Welcome to Monoskop, a wiki for arts, media and humanities.
“A key figure of Swedish counterculture and the creator of the first digital arts laboratory in Nordic countries, Charlotte Johannesson has worked primarily with two tools: the artisan technology of the loom and digital IT programming technology, exploring and throwing into relief the connections, both conceptual and methodological, that exist between the two.
Charlotte Johannesson. Take Me to Another World renders an account of the meticulous research process around colour and line that the artist executes in her textile and digital practice. It also spotlights the contribution of Danish writer and artist Amalie Smith, who set up a dialogue between Johannesson’s career and her own present-tense narrative. Furthermore, the publication incorporates an interview conducted with the artist in 2012, re-edited and translated for this occasion.”
Publisher Museo Reina Sofía, Madrid, 2021
Creative Commons BY-NC-ND 4.0 License
ISBN 9788480266246, 8480266244
“Reimagining the scholarly book as living and collaborative—not as commodified and essentialized, but in all its dynamic materiality.
In this book, Janneke Adema proposes that we reimagine the scholarly book as a living and collaborative project—not as linear, bound, and fixed, but as fluid, remixed, and liquid, a space for experimentation. She presents a series of cutting-edge experiments in arts and humanities book publishing, showcasing the radical new forms that book-based scholarly work might take in the digital age. Adema’s proposed alternative futures for the scholarly book go beyond such print-based assumptions as fixity, stability, the single author, originality, and copyright, reaching instead for a dynamic and emergent materiality.
Adema suggests ways to unbind the book, describing experiments in scholarly book publishing with new forms of anonymous collaborative authorship, radical open access publishing, and processual, living, and remixed publications, among other practices. She doesn’t cast digital as the solution and print as the problem; the problem in scholarly publishing, she argues, is not print itself, but the way print has been commodified and essentialized. Adema explores alternative, more ethical models of authorship; constructs an alternative genealogy of openness; and examines opportunities for intervention in current cultures of knowledge production. Finally, asking why it is that we cut and bind our research together at all, she examines two book publishing projects that experiment with remix and reuse and try to rethink and reperform the book-apparatus by taking responsibility for the cuts they make.”
Publisher MIT Press, August 2021
Creative Commons BY-NC 4.0 International License
ISBN 9780262046022, 0262046024
Interview with author: Erzsébet Tóth-Czifra (Dariah Open, 2021).
“For generations, our remote ancestors have been cast as primitive and childlike–either free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction to powerful critiques of European society posed by Indigenous observers and intellectuals. Revisiting this encounter has startling implications for how we make sense of human history today, including the origins of farming, property, cities, democracy, slavery, and civilization itself.
Drawing on research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we learn to throw off our conceptual shackles and perceive what’s really there. If humans did not spend 95 percent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and economic organization did they lead to? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful, hopeful possibilities, than we tend to assume.”
Publisher Farrar, Straus and Giroux, November 2021
ISBN 9780374157357, 0374157359
Reviews: William Deresiewicz (The Atlantic, 2021), Giulio Ongaro (Jacobin, 2021), Jennifer Schuessler (The New York Times, 2021), Kwame Anthony Appiah (The New York Review, 2021), David Priestland (The Guardian, 2021), Steve Rushton (Bella Caledonia, 2021).
“The uprising which shook France in May 1968 also had a revolutionary effect on the country’s most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal’s work over the next five years. Inspired by Marxist and psychoanalytic theory, the “red years” of Cahiers du cinéma produced a theoretical outpouring that was seminal for the formation of film studies and is still of vital relevance for the contemporary audiovisual landscape.
The Red Years of Cahiers du Cinéma (1968-1973) gives an overview of this period in the journal’s history and its aftermath, combining biographical accounts of the critics who wrote for Cahiers in the post 1968 period with theoretical explorations of their key texts.”
Publisher Amsterdam University Press, Amsterdam, 2021
Film Culture in Transition series
ISBN 9789048543908 (vol. 1), 9789048543915 (vol. 2)
427 & 455 pages
HT Quentin Darcq
See also: Cahiers du Cinéma, vols. 1–4.
“The Central European Network for Sonic Ecologies (CENSE) is an informal network of individual voices coming from various backgrounds. We propose this emerging network to fill the need of fostering more perceptive and conscious thinking and solutions, addressing developments in the social and cultural fields of Central Europe (and beyond) related not only to sound art, ecomusicology, and sound per se, while keeping a central focus on deep environmental and social changes.”
Its first publication features a survey of CENSE members and friends about sonic ecology, offering a springboard for the formation of a framework; a mind map composed of the various ideas, statements, positions, and attitudes of around thirty people. In addition, three essays on the story of environmental sound in Czechoslovakia, Poland and Hungary are included.”
Editor: Miloš Vojtěchovský and Lloyd Dunn
Publisher CENSE, November 2021
Creative Commons Attribution NonCommercial ShareAlike 4.0 Unported License