Noise

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Pages[edit]

Records[edit]

Publications[edit]

Luigi Russolo, The Art of Noises, 1916-, Log (IT, EN, ES, DE, FR, RU).
Jacques Attali, Noise: The Political Economy of Music, 1977-, Log (FR, EN).
David Novak, Japanoise: Music at the Edge of Circulation, 2013, Log, PDF.

Monographs[edit]

  • Luigi Russolo, L'Arte dei rumori, Milan: Edizioni Futuriste di Poesia, 1916, 92+[2] pp. The manifesto was first published in French and Italian on 11 March 1913. (Italian)
    • The Art of Noises, trans. Robert Filliou, Something Else Press, 1967. The manifesto only.
    • L'art des bruits, ed. & intro. Giovanni Lista, trans. Nina Sparta, postf. Pierre Henry, Lausanne: Editions l'Age d'Homme, and Paris: Centre de diffusion de l'édition, 1975, 164 pp; new ed., 2001, 164 pp. (French)
    • The Art of Noises, trans. Barclay Brown, New York: Pendragon, 1987, 87 pp.
    • "El arte de los ruidos. Manifiesto Futurista", Sin Titulo 3, 1996, UCLM, pp 8-15. The manifesto only. (Spanish)
    • El arte de los ruidos, trans. Olga and Leopoldo Alas, Cuenca: Centro de Creación Experimental, 1998, 93 pp; repr., Barcelona: Casimiro, 2020, 96 pp. (Spanish)
    • Die Geräuschkunst, trans. Justin Winkler and Albert Mayr, Basel: Akroama, 1999. (German)
    • Die Kunst der Geräusche, trans. Owig DasGupta, ed. & afterw. Johannes Ullmaier, Mainz: Schott, 2000, 111 pp; repr., 2005. With an audio CD. (German)
    • L’Art des bruits: manifeste futuriste, 1913, Paris: Allia, 2003, 38 pp; 2nd ed., 2006, 38 pp; 3rd ed., 2009, 38 pp; 4th ed., 2013, 44 pp; 6th ed., 2016, 44 pp. The manifesto only. (French)
    • Iskusstvo shumov [Искусство шумов], n.d. The manifesto only. (Russian)
    • Hälyjen taide, trans. Tanja Tiekso and Janne Löppönen, Helsinki: Tutkijaliitto, 2018, 99 pp. (Finnish)
  • Jacques Attali, Bruits: essai sur l’economie politique de la musique, Paris: Presses Universitaires de France, 1977, 301 pp; new ed., Paris: Fayard / PUF, 2001, 304 pp. (French)
    • Ruidos: ensayo sobre la economía política de la música, trans. José Martín Arancibia, Barcelona: Ruedo Ibérico, 1978, 303 pp. (Spanish)
    • Rumori: saggio sull'economia politica della musica, trans. Sergio Mancini, Milan: G. Mazzotta, 1978, 222 pp. (Italian)
    • Buka: ogled o ekonomiji muzike, forew. & trans. Eleonora Prohić, Belgrade: Vuk Karadžić, 1983, 204 pp; repr. as Buka: ogled o političkoj ekonomiji muzike, Belgrade: Krug, 2007, 238 pp. (Serbian)
    • Noise: The Political Economy of Music, forew. Fredric Jameson, trans. Brian Massumi, afterw. Susan McClary, Manchester: Manchester University Press, 1985, 179 pp.
    • Ruidos: ensayo sobre la economía política de la música, trans. Ana María Palos, México: Siglo XXI, 1995, 227 pp. (Spanish)
    • Zao yin: yin yue de zheng zhi jing ji xue [噪音: 音樂的政治經濟學], Taipei: Shi bao wen hua, 1995, 238 pp. (Chinese)
    • Zao yin: yin le de zheng zhi jing ji xue [噪音: 音乐的政治经济学], Shanghai: Shang hai ren min chu ban she, 2000, 211 pp; repr., Zheng zhou shi: he nan da xue chu ban she, 2017, 330 pp. (Chinese)
    • Gürültüden müziğe: müziğin ekonomi-politiği üzerine, trans. Gülüş Gülcügil Türkmen, ed. Işıl Özcan. Istanbul: Ayrıntı, 2005; 2nd ed., 2014. (Turkish)
    • Hrup: esej o politični ekonomiji glasbe, trans. Suzana Koncut, afterw. Mladen Dolar, Ljubljana: Maska, 2008, 167 pp. [1] (Slovenian)
    • Ongaku kahei zatsuon [音楽/貨幣/雑音], trans. Sadafumi Kanezuka, Tokyo: Misuzushobo, 2012, 306 pp. (Japanese)
  • Ulrich Holbein, Der belauschte Lärm, Frankfurt am Main: Suhrkamp, 1991, 209 pp. (German)
  • Alfred Birnbaum (ed.), n01se, Cambridge, UK: Kettle’s Yard, 2000, 118 pp. Catalogue.
  • Bart Kosko, Noise, Viking, 2006.
  • Mattin, Anthony Iles (eds.), Noise & Capitalism, Arteleku Audiolab, and San Sebastián: Donostia, 2009, 191 pp.
  • Greg Hainge, Noise Matters: Towards an Ontology of Noise, Bloomsbury, 2013, 240 pp. [5]
  • Jennifer Wallis (ed.), Fight Your Own War. Power Electronics And Noise Culture, Headpress, 2016, 260 pp. [7]
  • Inigo Wilkins, Irreversible Noise, Urbanomic, 2017, 200 pp. [8]
  • Kerstin Ergenziner: Navigating Noise, eds. Nathanja van Dijk, Kerstin Ergenzinger, Christian Kassung, and Sebastian Schwesinger, Cologne: Walther König, 2017, 304 pp. Text by African Noise Foundation, Lino Camprubí, Felix Gerloff, Paul Hegarty, Seth Horowitz, Tim Ingold, Eleni Ikoniadou, Brandon LaBelle, Thomas Laepple, Heike Catherina Mertens, Patricia Pisters, Wolfgang Schäffner, Martin Skrydstrup et al. [9] [10]

Magazines[edit]

  • Special Interests: Power Electronics Industrial Noise Experimental Avantgarde Ambient, 9+ issues, since 2009?. [13] [14]
  • As Loud As Possible: The Noise Culture Magazine, 1 issue, ed. Steve Underwood, 2010, 166 pp. [15] [16] [17]
  • Personal Best: Fanzine for Noise, Music and the Cosmic Soup, 5+ issues, ed. Lasse Marhaug, Oslo: Marhaug Forlag, since Dec 2011, 100 pp per issue. [18]

Journal issues[edit]

Selected essays[edit]

Resources[edit]

See also[edit]

Sound art


Sound and Music
communities of practice

Radio art, Pirate radio, Electroacoustic music, Computer music, Field recording, Noise, Cassette culture, Zine culture, Max/MSP, Pure Data, SuperCollider, Net radio, Live coding.
See also Artists' cultures.