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Welcome to Monoskop, a wiki for arts, media and humanities.

This page shows a selection of our sections. For other entry points see Monoskop Log, Contents or Index. Selected updates are posted on email, RSS, Twitter, Facebook and Instagram.

Featured sections

Featured publications

Stefano Harney, Fred Moten: All Incomplete (2021)

“Building on the ideas Harney and Moten developed in The Undercommons, All Incomplete extends the critical investigation of logistics, individuation and sovereignty. It reflects their chances to travel, listen and deepen their commitment to and claim upon partiality.

All Incomplete studies the history of a preference for the force and ground and underground of social existence. Engaging a vibrant constellation of thought that includes the work of Amilcar Cabral, Erica Edwards, Denise Ferreira da Silva, Cedric Robinson, Walter Rodney, Hortense Spillers and many others, Harney and Moten seek to share and understand that preference.

In so doing, Moten and Harney hope to have forged what Manolo Callahan, echoing Ivan lllich, calls a convivial tool that — despite the temptation to improve and demand, develop and govern, separate and grasp — helps us renew our habits of assembly.”

Foreword by Denise Ferreira da Silva
Photos and Afterword by Zun Lee
Publisher Minor Compositions, Colchester, 2021
Open access
ISBN 9781570273780, 1570273782
178 pages

Publisher
WorldCat

PDF

Trevor Wishart: Audible Design: A Plain and Easy Introduction to Practical Sound Composition (1994)

“This book provides detailed description of the craft of sound transformation using software instruments, with non-mathematical explanations and recorded music examples of all processes.

Many of these processes (e.g. sound morphing, spectral stretching, waveset distortion, sound shredding, grain manipulation, moving harmonic field filters) were first developed by Trevor Wishart, either at IRCAM, or as part of the Composers Desktop Project.”

Publisher Orpheus the Pantomime, 1994
139 pages
via author, HT xgz

WorldCat

PDF, PDF
Appendices PDF, PDF (57 MB)
Audio examples: Chapters 1-3, Chapter 4-6, Chapter 7-10, Chapter 11-13 (Bandcamp)

Gordon Mumma: Cybersonic Arts: Adventures in American New Music (2015)

“A candid account of a broad artistic community by an active participant and observer

Composer, performer, instrument builder, teacher, and writer Gordon Mumma has left an indelible mark on the American contemporary music scene. A prolific composer and innovative French horn player, Mumma is recognized for integrating advanced electronic processes into musical structures, an approach he has termed “Cybersonics.”

Musicologist Michelle Fillion curates a collection of Mumma’s writings, presenting revised versions of his classic pieces as well as many unpublished works from every stage of his storied career. Here, through words and astonishing photos, is Mumma’s chronicle of seminal events in the musical world of the twentieth century: his cofounding the Cooperative Studio for Electronic Music; his role in organizing the historic ONCE Festivals of Contemporary Music; performances with the Sonic Arts Union; and working alongside John Cage and David Tudor as a composer-musician with the Merce Cunningham Dance Company. In addition, Mumma describes his collaborations with composers, performers, dancers, and visual artists ranging from Robert Ashley and Pauline Oliveros to Marcel Duchamp and Robert Rauschenberg.”

Edited with Commentary by Michelle Fillion
Foreword by Christian Wolff
Publisher University of Illinois Press, November 2015
ISBN 9780252039430, 0252039432
xxxiv+339 pages

Reviews: Eric Smigel (Intersections, 2015), Daniel Barbiero (Avant Music News, 2016), Aurelio Cianciotta (Neural, 2016).

Publisher
WorldCat

PDF

Inke Arns, Marie Lechner (eds.): Computer Grrrls (2021) [German/English]

Computer Grrrls brings together 23 international artistic positions that negotiate the complex relationship between gender and technology in past and present. The book deals with the link between women and technology from the first human computers to the current revival of technofeminist movements. An illustrated timeline with over 200 entries covers these developments from the 18th century to the present day.

The publication presents artists, hackers, makers and researchers who are working on how to think differently about technology: by questioning the gender bias in big data and artificial intelligence, promoting an open and diversified Internet, and designing utopian technologies.

The perspectives presented here address a broad range of topics: electronic colonialism, the place of minorities on the Internet, the sexist bias of algorithms, the dangerous dominance of white men in the development of artificial intelligence and digital surveillance, but also ideas on how we can change our traditional ways of thinking.

Artists included: Morehshin Allahyari, Manetta Berends, Zach Blas & Jemima Wyman, Nadja Buttendorf, Elisabeth Caravella, Jennifer Chan, Aleksandra Domanović, Louise Drulhe, Elisa Giardina Papa, Darsha Hewitt, Lauren Huret, Hyphen-Labs, Dasha Ilina, Roberte la Rousse, Mary Maggic, Caroline Martel, Lauren Moffatt, Simone C. Niquille, Jenny Odell, Tabita Rezaire, Erica Scourti, Suzanne Treister, Lu Yang.”

Publisher Kettler, Dortmund, and HMKV, Dortmund, May 2021
Open access
ISSN 2629-2629
ISBN 9783862069071
191 pages
HT coco

Publisher
Publisher
Exhibition (HMKV, 2018-2019)

PDF (59 MB)

Paul DeMarinis: Buried in Noise (2010) [English/German]

“This artist’s book is the first comprehensive monograph on sound and media artist Paul DeMarinis. DeMarinis has avidly followed the development of communication media, interested in discoveries being made in the realm of physical phenomena and the corresponding objects and devices that have been invented as well as in their cultural and social aspects. His works embody an aesthetic culture of invention permeated by a critical, yet humorous and poetic spirit. Buried in Noise is being published on the occasion of DeMarinis’s artist fellowship at the DAAD artists’ program in Berlin. The publication compiles documentation on Paul DeMarinis’s complete oeuvre since 1973 and the first published compendium of texts by the artist.”

Contributors include Gascia Ouzounian, Fred Turner, Erkki Huhtamo, Douglas Kahn, Bernd Schulz, Siegfried Zielinski, and Thomas Y. Levin.

Edited by Ingrid Beirer, Sabine Himmelsbach, and Carsten Seiffarth
Publisher Kehrer Verlag, Heidelberg/Berlin, 2010
ISBN 9783868281415, 386828141X
279 pages

Publisher
WorldCat

PDF (77 MB)