Welcome to Monoskop, a wiki for collaborative studies of the arts, media and humanities.
This page shows a selection of the latest additions to the website. For more detailed overview see the Recent, Contents, Index and Media library sections. Updates are also being posted on Twitter and Facebook.
Monoskop supports the open letter In solidarity with Library Genesis and Sci-Hub.
“A Physical Book makes a digitized book ‘physical’ by rendering it in a simulated space where properties like gravity, friction, and velocity all apply. The program randomly perturbs the letters, then takes a snapshot at a point in time, re-assembling the images into a new, ‘un-digitized’ book.
The raw, uncorrected scanned text of The Up-To-Date Sandwich Book: 400 Ways to Make a Sandwich (1909) is re-imagined as this 251 page (50,964 words) book.”
“An anthology featuring over 200 artistic and cultural manifestos from a wide range of countries. It includes texts ranging from Kurt Schwitters’ ‘Cow Manifesto’ to those written in the name of well-known movements – imagism, cubism, surrealism, symbolism, and projectivism – and less well-known ones – lettrism, acmeism, concretism, and rayonism.”
Publisher University of Nebraska Press, Lincoln, 2001
ISBN 0803264070, 9780803264076
PDF (189 MB, no OCR)
“This collection of thirteen original essays analyzes connections between film and two highly influential twentieth-century movements. The essays, which comment on specific films and deal with theoretical and topical questions, are framed by a documentary section that includes a photographic reproduction of the manuscript scenario for Robert Desnos’s and Man Ray’s L’Etoile de mer, and an introduction by the editor that provides a cogent working model for the difference between Dada and Surrealist perspectives.” (back cover)
Publisher Willis Locker & Owens, New York, 1987
This edition by MIT Press, 1996
ISBN 026261121X, 9780262611213
PDF (75 MB, no OCR)
“Leon Theremin led a life of flamboyant musical invention laced with daring electronic stealth. A creative genius and prolific inventor, Theremin launched the field of electronic music virtually singlehandedly in 1920 with the musical instrument that bears his name. The theremin-–the only instrument that is played without being touched-–created a sensation worldwide and paved the way for the modern synthesizer. Its otherworldly sound became familiar in sci-fi films and even in rock music. This magical instrument that charmed millions, however, is only the beginning of the story.
As a Soviet scientist, Theremin surrendered his life and work to the service of State espionage. On assignment in Depression-era America, he became the toast of New York society and worked the engines of capitalist commerce while passing data on U.S. industrial technology to the Soviet apparat. Following his sudden disappearance from New York in 1938, Theremin was exiled to a Siberian labor camp and subsequently vanished into the top-secret Soviet intelligence machine, presumed dead for nearly thirty years. Using the same technology that lay behind the theremin, he designed bugging devices that eavesdropped on U.S. diplomatic offices and stood at the center of a pivotal cold war confrontation. Throughout his life, Theremin developed many other electronic wonders, including one of the earliest televisions and multimedia devices that anticipated performance art and virtual reality by decades.
In this first full biography of Leon Theremin, Albert Glinsky depicts the inventor’s nearly one hundred-year life span as a microcosm of the twentieth century. Theremin is seen at the epicenter of most of the major events of the century: the Russian Revolution, two world wars, America’s Great Depression, Stalin’s purges, the cold war, and perestroika. His life emerges as no less than a metaphor for the divergence of communism and capitalism.”
Foreword by Robert Moog
Publisher University of Illinois Press, 2000
ISBN 0252025822, 9780252025822
PDF (138 MB, no OCR)
“The Grand Illusion is dedicated to the great passion of Yugoslav president Josip Broz Tito (1892-1980) for all forms of moving pictures – movies, newsreels and other film and documentary forms. The project is based on the carefully maintained records of films which Tito watched from 15 March 1949 to 16 January 1980.
The Grand Illusion is about Tito as a watcher of films, but also about him as an actor, shadow director and most powerful producer. About a man who watched an average of 280 films a year, in all his residences, on land, sea and rail. About his encounters with the greatest film personalities of the second half of the twentieth century – Simone Signoret, Yves Montand, Sophia Loren, Elizabeth Taylor, Vivien Leigh, Orson Welles, Richard Burton and Laurence Olivier. About a statesman who was relaxed and entertained by film, and who could say about films “they simply blow your mind”, but who knew how to promote and sell them to serve him for educational purposes, as well as to prepare for travelling or when someone was coming to visit him.”
Publisher Museum of Yugoslav History, Belgrade, 2014
ISBN 9788684811259, 8684811259