of labour, socializing both for labour and through labour, as well as different types of production, speculation, generation and accumulation and appropriation of value are experimented with and tested.
The book gathers papers based on presentations at the conference Labour of the Multitudes? Political Economy of Social Creativity, organized in Warsaw in October 2011. It includes contributions by Luc Boltanski, Neil Cummings, Diedrich Diederichsen, Isabelle Graw, Massimiliano Tomba, Stevphen Shukaitis, Martha Rosler, and others.”
Edited by Michał Kozłowski, Agnieszka Kurant, Jan Sowa, Krystian Szadkowski and Jakub Szreder
Publisher Free/Slow University of Warsaw, in cooperation with MayFly Books, London, 2014
Creative Commons BY-NC-ND 4.0 International License
ISBN 9781906948191, 1906948194
“In this, the first anthology of Russian contemporary art writing to be published outside Russia, many of the country’s most prominent contemporary artists, writers, philosophers, curators and historians come together to examine the region’s various movements of contemporary art, culture, and theory, from communism, cosmism and conceptualism to past and future futures.
With contributions from Barte de Baere, Boris Groys, Ilya and Emilia Kabakov, Anton Vidokle, Bogdan Mamonov, Pavel Pepperstein, Dmitri Prigov and Masha Sumnina amongst many others, this definitive collection reveals a compelling portrait of a vast and complex nation built on a contradicting dialectic between the material and the ideal and a culture battling its own histories and ideologies.”
Edited by Elena Zaytseva and Alex Anikina
Foreword by Bart De Baere
Publisher Zed Books, London, 2017
ISBN 9781786993243, 1786993244