View source for Women in concrete poetry

''Women in concrete, visual, and sound poetry''

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==Works==
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[[Image:Albers_Anni_nd_Typewriter_Studies.jpg|thumb|250px|[[Anni Albers]], Typewriter study to create textile effect, n.d. Typewriter printing in blue ink on paper mounted on board, 27 x 16.8 cm. Made on Olivetti Lettera 22 typewriter. [https://www.tate.org.uk/tate-etc/issue-44-autumn-2018/anni-albers-weaving-magic-briony-fer (Source)]. [https://monoskop.org/images/7/71/Albers_Anni_On_Weaving_1974.pdf#page=119 Printed in 1974 monograph by Albers]. [https://www.instagram.com/p/BfyXBp5jxeb/ More].]]
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[[Image:Asawa Ruth 1946-49c Untitled BMC on newsprint.jpg|thumb|250px|Ruth Asawa, ''Untitled (BMC on newsprint)'', c.1946-1949. Stamped ink on newsprint. Created during Asawa's studies with Anni Albers at Black Mountain College. [https://www.ruthasawa.com/art/black-mountain-work/ More], [https://www.harvardartmuseums.org/collections/object/225466], [https://www.harvardartmuseums.org/collections/object/225517], [https://www.moma.org/collection/works/284625].]]
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[[Image:Solt_Mary_Ellen_1964_Moonshot_Sonnet.png|thumb|250px|Mary Ellen Solt, ''Moonshot Sonnet'', 1964. {{sm|The poem is "composed from reformatted diagrammatic-codes initially used by NASA-engineers to plan and execute the moon landing. The engineers placed the diagrammatic-codes over photographs of the lunar surface, and Solt abstracted the diagrams without any photographic reference. Using the codes, she transformed the result into a sonnet, with the codes appearing in “exactly fourteen “lines” with five “accents,”” a Petrarchan or Italianate sonnet" [http://coldfrontmag.com/concrete-poetry-in-america/].}} ]] 
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[[Image:Solt Mary Ellen Flowers in Concrete 1966.jpg|thumb|link=https://monoskop.org/images/8/88/Solt_Mary_Ellen_Flowers_in_Concrete_1969.pdf|250px|Mary Ellen Solt, ''[[Media:Solt_Mary Ellen_Flowers_in_Concrete_1969.pdf|Flowers in Concrete]]'' [1966], 1969, [1+11] plates, 92 x 61 cm, [http://ubu.com/historical/solt/solt_flowers.html PDFs]. Includes poems ''Forsythia, Lilac'', and ''Geranium''.]]
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[[Image:Hendricks Bici Punctuation Poems 1966.jpg|thumb|250px|Bici Hendricks, ''Punctuation Poems'', New York: Black Thumb Press, 1966, 14 x 8.5 cm. An envelope with a white label containing 20 printed cards, each consisting of a single typewriter character. [http://artistsbooksandmultiples.blogspot.com/2015/08/bici-hendricks-punctuation-poems.html Source].]]
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[[Image:Hirsal Josef Grogerova Bohumila JOB-BOJ 1968.jpg|thumb|250px|Cover of ''JOB-BOJ'', collection of poems by Josef Hiršal and Bohumila Grögerová, Prague: Československý spisovatel, 1968, 130 pp.]]
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[[Image:Tomic_Biljana_1968_Typoezija.jpg|thumb|250px|Biljana Tomić, ''Typoezija'', 1968.]]
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[[Image:Beach Mary_1968.jpg|thumb|250px|Mary Beach's concrete poem in ''The San Francisco Earthquake'' 1:3, 1968.]]
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[[Image:Jankovic Tamara 1970 Sixth Dimension 16.jpg|thumb|250px|Tamara Janković, ''Šesta Dimenzija 16 (Sixth Dimension 16)'', in [https://monoskop.org/images/3/37/Signal_1_1970.pdf#page=49 ''Signal'', no. 1, 1970]. Janković was a member of the Belgrade-based Signalist group of experimental poets in the early 1970s and was on the editorial board for the group’s magazine, ''Signal''. Her use, here, of numbers, letters, and the Pierre Cardin logo reflects the Signalist goal to explore symbols and imagery in new poetry that transcends national languages.]]
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[[Image:May Swenson_1970_Feel_Me.jpg|thumb|250px|May Swenson, ''Feel Me''. From Swenson's collection of visual poems, ''Iconographs'', 1970. [http://omeka.wustl.edu/omeka/exhibits/show/mlc50/item/9298 Drafts]. [http://sci-hub.tw/http://www.jstor.org/stable/20595407 ''Poetry'' review].]]
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[[Image:Abramovic_Marina_1971_Signal.jpg|thumb|250px|Poems by [[Marina Abramović]] published in [https://monoskop.org/images/0/02/Signal_4-5_1971.pdf#page=22 ''Signal'' 4-5, 1971].]]
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[[Image:Solt_Mary_Ellen_The_Peoplemover_1968_A_Demonstration_Poem_1978.jpg|thumb|link=https://monoskop.org/images/a/ae/Solt_Mary_Ellen_The_Peoplemover_1968_A_Demonstration_Poem_1978.pdf|250px|Mary Ellen Solt, ''[[Media:Solt_Mary_Ellen_The_Peoplemover_1968_A_Demonstration_Poem_1978.pdf|The Peoplemover 1968: A Demonstration Poem]]'' [1973], 1978, 114 pp. A reproduction of the texts from Solt’s protest posters arranged in the form of concrete poems.]]
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[[Image:Sa Neide 1968 Transparencia.jpg|thumb|250px|Neide Sá, ''Transparência'', 1968. Acrylic, serigraphy, 20 x 20 x 20 cm. [http://www.galeriasuperficie.com.br/en/artists/neide-de-sa/photos/ (Source)].]]
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[[Image:Partum Ewa 1971-1973 Active Poetry.jpg|thumb|link=https://artmuseum.pl/en/filmoteka/praca/partum-ewa-active-poetry-poem-by-ewa|thumb|250px|[[Ewa Partum]], ''Active Poetry'', 1971-1973. 8 mm film, b&w, no sound, 5'53".<br>{{sm|Documentation of five actions in the surroundings of Warsaw. For her action in 1971, "the artist cut up a single page of James Joyce’s novel ''Ulysses'' and scattered the individual letters in a pedestrian arcade in Warsaw. The letters became distributed through the space creating new texts and chance meetings as passers-by moved around the arcade. The concept marked a turning point in Partum’s career and is one with which she has continued to play in order to critique the means and modes of textual production. Partum went on to create a series of works using letter cut-outs, often releasing them into natural spaces, including the ocean and a hilltop." [https://www.tate.org.uk/research/publications/performance-at-tate/case-studies/ewa-partum].}} [https://artmuseum.pl/en/filmoteka/praca/partum-ewa-active-poetry-poem-by-ewa View film on Filmoteka]. [https://www.tate.org.uk/art/artworks/partum-active-poetry-t12766 Tate]. [https://www.museoreinasofia.es/en/collection/artwork/active-poetry-poem-ewa Reina Sofia]. [http://foundation.generali.at/en/collection/artist/partum-ewa/artwork/aktive-poesie.html Generali]. [https://www.tate.org.uk/research/publications/performance-at-tate/case-studies/ewa-partum 2006 re-creation at Tate].]]
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[[Image:Bentivoglio Mirella 1971 Lassente positivo negativo segno figura.jpg|thumb|250px|Mirella Bentivoglio, ''L’(assente), positivo/negativo, segno/figura'' [The Absent One, Positive/Negative, Sign/Figure], 1971. Serigraph on paper, 62.55 x 48.26 cm. [https://monoskop.org/images/f/f1/Mirella_Bentivoglio_Pages_Selected_Works_1966-2012_2015_excerpt.pdf#page=26 (Source)].]]
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[[Image:Dermisache_Mirtha 1972 Diario_No_1_Ano_1.jpg|thumb|250px|Mirtha Dermisache, ''Diario No. 1, Año 1'', 1972. Chinese ink and marker on paper, 46.4 × 35.6 cm. [https://www.theparisreview.org/blog/2018/01/30/mirtha-dermisache-limits-language/ Source].]]
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[[Image:Bentivoglio Mirella 1973 E congiunzione.jpg|thumb|250px|Mirella Bentivoglio, ''E = congiunzione'' [And = Conjunction], 1973. Serigraph on paper, 20.96 x 29.85 cm. [https://monoskop.org/images/f/f1/Mirella_Bentivoglio_Pages_Selected_Works_1966-2012_2015_excerpt.pdf#page=9 (Source)].]]
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[[Image:de Charmoy Cozette The Colossal Lie 1974.jpg|thumb|250px|Cover of Cozette de Charmoy's collage novel ''The Colossal Lie'' (Collection OU 4), 1974.]]
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[[Image:Solt Mary Ellen 1976 ZigZag.jpg|thumb|250px|Mary Ellen Solt's contribution (''ZigZag'') to ''Arti visive. Poesia visiva'', 1976. [https://www.theideaofthebook.com/pages/books/87/mirella-bentivoglio-patrizia-vicinelli-biljana-tomic-salette-tavares-chima-sunada-mary-ellen/arti-visive-poesia-visiva-visual-poetry-by-women-an-international-exhibition-in-venice/?soldItem=true (Source)].]]
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[[Image:Landi Liliana 1976.jpg|thumb|250px|Liliana Landi's contribution to ''Arti visive. Poesia visiva'', 1976. [https://www.theideaofthebook.com/pages/books/87/mirella-bentivoglio-patrizia-vicinelli-biljana-tomic-salette-tavares-chima-sunada-mary-ellen/arti-visive-poesia-visiva-visual-poetry-by-women-an-international-exhibition-in-venice/?soldItem=true (Source)].]]
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[[Image:Bentivoglio Mirella 1979 Io.jpg|thumb|250px|Mirella Bentivoglio, ''Io'' [Me], 1979. Photomechanical print on paper, 60 x 40 cm. [https://monoskop.org/images/f/f1/Mirella_Bentivoglio_Pages_Selected_Works_1966-2012_2015_excerpt.pdf#page=32 (Source)].]]
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[[Image:Bentivoglio Mirella 1980 Moduli a E.jpg|thumb|250px|Mirella Bentivoglio, ''Moduli a E'' [E Combinations], 1980. Ink on paper drawings after 1977 wooden constructions, 29.53 x 20.96 cm. [https://monoskop.org/images/f/f1/Mirella_Bentivoglio_Pages_Selected_Works_1966-2012_2015_excerpt.pdf#page=11 (Source)].]]
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[[Image:Blank Irma 1987 Radical Writings.jpg|thumb|250px|Irma Blank, ''Radical Writings, Rosa geatmet, rosa gechrieben'' [Pink Breathed, Pink Scripted], 1987. Acrylic on canvas (diptych), 2 × 2.4 m. Photograph: C. Favero. [https://frieze.com/article/i-am-here-i-am (Source)].]]
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[[Image:Blank Irma 1996 Osmotic Drawings D-7.jpg|thumb|250px|Irma Blank, ''Osmotic Drawings D-7'', 1996. Acrylic on paper, 23 × 30 cm. Photograph: C. Favero. [https://frieze.com/article/i-am-here-i-am (Source)].]]
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''See also [https://www.are.na/sarah-hamerman/women-in-concrete-poetry Women in Concrete Poetry] channel on Are.na.''

==Sound works==
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[[Image:Bitzos Anastasia Konkrete Poesie Sound Poetry Artikulationen 1966.jpg|thumb|250px|Anastasia Bitzos, ''Konkrete Poesie, Sound Poetry, Artikulationen'', 1966, vinyl LP; 2004, CD. A selected documentation of the performance organized by Anastasia Bitzos on 26 May 1966 in the Kunsthalle Bern, Switzerland: "Konkrete Poesie, in Tonband, Lichtbild und Lesung". The production of the performance, the selection and the compiling of the record made by Anastasia Bitzos. Compositions by Bremer, Jandl, Gomringer, Mon, de Campos, Greenham, Bense, De Vree, Döhl, Geissbühler. [https://discogs.com/release/2369775 Discogs].]]
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[[Image:Ladik Katalin Ballada az ezustbiciklirol 1969.jpg|thumb|250px|Katalin Ladik, ''Ballada az ezüstbicikliről (1962-1968)'', Novi Sad: Forum Könyvkiadó, 1969. [http://www.zetna.org/zek/konyvek/73/ballada.html Texts].]]
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[[Image:Greenham_Lily_International_Language_Experiments_of_the_50_60ies_1970.jpg|thumb|link=https://monoskop.org/images/7/7f/Greenham_Lily_International_Language_Experiments_of_the_50_60ies_1970.m4a|250px|Lily Greenham, ''[[Media:Greenham Lily International Language Experiments of the 50 60ies 1970.m4a|Internationale Sprachexperimente der 50/60er jahre / International Language Experiments of the 50/60ies: Tendentious Neo-Semantics 1970 in English]]'', Frankfurt am Main: Hoffmann, 1970, vinyl LP. Lily Greenham reading poems by Peter Greenham, Jandl, Mills, Morgan, Cobbing, Gamier, Bense, de Campos, Braga, Pignateri, Rühm, Arias-Misson, Heissenbüttel, Molero, Sanmark, Steen, and her own poetry. [https://discogs.com/release/7745613 Discogs].]]
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[[Image:Ladik_Katalin_1976_Phonopoetica.jpg|thumb|link=https://monoskop.org/images/4/46/Ladik_Katalin_1976_Phonopoetica.webm|250px|Katalin Ladik, ''[[Media:Ladik Katalin 1976 Phonopoetica.webm|Phonopoetica (Phonetic Interpretations of Visual Poetry)]]'', Belgrade: Galerija studentskog kulturnog centra, 1976, 7" vinyl. [https://discogs.com/release/809883 Discogs]. [https://books.google.com/books?id=29f_DQAAQBAJ&pg=PT528].]]
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[[Image:Greenham Lily Lingual Music 2007.jpg|thumb|250px|Lily Greenham, ''Lingual Music'', Paradigm Discs, 2007, 2xCD. Works from 1968-1974. [https://discogs.com/release/1355529 Discogs].]]
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==Writings, statements==
: Biljana Tomić, [http://digitizing-ideas.org/en/entry/18469 "Objašnjenje typoezije"], ''Novine Galerija SC'' 9, Belgrade, 1969, p 19. {{sc}}
: Lily Greenham, [https://monoskop.org/images/1/1d/Kontextsound_Stedelijk_1977.pdf#page=22 "Lingual Music"], in ''Kontextsound'', ed. Michael Gibbs, Amsterdam: Kontexts Publications, 1977, p 22.
: Paula Claire, "The Notation of My Sound Poetry", ''Open Letter'' 5:7, Spring 1984. [http://publish.uwo.ca/~fdavey/c/5.7.htm]
: Mary Ellen Solt, "Concrete Steps to an Anthology", in ''Experimental, Visual, Concrete: Avant-garde PoetrySince the 1960s'', eds. K. David Jackson, Eric Vos, and Johanna Drucker, Amsterdam: Rodopi, 1996, pp 347-352.
: Maria Demon, Rachel Blau DuPlessis, [http://jacket2.org/article/desiring-visual-texts "Desiring Visual Texts: A Collage and Embroidery Dialogue"], ''Jacket2'', 25 Mar 2013.

==Poets, artists==
<div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3; font-size: 1em">
* [https://www.poetryfoundation.org/poets/may-swenson May Swenson] (1913-1989)
* [https://www.emptymirrorbooks.com/thirdpage/marybeachtribute.html Mary Beach] (1919-2006)
* [[Mary Ellen Solt]] (1920-2007)
* [http://www.bettydanon.it/bd_e.html Betty Danon] (1920-2002)
* Jennifer Pike Cobbing (1920-2016)
* [[Bohumila Grögerová]] (1921-2014)
* [https://nmwa.org/explore/artist-profiles/mirella-bentivoglio Mirella Bentivoglio] (1922-2017)
* [http://www.ubu.com/historical/tavares/ Salette Tavares] (1922-1994)
* [https://fr.wikipedia.org/wiki/Lily_Greenham Lily Greenham] (1924-2001)
* [http://www.ubu.com/sound/garnier_i.html Ilse Garnier] (1927)
* [https://www.academia.edu/36001707/ Greta Monach] (1928-2018)
* [http://writing.upenn.edu/epc/authors/weiner/ Hannah Weiner] (1928-1997)
* [https://pt.wikipedia.org/wiki/Ana_Hatherly Ana Hatherly] (1929-2015)
* [https://awarewomenartists.com/en/artiste/francoise-janicot/ Françoise Janicot] (1929-2017)
* [https://monoskop.org/images/3/34/Bogdanka_Poznanovic_Contact_Art_2016.pdf#page=51 Bogdanka Poznanović] (1930-2013)
* [https://mailartists.wordpress.com/2008/07/14/ruth-wolf-rehfeldt/ Ruth Wolf-Rehfeldt] (1932)
* [http://cxsilvergallery.com/nye-ffarrabas/ Nye Ffarrabas] (formerly Bici Forbes and Bici Hendricks, 1932)
* [https://luciamarcucci.wordpress.com/ Lucia Marcucci] (1933)
* [https://www.lib.uchicago.edu/efts/IWW/BIOS/A0036.html Giulia Niccolai] (1934)
* [http://gregorpodnar.com/irma-blank/ Irma Blank] (1934)
* [https://www.sheffield.ac.uk/library/special/seripress Barbara Caruso] (1937-2009)
* [http://writing.upenn.edu/epc/authors/howe/ Susan Howe] (1937)
* [https://en.wikipedia.org/wiki/Ketty_La_Rocca Ketty La Rocca] (1938-1976)
* [http://archive.is/H3uqh Cozette de Charmoy] (1939)
* [http://www.lilianelijn.com Liliane Lijn] (1939)
* [http://www.paulaclaire.com Paula Claire] (1939)
* [https://www.ditchpoetry.com/judithcopithorne.htm Judith Copithorne] (1939)
* [http://www.henriquefaria.com/exhibition?id=121 Mirtha Dermisache] (1940-2012)
* [https://www.museoreinasofia.es/en/exhibitions/elena-asins-fragments-memory Elena Asins] (1940-2015)
* [[Biljana Tomić]] (1940)
* [http://www.galeriasuperficie.com.br/en/artists/neide-de-sa/ Neide Sá] (1940)
* [http://www.newstarbooks.com/author.php?author_id=3119 Maxine Gadd] (1940)
* [https://sr.wikipedia.org/wiki/Judita_Šalgo Judita Šalgo] (1941-1996)
* [https://rachelblauduplessis.com/ Rachel Blau DuPlessis] (1941)
* [[Katalin Ladik]] (1942)
* [http://www.ann-noel.com/ Ann Noël] (1944)
* [[Ewa Partum]] (1945)
* [https://archiveshub.jisc.ac.uk/search/archives/ac80080e-cf25-3718-a19d-463bde71ec30 Betty Radin]
* [https://vimeo.com/user3252926 Rhoda Rosenfeld]
* [http://cipmarseille.fr/auteur_fiche.php?id=985 Michèle Métail] (1950)
* [http://www.vispo.com/uribe/datos/aboutAnaMariaEnglish.htm Ana María Uribe] (1951-2004)
* [http://web.archive.org/web/20150522005254/http://www.maggieosullivan.co.uk/ Maggie O'Sullivan] (1951)
* [[Johanna Drucker]] (1952)
* [http://www.learnyeats.com/ Beth Learn]
* [http://www.vispo.com/aleph3/images/maria_damon/slidvid/info.htm Maria Damon] (1955)
* [https://patriciafarrell.weebly.com Patricia Farrell] (1956)
* [http://web.archive.org/web/20160118104327/http://xoomer.virgilio.it/cprezi/caterinadav.html Caterina Davinio] (1957)
* [https://www.flickr.com/photos/48593922@N04/collections/72157629766553926/ Peggy Lefler] (1959)
* [http://www.ubu.com/contemp/baum/ Erica Baum] (1961)
* [http://jenbervin.com/ Jen Bervin] (1972)
* [http://davidkayegallery.com/?page_id=44 Sylvia Ptak]
* [http://www.safiyecan.de/ Safiye Can] (1977)
* [https://www.francescacapone.com/ Francesca Capone] (1987)
</div>

==Exhibition catalogues==
<gallery>
Arti_visive_Poesia_visiva_1976.jpg|''Arti visive. Poesia visiva'', 1976.
Materializzazione del linguaggio 1978.jpg|''Materializzazione del linguaggio'', 1978.
</gallery>
<div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3; font-size: .95em">
===Group exhibitions===
: ''Arti visive. Poesia visiva. / Visual Poetry by Women, an International Exhibition in Venice'', ed. Mirella Bentivoglio, intro. Franca Zoccoli, Rome: Studio d'Arte Contemporanea, 1976, [27] cards+[3] leaves, 22 x 16 cm. [[Media:Arti_visive_Poesia_visiva_1976_Introduction.jpg|Introduction]], [[Media:Arti_visive_Poesia_visiva_1976_Artist_list.jpg|Artist list]]. A gathering of artists’ cards documenting visual and concrete poetry all created by women from Italy, England, Germany, United States, Czechoslovakia, Portugal, Canada, and Japan. Organized by Bentivoglio, this multiyear exhibit traveled form city to city throughout Italy (Milan, Savona, Rome, Turin) starting in 1972. Participating artists: Annalisa Alloatti, Mirella Bentivoglio, Irma Blank, Paul Claire, Lia Drei, Ulrike Eberle, Anna Esposito, Amelia Etlinger, Gisela Frankenberg, Ilse Garnier, Bohumila Grögerová, Ana Hatherly, Annalies Klophaus, Liliana Landi, Giulia Niccolai, Anna Oberto, Anezia Pacheco e Chaves, Marguerite Pinney, Betty Radin, Giovanna Sandri, Mira Schendel, Mary Ellen Solt, Chima Sunada, Salette Tavares, Biljana Tomić, Patrizia Vicinelli. [https://www.theideaofthebook.com/pages/books/87/mirella-bentivoglio-patrizia-vicinelli-biljana-tomic-salette-tavares-chima-sunada-mary-ellen/arti-visive-poesia-visiva-visual-poetry-by-women-an-international-exhibition-in-venice/?soldItem=true] {{it}},{{en}}
: ''Materializzazione del linguaggio'', ed. Mirella Bentivoglio, Biennale di Venezia 1978-Arti visive e architettura, 1978, 55 pp. Catalogue for exh. held 20 Sep-15 Oct 1978 featuring works by 86 women artists. Text by Mirella Bentivoglio, biographies of the exhibiting artists including [[Sonia Delaunay]], [[Natalia Goncharova]], Irma Blank, Mirella Bentivoglio, Lia Dreai, Chiara Diamantini, Elisabetta Gut, Ketty La Rocca, Lucia Marcucci, Simona Weller, Carla Vasio, Giulia Niccolai, Paola Levi Montalcini, Maria Lai, Tomaso Binga. [https://www.stsenzatitolo.com/st/prodotto/mirella-bentivoglio-materializzazione-del-linguaggio/] {{it}
===Solo exhibitions===
: ''Mirella Bentivoglio: Pages: Selected Works, 1966-2012'', ed. & intro. Frances K. Pohl, Claremont, CA: Pomona College Museum of Art, 2015, 152 pp, [[Media:Mirella Bentivoglio Pages Selected Works 1966-2012 2015 excerpt.pdf|Excerpt (pp 57-90)]]. This book is the first museum publication in English on Italian artist Mirella Bentivoglio (born 1922). It includes critical essays by art historians Frances K. Pohl, Leslie Cozzi and Franca Zoccoli, interviews with Bentivoglio and John David O'Brien, and a biographical note by Rosaria Abate, plus a bibliography. The book highlights work from the recent exhibition at the Pomona College Museum of Art, which surveyed nearly 50 years of the artist's work as an internationally renowned member of the Concrete and visual poetry movements. Including works in paper, stone, metal, wood, cloth, plastic and Plexiglass and with numerous previously unpublished images, it reveals the ways in which Bentivoglio engaged with many of the most significant formal and theoretical issues of postwar art--for example, the relationship between image and text, the impact of mass media and consumer culture, feminist critiques of patriarchy and artistic interventions in public spaces. Exhibition: Pomona College Museum of Art, Claremont, USA (20.01-17.05.2015). [https://content-object.com/Pages-Mirella-Bentivoglio] {{en}}
: ''[[Media:Cozette de Charmoy Podroze wyobrazni 1987.pdf|Cozette de Charmoy: Podróże wyobraźni]]'', eds. Urszula Czartoryska and Jaromir Jedlinski, Lodz: Muzeum sztuki, 1987, [16] pp. {{pl}}
</div>

==Archives, resources==
: Paula Claire Archive; fromWORDtoART - International PoetArtists, an international archive of sound and visual poetry, est. 1983. The archive containing over 5,000 books, poem objects, exhibition catalogues, cassettes and CDs, was gathered by exchanging Claire's Little Press publications with fellow international poets, and is the basis of illustrated talks and displays.

==Reception, art historical studies, theory==
: ''OEI'' 51: "Mary Ellen Solt: Towards a theory of concrete poetry", ed. & forew. Antonio Sergio Bessa, Stockholm, 2010. [http://olllllll.se/arkoeiv/?p=324] [https://www.flickr.com/photos/48593922@N04/27804797195/] {{en}}
: Leslie Cozzi, [https://journals.openedition.org/cei/1238?lang=en "Notes on the Index, Continued: Italian Feminism and the Art of Mirella Bentivoglio and Ketty La Rocca"], ''Cahiers d’études italiennes'' 16, 2013, pp 213-234. {{en}}
: Elisabeth A. Frost, [[Media:Frost_Elisabeth_A_2016_Visual_Poetics.pdf|"Visual Poetics"]], in ''A History of Twentieth-Century American Women's Poetry'', ed. Linda A. Kinnahan, Cambridge University Press, 2016, pp 339-358.

==See also==
[[Concrete poetry]], [[Sound poetry]]


{{Literature}}